Displaying 51 - 75 of 408
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Šust, Martin, Dědinová, Tereza.
The reputation of fantastic literature is up to those of us involved in it. Bohemica litteraria. 2015, vol. 18, iss. 2, pp. 133–136.
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Oziewicz, Marek.
Growing up with (ir)replaceable parents: Neil Gaiman's The Day I Swapped My Dad for Two Goldfish, Coraline, and The Graveyard Book. Bohemica litteraria. 2015, vol. 18, iss. 2, pp. 83–98.
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Marszalski, Mariusz.
Humanity's transhuman future and the ethics of the Other in Dan Simmons' Hyperion Cantos. Bohemica litteraria. 2015, vol. 18, iss. 2, pp. 44–58.
Serial
Sborník prací Filozofické fakulty brněnské univerzity. Q, Řada teatrologická a filmologická. 1998–2001
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Call for papers : Brno Theatralia Conference 2016: Czech and Slovak Scenography for Shakespeare, 8-9 November 2016. Theatralia. 2016, vol. 19, iss. 1, pp. 334–335.
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Drábek, Pavel.
German Shakespeare and the political stage. Theatralia. 2021, vol. 24, iss. 2, pp. 167–169.
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Turzíková, Tereza.
Who gets to (re)define theatre?. Theatralia. 2021, vol. 24, iss. 2, pp. 188–190.
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Kunderová, Radka, Balme, Christopher.
The risks are fairly clear' : interview with Christopher Balme. Theatralia. 2021, vol. 24, iss. 2, pp. 161–166.
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Lazorčáková, Tatjana.
The function of irregular space in Moravian and Silesian theatre, 1960-1989: experiment, protest, alternative. Theatralia. 2011, vol. 14, iss. 1, pp. 204–227.
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Marková, Sylva.
Costume collections of the Schwarzenberg court theatre at Český Krumlov Castle. Theatralia. 2011, vol. 14, iss. 1, pp. 98–113.
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Brandesky, Joseph E..
Permanent interaction: reflections on the paintings and designs of Jaroslav Malina. Theatralia. 2011, vol. 14, iss. 1, pp. 228–243.
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Vršecká, Kateřina.
Towards a way of reading scenic space in dramatic texts of the Czech Middle Ages. Theatralia. 2011, vol. 14, iss. 1, pp. 65–81.
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Merenus, Aleš.
Modern Czech play (1896-1989); Between text and performance (a dictionary of works) : summary. Theatralia. 2018, vol. 21, iss. 1, Supplementum, pp. 73–76.
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Koblišková, Zuzana.
Othello and the perception of race within the cultural context of Czech and Slovak theatres. Theatralia. 2018, vol. 21, iss. 2, pp. 127–140.
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Kunderová, Radka, Warstat, Matthias.
We must take these risks : interview with Matthias Warstat. Theatralia. 2018, vol. 21, iss. 2, pp. 182–186.
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Spurná, Helena.
The political dimension of the performance Jeanne d'Arc au bûcher [Joan of Arc at the Stake] in the Janáček Theatre, Brno in 1969. Theatralia. 2018, vol. 21, iss. 2, pp. 161–172.
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Koblišková, Zuzana.
Ladislav Vychodil's approach to designing stages for Shakespeare home and abroad. Theatralia. 2018, vol. 21, iss. 2, pp. 79–94.
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Koubská, Vlasta, Dušek, Jan.
Interview with Jan Dušek (13. 2. 2018). Theatralia. 2018, vol. 21, iss. 2, pp. 173–181.
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Koubská, Vlasta.
Scenographer Antonín Heythum and his work in the US: the case of King Lear. Theatralia. 2018, vol. 21, iss. 2, pp. 38–63.
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Drábek, Pavel.
John Russell Brown (ed.) The Routledge companion to actors' Shakespeare. Theatralia. 2012, vol. 15, iss. 2, pp. 196–199.
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Leštáchová, Barbora.
Ivan R. V. Rumánek. Japonská dráma nó: žáner vo vývoji (Japanese Noh Drama: genre in development). Theatralia. 2012, vol. 15, iss. 2, pp. 209–211.
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Veltrusky, Jarmila F..
The background story of the book. Theatralia. 2012, vol. 15, iss. 2, pp. 232–237.
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Billing, Christian M..
Marie Zdeňková, and Josef Vomáčka. Miroslav Melena: Scénograf a architekt (Scenographer and Architect) : published in Czech with a (mostly) parallel English translation. Theatralia. 2012, vol. 15, iss. 2, pp. 199–205.