Displaying 476 - 500 of 1010
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Musil, Ondřej.
Dvořák, Martinů and Gershwin as a source of inspiration for Vladimír Sís's music films. Musicologica Brunensia. 2022, vol. 57, iss. 2, pp. 145–161.
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Foellmer, Susanne.
The archival turn in dance/studies : reflections on (corporeal) archives and documents : (reprint). Theatralia. 2022, vol. 25, iss. 2, pp. 129–147.
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Bernátek, Martin.
Building reenactment studies. Theatralia. 2022, vol. 25, iss. 2, pp. 149–154.
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Čiripová, Dáša.
Political body in relation to memory and history. Theatralia. 2022, vol. 25, iss. 2, pp. 155–157.
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Kubina, Lukáš.
Performance constellations: to show the invisible. Theatralia. 2022, vol. 25, iss. 2, pp. 158–161.
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Kolařík, Aleš.
Poetics and contexts of unofficial drama in a totalitarianism. Theatralia. 2022, vol. 25, iss. 2, pp. 167–171.
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Havlíčková Kysová, Šárka.
Hamlet jako člověk rozumu i emoce. Theatralia. 2022, vol. 25, iss. 2, pp. 172–174.
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Turzíková, Tereza.
Theatrical mind: from tradition to new frontiers. Theatralia. 2022, vol. 25, iss. 2, pp. 183–185.
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Woollard, Jane.
My mother's voice : 'a view from ground level, in the thick of things'. Theatralia. 2022, vol. 25, iss. 2, pp. 187–202.
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Veselovska, Hanna, Ruban, Viktor.
Reconstructing the glorious past : Bronislava Nijinska's School of Movement. Theatralia. 2022, vol. 25, iss. 2, pp. 203–222.
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Hruška, Viktor.
Early Czech music theory : characterization, personalities and trends. Musicologica Brunensia. 2022, vol. 57, iss. 1, pp. 39–55.
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Kajanová, Yvetta.
Migration of Central European musicians exemplified by John Dopyera, Diana Krall, Andreas Varady, and Celeste Buckingham. Musicologica Brunensia. 2022, vol. 57, iss. 1, pp. 57–74.
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Dobšinský, Peter.
The AMC Trio jazz combo and their inspirations drawn from Slovak folk music. Musicologica Brunensia. 2022, vol. 57, iss. 1, pp. 75–88.
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Pavlica, Lukáš.
The operas arrangements for chamber ensembles in the Moravian and Lower Austrian monasteries. Musicologica Brunensia. 2022, vol. 57, iss. 1, pp. 153–166.
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Slavíček, Lubomír, Šeferisová Loudová, Michaela.
Editorial. Opuscula historiae artium. 2022, vol. 71, iss. 1-2, pp. 3–6.
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Krsek, Ivo.
Maulbertsch's "Liberation of the Virgin" in the Moravian Gallery in Brno : on the relationship of Franz Anton Maulbertsch to Peter Paul Rubens. Opuscula historiae artium. 2022, vol. 71, iss. 1-2, pp. 16–27.
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Hudecová, Danuta, Kalina, Petr.
Leoš Janáček's interpretation and misinterpretation of Dostoyevsky's The House of the Dead. Musicologica Brunensia. 2016, vol. 51, iss. 2, pp. 27–40.
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Slouka, Petr.
Johann Heinrich Schmelzer's serenata for the celebrations of Maria Antonia Habsburg's birthday. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 243–251.
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Kozel, David.
Repetition as a principle of mythological thinking and music of the twentieth century. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 157–167.
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Mohammad, Iyad Abdelhafeez.
Compositional technique and phenomenological categories of perception in the Passacaglia of Shostakovich's Symphony No. 8. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 95–108.
Article
Macek, Petr.
Music lexicographer Jiří Fukač and the Brno School of Music Lexicography. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 43–48.
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Beckerman, Michael.
Klein the Janáčkian. Musicologica Brunensia. 2009, vol. 44, iss. 1-2, pp. 25–33.
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Tyrrell, John.
Janáček, religion and belief. Musicologica Brunensia. 2009, vol. 44, iss. 1-2, pp. 209–215.
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Špaček, Jan.
Private feelings and public statements in the music of Dmitry Shostakovich. Musicologica Brunensia. 2009, vol. 44, iss. 1-2, pp. 203–208.