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Opera Slavica, 1995, vol. 5, issue 3.

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Zálešáková, Tereza. What makes British musicals uniquely British?. Theatralia. 2018, vol. 21, iss. 2, pp. 208–210.

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Inštitorisová, Dagmar. The Scenography of Shakespearománie I–III [The Shakespearomania Trilogy] directed by Peter Scherhaufer at the Goose on a String Theatre in Brno. Theatralia. 2018, vol. 21, iss. 2, pp. 112–126.

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Tomaszewska, Ewa. A midsummer night's dream in Polish puppet theatres in Silesia – Mise-en-Scène by Jan Dorman, Josef Krofta and Marián Pecko. Theatralia. 2018, vol. 21, iss. 2, pp. 95–111.

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Tagareva, Albena. Socialist realism in the Bulgarian National Theatre's Stage design: processes, influences, concepts. Theatralia. 2018, vol. 21, iss. 2, pp. 141–160.

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Krajník, Filip. Mirrors of/for the times: Shakespeare in Central European theatre. Theatralia. 2018, vol. 21, iss. 2, pp. 201–203.

Issue

Opera Slavica, 2019, vol. 29, issue 4.

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Matthews, Dan. A technical and contextual analysis of scenography through sculptural reproduction: Hofman and Tröster's Hamlets. Theatralia. 2018, vol. 21, iss. 2, pp. 29–37.

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Wild, Jana. From creating spaces to evoking images: 4 + 1 Hamlets in Slovak theatre. Theatralia. 2018, vol. 21, iss. 2, pp. 64–78.

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Billing, Christian M., Havlíčková Kysová, Šárka. Making space for Shakespeare in the Central European imaginary : editorial. Theatralia. 2018, vol. 21, iss. 2, pp. 7–13.

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Wild, Jana. Hlasy troch prekladateľov. Theatralia. 2018, vol. 21, iss. 2, pp. 204–207.

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Kačer, Tomáš. Theatre and philosophy: the two as two-in-one in a theoretical issue of Anglia Journal and a Follow-up Symposium. Theatralia. 2018, vol. 21, iss. 2, pp. 211–213.

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Drozd, David, Spurná, Helena, Bártová, Jindřiška, Flašar, Martin, Drábek, Pavel, Zahrádka, Jiří, Částková, Patricie, Kovaříková, Hana, Hložková, Hana. Zich's Guilt – reactions to the concert performance of extracts. Theatralia. 2018, vol. 21, iss. 2, pp. 223–235.

Issue

Opera Slavica, 2002, vol. 12, issue 3.

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Lánská, Dita. Theory as a 'tool-box': Brno Theatralia Conference 2018. Theatralia. 2018, vol. 21, iss. 2, pp. 220–222.

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Neuhuber, Christian. Das Nikolsburger Piaristendrama Ein kurtzes Spiel oder Action von Bacchi Geburt Leben vnndt Todt (1654) : Kontext – Edition – Kommentar. Theatralia. 2019, vol. 22, iss. 2, pp. 13–78.

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Štefanides, Jiří. Jak jsme na tom?. Theatralia. 2019, vol. 22, iss. 2, pp. 247–250.

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Kubart, Tomáš. "A teď jste všechno zkazili!" : CampQ. Theatralia. 2019, vol. 22, iss. 2, pp. 267–269.

Issue

Opera Slavica, 2007, vol. 17, issue 1.

Article

Ulrich, Paul S.. Die Dokumentation des deutschsprachigen Theaters in den böhmischen Ländern durch Theateralmanache und -journale. Theatralia. 2019, vol. 22, iss. 2, pp. 154–168.

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Štefanides, Jiří. Společnost Josepha von Öttla v městském divadle v Olomouci (1780–1783). Theatralia. 2019, vol. 22, iss. 2, pp. 137–153.

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Vrbková, Jitka. Divadlo diverzity : Theater RambaZamba v Berlíně. Theatralia. 2019, vol. 22, iss. 2, pp. 194–220.

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Solčániová, Ivona. Perspektívy teatrológie 2019. Theatralia. 2019, vol. 22, iss. 2, pp. 251–256.

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Rudin, Bärbel. Christian Janetzky : die (Wieder-)Entdeckung des barocken Entertainers. Theatralia. 2019, vol. 22, iss. 2, pp. 79–92.

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Mikyšková, Anna. Z anglické renesance do německého baroka : cesta hry o sv. Dorotě z Anglie přes Český Krumlov do Švýcarska. Theatralia. 2019, vol. 22, iss. 2, pp. 107–122.