Název: Survival and rebirth : archaistic elements in the Greek art of the Classical period
Variantní název:
- Přežití a znovuzrození : archaizující prvky v řeckém umění klasického období
Zdrojový dokument: Studia archaeologica Brunensia. 2022, roč. 27, č. 2, s. 5-30
Rozsah
5-30
-
ISSN1805–918X (print)2336–4505 (online)
Trvalý odkaz (DOI): https://doi.org/10.5817/SAB2022-2-1
Trvalý odkaz (handle): https://hdl.handle.net/11222.digilib/digilib.77524
Type: Článek
Jazyk
Jazyk shrnutí
Licence: CC BY-SA 4.0 International
Upozornění: Tyto citace jsou generovány automaticky. Nemusí být zcela správně podle citačních pravidel.
Abstrakt(y)
This paper aims to present an overview of archaistic elements in ancient Greece in the fifth and fourth centuries BC. The first part provides a background for their emergence in the second half of the fifth century and summarises the possible reasons why it might have happened. Its primary focus lies in presenting examples from sculpture, vase painting and toreutics and in connecting the archaistic traits which appear on them. The particular elements are described and placed in time. In the final chapter, we draw a conclusion.
Tento článek předkládá stručné shrnutí archaizujících elementů, které můžeme najít v pátém a čtvrtém století př. n. l. v antickém Řecku. V první části se věnuje nastínění možných důvodů, proč k použití archaizujících prvků v druhé polovině pátého století mohlo dojít, v hlavní části pak sleduje uplatnění jednotlivých archaizujících znaků na vybraném materiálu ze sochařství, toreutiky a vázového malířství. Poté identifikované rysy rozebírá a komentuje jejich proměny v čase. Na závěr shrnuje vypozorovaná zjištění.
Reference
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[38] Stewart, A. 2003a: Alkamenes' Two Herms Again. Zeitschrift für Papyrologie und Epigraphik 145, 107–108.
[39] Trofimova, A. 2007: Greeks on the Black Sea. Ancient Art from the Hermitage. Cat. 35. Malibu, 120–121.
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[41] Willers, D. 1975: Zu den Anfängen der archaistischen Plastik in Griechenland. Athenische Mitteilungen 8, Beihefte 4. Berlin.
[42] Williams Lehmann, P. – Lehmann, K. (eds.) 1982: Samothrace: excavations conducted by the Institute of Fine Arts of New York University. The Temenos. Vol. 5. New York.
[43] Zagdoun, M., 1989: La Sculpture Archaisante dans l'Art Hellénistique et dans L'Art Romain du Haut-Empire. [S.I.], Paris.
[2] Becatti, G. 1940: Corpus vasorum antiquorum, Italia, 16. Roma.
[3] Bentz, M. 1998: Panathenäische Preisamphoren. Eine athenische Vasengattung und ihre Funktion vom 6.–4. Jhs v. Chr. Antike Kunst, Beiheft 18, 41–50.
[4] Croissant, F. 1971: Une Aphrodite méconnue du début du IVe siècle. Bulletin de Correspondance Hellénique, 95(1), 65–107.
[5] Dontas, G. 1986: Ο χάλκινος Απόλλων του Πειραιά. In: H. Kyrieleis (ed.): Archaische und klassische griechische Plastik I. Mainz, 181–192.
[6] Fiolitaki, A. 2001: Archaic Elements in Greek Art and Architecture of the Fourth Century BC, with Particular Reference to Works from Ionia and Caria. King's College, Ph.D thesis. University of London. London.
[7] Flanderková, K. 2021: Survival and Rebirth: From the Archaic to the Archaistic Style in the Arts of the Classical Period. Bachelor thesis. Masaryk University. Brno.
[8] Francis, J. 1998: Rewriting Attributions: Alkamenes and the Hermes Propylaos. In: K. J. Hartswick & M. C. Sturgeon (eds.): Stephanos: Studies in Honor of Brunilde Sismondo Ridgway. Philadelphia, 61–68.
[9] Friedland, E. – Sobocinski, M. – Gazda, E. 2015: The Oxford Handbook Of Roman Sculpture. New York.
[10] Fuchs, W. 1959: Die Vorbilder der Neuattischen Reliefs. Jahrbuch des deutschen archaeologischen Instituts, Ergänzungsheft 20. Berlin.
[11] Fullerton, M. D. 2018: The Archaistic style in Roman Statuary. Leiden.
[12] Furtwangler, A. 1878: Die Chariten des Akropolis. Athenische Mitteilungen 3, 181–202.
