Title: "The nation's weather-glass a play-house is" : theatre in the prologues and epilogues of the Exclusion Crisis
Source document: Theory and Practice in English Studies. 2021, vol. 10, iss. 1, pp. 29-47
Extent
29-47
-
ISSN1805-0859
Stable URL (handle): https://hdl.handle.net/11222.digilib/143984
Type: Article
Language
License: CC BY-NC-ND 4.0 International
Notice: These citations are automatically created and might not follow citation rules properly.
Abstract(s)
Based on a corpus of prologues and epilogues staged between 1678 and 1683, the study offers an overview of major tropes reflecting the troublesome situation of theatres due to the political turmoil of the Exclusion Crisis. Based on Habermas's theory of the rise of the public sphere, supplemented by the theory of the cultural public sphere from contemporary media studies, it explores the relationship between Restoration theatre, political engagement of the public, political print and popular culture. All of these are represented by the prologues and epilogues as a threat to the "elite" conception of Restoration drama and they constitute serious competition to the stage. The harsh, satirical tone of the framing texts, which escalated in the years of the crisis, betrays a fundamental anxiety of the authors and speakers caused by their economic dependence on the emerging cultural marketplace and the changing dynamics between "elite" art, popular culture and entertainment.
References
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[2] Banks, John. 1679. "Prologue." In The Destruction of Troy. London: printed by A. G. and I. P. Text Creation Partnership, 2011. https://ota.bodleian.ox.ac.uk/repository/xmlui/bitstream/handle/20.500.12024/A30839/A30839.html.
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[18] Shadwell, Thomas. 1680a. "Epilogue." The loving enemies, written by Lewis Maidwell London: printed for John Guy. Early English Books Online Text Creation Partnership, 2011. http://name.umdl.umich.edu/A51422.0001.001.
[19] Shadwell, Thomas. 1680b. "Epilogue." In The woman-captain. London: printed for Samuel Carr. Early English Books Online Text Creation Partnership, 2011. http://name.umdl.umich.edu/A59466.0001.001.
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[21] Danchin, Pierre. 1984. The Prologues and Epilogues of the Restoration 1660–1700: Part II 1677–1690, vol. 2. Nancy: Presses Universitaires de Nancy.
[22] Ennis, Daniel J., and Judith Bailey Slagle. 2007. "Introduction." In Prologues, Epilogues, Curtain-Raisers, and Afterpieces: The Rest of the Eighteenth-Century London Stage, 13–31. Newark: University of Delaware Press.
[23] Knapp, Mary E. 1961. Prologues and Epilogues of the Eighteenth Century. New Haven: Yale University Press.
[24] Marsden, Jean I. 2000. "Spectacle, Horror, and Violence." In The Cambridge Companion to English Restoration Theatre, edited by Deborah Payne Fisk, 174–90. Cambridge: Cambridge University Press.
[25] McCallum, Paul. 2007. "Cozening the Pit: Prologues, Epilogues, and Poetic Authority in Restoration England." In Prologues, Epilogues, Curtain-Raisers, and Afterpieces: The Rest of the Eighteenth-Century London Stage, edited by Daniel J. Ennis and Judith Bailey Slagle, 33–68. Newark: University of Delaware Press.
[26] McDowell, Paula. 1998. The Women of Grub Street. Oxford: Clarendon Press.
[27] McGuigan, Jim. 2005. "The Cultural Public Sphere." European Journal of Cultural Studies 8, no. 4: 427–43. https://doi.org/10.1177/1367549405057827. | DOI 10.1177/1367549405057827
[28] Owen, Susan J. 2003. Restoration Theatre and Crisis. Oxford: Oxford University Press.
[29] Reay, Barry. 2014. Popular Cultures in England 1550–1750. London: Routledge.
[30] Ross, J.C. 1973. "An Attack on Thomas Shadwell in Otway's 'The Atheist'." Philological Quarterly 52, no. 4: 753–60.
[31] Schneider, Brian W. 2016. The Framing Text in Early Modern English Drama: "Whining" Prologues and "Armed" Epilogues. Abingdon: Routledge.
