Displaying 176 - 200 of 527
Article
Drábek, Pavel.
Three books on new dramaturgy and adaptation from Bloomsbury Methuen Drama. Theatralia. 2016, vol. 19, iss. 2, pp. 156–159.
Article
Kašparová, Barbora.
Bonn – Hommage à Pina Bausch. Theatralia. 2016, vol. 19, iss. 2, pp. 164–165.
Article
Bulandrová, Amálie.
Exhibiting architecture: the architecture of an exhibition. Theatralia. 2016, vol. 19, iss. 2, pp. 172–179.
Article
Konývková, Tereza, Arntzen, Knut Ove.
Polarity and coherence of 'making' and 'viewing' in contemporary theatre theory and practice : interview with Knut Ove Arntzen. Theatralia. 2016, vol. 19, iss. 2, pp. 130–132.
Article
Vodička, Libor.
The journey from the Workers' Theatre to the Municipal Theatre Zlín. Theatralia. 2016, vol. 19, iss. 2, pp. 142–145.
Article
Jochmanová, Andrea.
Helena Spurná's Oldřich Stibor (1901–1943) Theatre Director and Man. Theatralia. 2016, vol. 19, iss. 2, pp. 137–138.
Article
Sajewska, Dorota, Sosnowska, Dorota.
Blackness as medium : body in contemporary theatre practice and theory. Theatralia. 2016, vol. 19, iss. 2, pp. 91–102.
Article
Lazorčáková, Tatjana.
Jan Roubal and his complex and complementary 'thought' on theatre. Theatralia. 2016, vol. 19, iss. 2, pp. 139–141.
Article
Motal, Jan.
Cognitive phenomenology: the promising pragmatic marriage of methodologies in the field of theatre studies?. Theatralia. 2016, vol. 19, iss. 2, pp. 59–75.
Serial
Sborník prací Filozofické fakulty brněnské univerzity. Q, Řada teatrologická a filmologická. 1998–2001
Book
Drábek, Pavel.
Fletcherian dramatic achievement : a study in the mature plays of John Fletcher (1579-1625). 2010
Article
Plassard, Didier.
Western European avant-garde theatre and puppetry : a reappraisal. Theatralia. 2022, vol. 25, iss. 1, pp. 13–26.
Article
Raiterová, Eliška.
To provide, not to direct : perceiving from the position of fragility. Theatralia. 2022, vol. 25, iss. 1, pp. 185–187.
Article
Orawczak Kunešová, Mariana, Béhar, Henri.
Historiography of the avant-gardes, fifty-year witnessing of research dedicated to the avant-gardes in France : interview with Henri Béhar. Theatralia. 2022, vol. 25, iss. 1, pp. 137–148.
Article
Šlaisová, Eva.
Between Brueghel, Surrealism, and New Realism : Wachsman's stage design for Heavy Barbara. Theatralia. 2022, vol. 25, iss. 1, pp. 109–136.
Article
Slavkova, Iveta.
A different causality and a different reality : analysis of the absurd in French Dada and pre-surrealist theatre. Theatralia. 2022, vol. 25, iss. 1, pp. 163–165.
Article
Veselovska, Hanna.
Technicism in the Ukrainian avant-garde theatre : a clash of meanings and forms. Theatralia. 2022, vol. 25, iss. 1, pp. 27–43.
Article
Toporišič, Tomaž.
The Slovene historical avant-garde and Europe in crisis. Theatralia. 2022, vol. 25, iss. 1, pp. 65–86.
Article
Jochmanová, Andrea, Orawczak Kunešová, Mariana.
The historical avant-garde in the European context : editorial. Theatralia. 2022, vol. 25, iss. 1, pp. 7–12.
Article
Kosiński, Dariusz.
Central-European theatre avant-garde : reclamation or reimagination. Theatralia. 2022, vol. 25, iss. 1, pp. 149–162.
Article
Orawczak Kunešová, Mariana.
André Breton on French and Czech stages. Theatralia. 2022, vol. 25, iss. 1, pp. 87–108.
Article
Havlíčková Kysová, Šárka.
Meaning-making in contemporary operatic performance. Theatralia. 2022, vol. 25, iss. 1, pp. 172–176.