[13] Harrison, E. B. 1965: Archaic and Archaistic Sculpture, The Athenian Agora, vol. 11. Princeton.
[14] Hauser, F. 1889: Die Neuattischen Reliefs. Stuttgart.
[15] Hartswick, K. J. – Sturgeon, M. C. (eds). 1998: Stephanos: Studies in honor of Brunilde Sismondo Ridgway. Philadelphia.
[16] Hölscher, F. 2010: Gods and statues – an approach to archaistic images in the fifth century BCE. In: J. Mylonopoulos (ed.): Divine Images and Human Imaginations in Ancient Greece and Rome. Leiden, 105–120.
[17] Holtzmann, B. 2000: La sculpture en marbre. In: Y. Grandjean – F. Salviat (eds.): Guide de Thasos. Paris.
[18] Green, R. 1962: A New Oinochoe Series from the Acropolis North Slope. Hesperia 31, 82–94.
[19] Kraus, T. 1960: Hekate. Heidelberg.
[20] Marcadé, J. 1951: Chronique des fouilles et découvertes archéologiques en Grèce en 1950. Bulletin de correspondance hellénique 75, 101–198.
[21] Mitchell, C. 1953: Stylistic Problems in Greek and Roman Archaistic Reliefs. Harvard Studies in Classical Philology 61, 73–84.
[22] Mitchell, C. 1964: Archaistic Reliefs of the Hellenistic Period. American Journal of Archaeology 68(1), 43–58.
[23] Mitchell, C. 1965: The Archaic as Survival versus the Archaistic as a New Style. American Journal of Archaeology 69(4), 331–340.
[24] Palagia, O. 1989: A New Relief of the Graces and the Charites of Socrates. Sacris Erudiri 31, 347–356.
[25] Palagia, O. 2009: Archaism and the Quest for Immortality in Attic Sculpture during the Peloponnesian War. In: O. Palagia (ed.): Art in Athens during the Peloponnesian War, New York.
[26] Palagia, O. 2016: Towards a publication of the Piraeus bronzes: the Apollo. In: Guimlia-Mair A. – Mattusch C. (eds.): Proceedings of the XVIIth International Congress on Ancient Bronzes. Monographie Instrumentum 52. Izmir, 237–243.
[27] Pollitt, J. J. – Rasmussen, T. 1972: Art and experience in classical Greece. Cambridge.
[28] Pollitt, J. J. 1986: Art in the Hellenistic Age (Illustrated ed.). Cambridge University Press. Cambridge.
[29] Richter, G. M. A. 1969: A Handbook of Greek Art. London.
[30] Ridgway, B. 1977: The archaic style in Greek sculpture. Princeton.
[31] Ridgway, B. 1997: Fourth-century Styles in Greek Sculpture. Madison.
[32] Schmidt, E. 1922: Archaistische Kunst in Griechenland und Rom. Munich.
[33] Shear, T. L. 1933: The Sculpture. Hesperia 2(4), 514–541.
[34] Shear, T. L. 1935: The Sculpture Found in 1933, Hesperia 4(3), 371–420.
[35] Sideris, A. 2021: Herms from Ephesus. The Classical Review 71(2), 540–542.
[36] Sideris, A. 2021a: Metal Vases and Utensils in the Vassil Bojkov Collection. Vol. 2. Sofia.
[37] Stewart, A. 2003: Alkamenes at Ephesos and in Athens. Zeitschrift für Papyrologie und Epigraphik 143, 101–103.
[38] Stewart, A. 2003a: Alkamenes' Two Herms Again. Zeitschrift für Papyrologie und Epigraphik 145, 107–108.
[39] Trofimova, A. 2007: Greeks on the Black Sea. Ancient Art from the Hermitage. Cat. 35. Malibu, 120–121.
[40] Willers, D. 1967: Zum Hermes Propylaios des Alkamenes. Jahrbuch des deutschen archaeologischen Instituts 82, 37–109.
[41] Willers, D. 1975: Zu den Anfängen der archaistischen Plastik in Griechenland. Athenische Mitteilungen 8, Beihefte 4. Berlin.
[42] Williams Lehmann, P. – Lehmann, K. (eds.) 1982: Samothrace: excavations conducted by the Institute of Fine Arts of New York University. The Temenos. Vol. 5. New York.
[43] Zagdoun, M., 1989: La Sculpture Archaisante dans l'Art Hellénistique et dans L'Art Romain du Haut-Empire. [S.I.], Paris.