Displaying 1 - 25 of 292
Article
Bernátek, Martin, Pavlišová, Jitka.
Bodies in archival situations : editorial. Theatralia. 2022, vol. 25, iss. 2, pp. 7–13.
Article
Kubart, Tomáš.
Günter Brus: a walk through totality. Theatralia. 2022, vol. 25, iss. 2, pp. 15–40.
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Sosnowska, Dorota.
Blasted 1999 : Sarah Kane's body against the archive. Theatralia. 2022, vol. 25, iss. 2, pp. 41–61.
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Hanáčková, Andrea.
Tendons, meat, fat : the invisible body in the liminal space of podcasting. Theatralia. 2022, vol. 25, iss. 2, pp. 62–80.
Article
Foellmer, Susanne, Pavlišová, Jitka.
Tracing dance: expanding archives, contemporary witnesses, and other modes of re-producing embodied knowledge : interview with Susanne Foellmer. Theatralia. 2022, vol. 25, iss. 2, pp. 115–128.
Article
Foellmer, Susanne.
The archival turn in dance/studies : reflections on (corporeal) archives and documents : (reprint). Theatralia. 2022, vol. 25, iss. 2, pp. 129–147.
Article
Bernátek, Martin.
Building reenactment studies. Theatralia. 2022, vol. 25, iss. 2, pp. 149–154.
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Čiripová, Dáša.
Political body in relation to memory and history. Theatralia. 2022, vol. 25, iss. 2, pp. 155–157.
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Kubina, Lukáš.
Performance constellations: to show the invisible. Theatralia. 2022, vol. 25, iss. 2, pp. 158–161.
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Kolařík, Aleš.
Poetics and contexts of unofficial drama in a totalitarianism. Theatralia. 2022, vol. 25, iss. 2, pp. 167–171.
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Havlíčková Kysová, Šárka.
Hamlet jako člověk rozumu i emoce. Theatralia. 2022, vol. 25, iss. 2, pp. 172–174.
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Turzíková, Tereza.
Theatrical mind: from tradition to new frontiers. Theatralia. 2022, vol. 25, iss. 2, pp. 183–185.
Article
Woollard, Jane.
My mother's voice : 'a view from ground level, in the thick of things'. Theatralia. 2022, vol. 25, iss. 2, pp. 187–202.
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Veselovska, Hanna, Ruban, Viktor.
Reconstructing the glorious past : Bronislava Nijinska's School of Movement. Theatralia. 2022, vol. 25, iss. 2, pp. 203–222.
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Call for papers : Brno Theatralia Conference 2016: Czech and Slovak Scenography for Shakespeare, 8-9 November 2016. Theatralia. 2016, vol. 19, iss. 1, pp. 334–335.
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Drábek, Pavel.
German Shakespeare and the political stage. Theatralia. 2021, vol. 24, iss. 2, pp. 167–169.
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Turzíková, Tereza.
Who gets to (re)define theatre?. Theatralia. 2021, vol. 24, iss. 2, pp. 188–190.
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Kunderová, Radka, Balme, Christopher.
The risks are fairly clear' : interview with Christopher Balme. Theatralia. 2021, vol. 24, iss. 2, pp. 161–166.
Article
Lazorčáková, Tatjana.
The function of irregular space in Moravian and Silesian theatre, 1960-1989: experiment, protest, alternative. Theatralia. 2011, vol. 14, iss. 1, pp. 204–227.
Article
Marková, Sylva.
Costume collections of the Schwarzenberg court theatre at Český Krumlov Castle. Theatralia. 2011, vol. 14, iss. 1, pp. 98–113.
Article
Brandesky, Joseph E..
Permanent interaction: reflections on the paintings and designs of Jaroslav Malina. Theatralia. 2011, vol. 14, iss. 1, pp. 228–243.
Article
Vršecká, Kateřina.
Towards a way of reading scenic space in dramatic texts of the Czech Middle Ages. Theatralia. 2011, vol. 14, iss. 1, pp. 65–81.
Article
Merenus, Aleš.
Modern Czech play (1896-1989); Between text and performance (a dictionary of works) : summary. Theatralia. 2018, vol. 21, iss. 1, Supplementum, pp. 73–76.
Article
Koblišková, Zuzana.
Othello and the perception of race within the cultural context of Czech and Slovak theatres. Theatralia. 2018, vol. 21, iss. 2, pp. 127–140.