Title: How the digital age has transformed the landscape of contemporary Russophone dramaturgy : tools, methods of presentation, reception
Source document: Theatralia. 2024, vol. 27, iss. 2, pp. 13-27
Extent
13-27
-
ISSN1803-845X (print)2336-4548 (online)
Persistent identifier (DOI): https://doi.org/10.5817/TY2024-2-2
Stable URL (handle): https://hdl.handle.net/11222.digilib/digilib.80607
Type: Article
Language
License: CC BY-NC-ND 4.0 International
Rights access
open access
Notice: These citations are automatically created and might not follow citation rules properly.
Abstract(s)
The article discusses the impact of digital technologies on the art of dramaturgy, focusing on the changes that have taken place in the landscape of Russophone drama in the 21st century. Special emphasis is placed on the role of Lubimovka, the annual festival of Russian-language plays as a platform for the collection, presentation, and distribution of dramatic content, as well as for public discussions about both the plays themselves and the social issues they reflect. The author argues that the connection between the theatre and contemporary drama has been weakened recently, and proposes a scientific hypothesis about drama's functioning as an independent, para-theatrical form of artistic expression in the digital age. Additionally, the article analyses how digital technologies have transformed the process of creating and organising documentary drama.
References
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[17] SKOROKHOD, Natalia. Our Language is What We Haven't Lost and the Only Thing That Unites Us: Interview with Mikhail Durnenkov [manuscript in preparation].
[18] STESHIK, Konstantin. s. a. Drug Moi [My Friend] [online]. Lubimovka. Library. [accessed on 10. 1. 2024]. Available online at https://www.lubimovka.art/steshik.
[2] ALEXSEEVA, Evgenia. 2020. Epidemia Dramaturgii [The Epidemic of Dramaturgy] [online]. Novaya Gazeta (29. 5. 2020). [accessed on 10. 1. 2024]. Available online at https://novayagazeta.ru/articles/2020/05/29/85605-epidemiya-dramaturgii?ysclid=ls8xlx0lie506608182.
[3] AVGUSTENYAK, Ekaterina. s.a. Lorem Ipsum [online]. Lubimovka. Library. [accessed on 10. 1. 2024]. Available online at https://www.lubimovka.art//avgustenyak.
[4] BOL, Ester [VOLOSHINA, Asya]. 2022. Crime#Always Arm Ukraine [online]. Transl. by Ricardo Marin-Vidal. Critical Stage (2022): 26. [accessed on 10. 1. 2024]. Available online at https://www.critical-stages.org/26/crime-alwaysarmukraine.
[5] CURTIS, Julie A. E (ed.). 2020. New Drama in Russian. London/New York: Bloomsbury Academic, 2020.
[6] DEMIDOVA, Elena. s.a. Textogenerator 'Dal'nie rodsnvenniki' [The Text Generator 'Distant relatives'] [online]. Lubimovka. Library. [accessed on 10. 1. 2024]. Available online at https://www.lubimovka.art/demidova.
[7] DOS'KO, Maxim. s.a. London [online]. Lubimovka. Library. [accessed on 10. 1. 2024]. Available online at https://www.lubimovka.art/dosko.
[8] GURSKI, Daniel. s.a. Ikonostas.mp3 [Iconostasis.mp3] [online]. Lubimovka. Library. [accessed on 10. 1. 2024]. Available online at https://www.lubimovka.art/gurskij.
[9] KISELEV, Alexei. 2019. Dlya menstruatsii slishkom mnogo efemismov: Ol'ga Shilyaeva o svoej feministskoi oratirii [There are too many euphemisms for menstruation: Olga Shilyaeva about her feminist oratorio] [online]. Afisha (30. 1. 2019). [accessed on 10. 1. 2024]. Available online at https://daily.afisha.ru/culture/11167-dlya-menstruacii-slishkom-mnogoevfemizmov-olga-shilyaeva-o-svoey-feministskoy-oratorii/.
[10] KOLONDO, Gleb. s.a. Vitya v Strane Kartonnijh Chelovechkov [Vitya in the Land of Cardboard Humans] [online]. Lubimovka. Library. [accessed on 10. 1. 2024]. Available online at https://www.lubimovka.art/kolondo.
[11] LAPPO, Irina. 2020. Krajne Postdramaticheskij teatr Pavla Pryazhko [Pavel Pryazhko's Extremely Postdramatic Theatre]. In Sergey Kovalev (ed.). Pokolenie RU v belorussoj dramaturgii: kontext, tendentsii, persolalii. [Generation RU in Belarusian dramaturgy: Context, Tendencies, Personalities]. Lublin: Mariya Skladovskaya University Publishing House, 2020.
[12] LUBIMOVKA. s.a. [online]. [accessed on 10. 1. 2024]. Available online at https://www.lubimovka.art.
[13] MATERINSKIJ, Artyom. s.a. I. 9 let [I.,9 years] [online]. Lubimovka. Library. [accessed on 10. 1. 2024]. Available online at https://www.lubimovka.art/materinski.
[14] PRYAZHKO, Pavel. s.a. Pechal'nij Hokkeist [Melancholy Hockey Player] [online]. Lubimovka. Library. [accessed on 10. 1. 2024]. Available online at https://www.lubimovka.art/pryazhko.
[15] SHILOV, Andrei. 2022. What did we do wrong...: Interview with Mikhail Durnenkov [Cho mji delali ne tak...: Intervju s Mikhailom Durnenkovjim] [online]. Nastoyashee vremya (1. 7. 2022). [accessed on 10. 1. 2024]. Available online at https://www.currenttime.tv/a/ya-vsevremya-dumayu-chto-my-delali-ne-tak-chto-eta-voyna-nachalas-dramaturg-mihail-durnenkov-opokinutoy-rossii-i-novoy-pese-/31923587.html.
[16] SHILYAEVA, Olga. s.a. 28 Dnej: Tragedia Menstrual'nogo Tsikla [28 days: The Tragedy of the Menstrual Cycle] [online]. Lubimovka. Library. [accessed on 10. 1. 2024]. Available online at https://www.lubimovka.art/shilyaeva.
[17] SKOROKHOD, Natalia. Our Language is What We Haven't Lost and the Only Thing That Unites Us: Interview with Mikhail Durnenkov [manuscript in preparation].
[18] STESHIK, Konstantin. s. a. Drug Moi [My Friend] [online]. Lubimovka. Library. [accessed on 10. 1. 2024]. Available online at https://www.lubimovka.art/steshik.