Displaying 201 - 225 of 232
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Sládek, Ondřej.
Jan Patočka on structuralism : connections and relationships. Bohemica litteraria. 2020, vol. 23, iss. 2, pp. 99–116.
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Jankovič, Milan.
Patočka's concept of style and the aesthetic attitude. Bohemica litteraria. 2020, vol. 23, iss. 2, pp. 142–146.
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Chitnis, Rajendra.
A message from a Bohemian "interculture" : Patočka's translation of Durych's Boží duha. Bohemica litteraria. 2020, vol. 23, iss. 2, pp. 31–50.
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Plunkett, Erin.
"New human possibilities" in Patočka's philosophy of literature. Bohemica litteraria. 2020, vol. 23, iss. 2, pp. 69–80.
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Kožmín, Zdeněk.
All that remains of an angel. Bohemica litteraria. 2020, vol. 23, iss. 2, pp. 135–141.
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Tlustý, Jan.
Contemplating literature with Jan Patočka : phenomenology as an inspiration for literary studies. Bohemica litteraria. 2020, vol. 23, iss. 2, pp. 81–98.
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James, Petra.
On mastodons, Faust and tight hugs : Jan Patočka on literature. Bohemica litteraria. 2020, vol. 23, iss. 2, pp. 51–68.
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Šalounová, Kateřina.
Conference report: Experience as a research method in performing arts. Where conference style makes strides?. Theatralia. 2020, vol. 23, iss. 2, pp. 203–208.
Article
Daniel, Clara.
Hic et nunc: Amy Richlin's Iran Man and the ethics of translating Plautus. Theatralia. 2020, vol. 23, iss. 2, pp. 143–162.
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Stehlíková, Karolína, Lollike, Christian.
I hope that the debates the performances stimulate will change something' : interview with Danish playwright Christian Lollike. Theatralia. 2020, vol. 23, iss. 2, pp. 169–172.
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Poláčková, Eliška.
Planctus Mariae : performing compassion as a means of social promotion. Theatralia. 2020, vol. 23, iss. 2, pp. 74–91.
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Kačer, Tomáš, Drozd, David.
(Re-)translating Zich's aesthetics into English : a work in progress. Theatralia. 2020, vol. 23, iss. 1, pp. 199–213.
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Ambros, Veronika.
Otakar Zich and Prague's 'Semiotic Stage' : reading performance avant la lettre. Theatralia. 2020, vol. 23, iss. 1, pp. 13–29.
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Drábek, Pavel.
A Czech dictionary of structuralist literary theory and criticism. Theatralia. 2020, vol. 23, iss. 1, pp. 168–170.
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Meerzon, Yana.
The magic of a toolbox : The Prague School in Theatre pedagogy : analysis, comprehension, creativity. Theatralia. 2020, vol. 23, iss. 1, pp. 89–104.
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Musilová, Martina.
Otakar Zich on the dramatic acting. Theatralia. 2020, vol. 23, iss. 1, pp. 81–88.
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Pożar, Przemysław.
The vacant utopia : reflecting on the first Polish post-war staging of The Tempest. Theatralia. 2020, vol. 23, iss. 1, pp. 131–149.
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Havlíčková Kysová, Šárka.
Acquiring 'a new way of thinking about theatre...'. Theatralia. 2020, vol. 23, iss. 1, pp. 171–173.
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Osolsobě, Petr.
The Aristotelian perspective in Otakar Zich's The Aesthetics of Dramatic Art. Theatralia. 2020, vol. 23, iss. 1, pp. 30–43.
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Turzíková, Tereza.
On performance/performativity today and tomorrow. Theatralia. 2020, vol. 23, iss. 1, pp. 175–177.
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Maryška, Martin.
Theatre graphics and graphic theatre : Zich's semantics in posters and publicity. Theatralia. 2020, vol. 23, iss. 1, pp. 105–129.
Article
Shurma, Svitlana.
I choose March': Les Kurbas, Avant-garde Berezil and Shakespeare : review of Irena R. Makaryk's Shakespeare in the Undiscovered Bourn (2004). Theatralia. 2020, vol. 23, iss. 1, pp. 163–167.