[32] Solomon, Diana. 2013. Prologues and Epilogues of Restoration Theater: Gender and Comedy, Performance and Print. Newark: University of Delaware Press.
[33] Thussu, Daya Kishan. 2015. "Infotainment." In The International Encyclopedia of Political Communication, edited by G. Mazzoleni. Wiley Online Library. Accessed April 21, 2021. https://doi.org/10.1002/9781118541555.wbiepc152. | DOI 10.1002/9781118541555.wbiepc152
[34] Webster, Jeremy W. 2005. Performing Libertinism in Charles II's Court: Politics, Drama, Sexuality. Gordonsville: Palgrave Macmillan.
[2] Banks, John. 1679. "Prologue." In The Destruction of Troy. London: printed by A. G. and I. P. Text Creation Partnership, 2011. https://ota.bodleian.ox.ac.uk/repository/xmlui/bitstream/handle/20.500.12024/A30839/A30839.html.
[3] Banks, John. 1682. "Epilogue." In Vertue betray'd, or, Anna Bullen. London: printed for R. Bentley and M. Magnes. Early English Books Online Text Creation Partnership, 2011. http://name.umdl.umich.edu/A30851.0001.001.
[4] Behn, Aphra. 1679. "Epilogue." In The feign'd curtizans, or, A nights intrigue. London: printed for Jacob Tonson. Early English Books Online Text Creation Partnership, 2011. http://name.umdl.umich.edu/A27293.0001.001.
[5] Behn, Aphra. 1679. "Prologue." In The feign'd curtizans, or, A nights intrigue. London: printed for Jacob Tonson. Early English Books Online Text Creation Partnership, 2011. http://name.umdl.umich.edu/A27293.0001.001.
[6] Crowne, John. 1679. "Epilogue." In The ambitiousstatesman, or, The loyal favourite. London: printed for William Abington. Early English Books Online Text Creation Partnership, 2011. http://name.umdl.umich.edu/A35268.0001.001.
[7] Crowne, John. 1683. "Prologue." In City politiques. London: printed for R. Bently and Joseph Hindmarsh. Early English Books Online Text Creation Partnership, 2011. http://name.umdl.umich.edu/A35272.0001.001.
[8] Dryden, John. 1679. "Epilogue." In Troilus and Cressida, or, Truth found too late. London: printed for Able Swall and Jacob Tonson. Early English Books Online Text Creation Partnership, 2011. http://name.umdl.umich.edu/A36704.0001.001.
[9] Dryden, John. 1680a. "Prologue." In Cæsar Borgia, son of Pope Alexander the sixth, written by Nathaniel Lee. London: printed by R. E. for R. Bentley and M. Magnes. Early English Books Online Text Creation Partnership, 2011. http://name.umdl.umich.edu/A49922.0001.001.
[10] Dryden, John. 1680b. "Prologue." In The loyal general, written by Nahum Tate. London: printed for Henry Bonwicke. Early English Books Online Text Creation Partnership, 2011. http://name.umdl.umich.edu/A62967.0001.001.
[11] Dryden, John. 1682. "Epilogue." In The unhappy favourite, or, The Earl of Essex, written by John Banks. London: printed for Richard Bentley and Mary Magnes. Early English Books Online Text Creation Partnership, 2011. http://name.umdl.umich.edu/A30847.0001.001.
[12] Dryden, John and Nathaniel Lee. 1679. "Epilogue." In Oedipus. London: printed for R. Bentley and M. Magnes. Early English Books Online Text Creation Partnership, 2011. http://name.umdl.umich.edu/A36657.0001.001.
[13] D'Urfey, Thomas. 1682. "Epilogue." In The injured princess, or, The fatal vvager. London: printed for R. Bentley and M. Magnes. Early English Books Online Text Creation Partnership, 2011. http://name.umdl.umich.edu/A36983.0001.001.
[14] Lee, Nathaniel. 1680. "Epilogue." In Theodosius, or, The force of love. London: printed for R. Bentley and M. Magnes. Early English Books Online Text Creation Partnership, 2011. http://name.umdl.umich.edu/A49947.0001.001.
[15] Otway, Thomas. 1684. "Prologue." In The atheist, or, The second part of The souldiers fortune. London: printed for R. Bentley and J. Tonson. Early English Books Online, 2011. http://name.umdl.umich.edu/A53510.0001.001.
[16] Ravenscroft, Edward. 1687. "Epilogue." In Titus Andronicus, or, The rape of Lavinia. London: printed by J.B. for J. Hindmarsh. Early English Books Online Text Creation Partnership, 2011. http://name.umdl.umich.edu/A59525.0001.001.
[17] Saunders, Charles. 1681. "Prologue." In Tamerlane the Great. London: printed for Richard Bentley and M. Magnes. Early English Books Online Text Creation Partnership, 2011. http://name.umdl.umich.edu/A62223.0001.001.
[18] Shadwell, Thomas. 1680a. "Epilogue." The loving enemies, written by Lewis Maidwell London: printed for John Guy. Early English Books Online Text Creation Partnership, 2011. http://name.umdl.umich.edu/A51422.0001.001.
[19] Shadwell, Thomas. 1680b. "Epilogue." In The woman-captain. London: printed for Samuel Carr. Early English Books Online Text Creation Partnership, 2011. http://name.umdl.umich.edu/A59466.0001.001.
[20] Tate, Nahum. 1680. "Epilogue." In The loyal general. London: printed for Henry Bonwicke. Early English Books Online Text Creation Partnership, 2011. http://name.umdl.umich.edu/A62967.0001.001.
[21] Danchin, Pierre. 1984. The Prologues and Epilogues of the Restoration 1660–1700: Part II 1677–1690, vol. 2. Nancy: Presses Universitaires de Nancy.
[22] Ennis, Daniel J., and Judith Bailey Slagle. 2007. "Introduction." In Prologues, Epilogues, Curtain-Raisers, and Afterpieces: The Rest of the Eighteenth-Century London Stage, 13–31. Newark: University of Delaware Press.
[23] Knapp, Mary E. 1961. Prologues and Epilogues of the Eighteenth Century. New Haven: Yale University Press.
[24] Marsden, Jean I. 2000. "Spectacle, Horror, and Violence." In The Cambridge Companion to English Restoration Theatre, edited by Deborah Payne Fisk, 174–90. Cambridge: Cambridge University Press.
[25] McCallum, Paul. 2007. "Cozening the Pit: Prologues, Epilogues, and Poetic Authority in Restoration England." In Prologues, Epilogues, Curtain-Raisers, and Afterpieces: The Rest of the Eighteenth-Century London Stage, edited by Daniel J. Ennis and Judith Bailey Slagle, 33–68. Newark: University of Delaware Press.
[26] McDowell, Paula. 1998. The Women of Grub Street. Oxford: Clarendon Press.
[27] McGuigan, Jim. 2005. "The Cultural Public Sphere." European Journal of Cultural Studies 8, no. 4: 427–43. https://doi.org/10.1177/1367549405057827. | DOI 10.1177/1367549405057827
[28] Owen, Susan J. 2003. Restoration Theatre and Crisis. Oxford: Oxford University Press.
[29] Reay, Barry. 2014. Popular Cultures in England 1550–1750. London: Routledge.
[30] Ross, J.C. 1973. "An Attack on Thomas Shadwell in Otway's 'The Atheist'." Philological Quarterly 52, no. 4: 753–60.
[31] Schneider, Brian W. 2016. The Framing Text in Early Modern English Drama: "Whining" Prologues and "Armed" Epilogues. Abingdon: Routledge.
[32] Solomon, Diana. 2013. Prologues and Epilogues of Restoration Theater: Gender and Comedy, Performance and Print. Newark: University of Delaware Press.
[33] Thussu, Daya Kishan. 2015. "Infotainment." In The International Encyclopedia of Political Communication, edited by G. Mazzoleni. Wiley Online Library. Accessed April 21, 2021. https://doi.org/10.1002/9781118541555.wbiepc152. | DOI 10.1002/9781118541555.wbiepc152
[34] Webster, Jeremy W. 2005. Performing Libertinism in Charles II's Court: Politics, Drama, Sexuality. Gordonsville: Palgrave Macmillan.