Displaying 151 - 175 of 362
Article
Ambros, Veronika.
Puppets, statues, men, objects, and the Prague School. Theatralia. 2012, vol. 15, iss. 2, pp. 74–88.
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Hess-Lüttich, Ernest W. B..
The schools of Structuralism – an overview : the impact of Prague School Structuralism on other centres of textual analysis. Theatralia. 2012, vol. 15, iss. 2, pp. 50–73.
Article
Pérez-Simón, Andrés.
Manufacturing authenticity : anonymous acting celebrities in Atalaya's production of Lorca's The House of Bernarda Alba (2009). Theatralia. 2012, vol. 15, iss. 2, pp. 100–111.
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Prague semiotic stage revisited: an international symposium on Czech structuralist thought on theatre and drama, Brno, 27th - 29th June 2011 : programme. Theatralia. 2012, vol. 15, iss. 2, pp. 9–12.
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Toro, Fernando de.
The legacy of the Linguistic Circle of Prague. Theatralia. 2012, vol. 15, iss. 2, pp. 24–36.
Article
Havlíčková Kysová, Šárka, Příhodová, Barbora.
Miroslav Kouřil's theory of scenography in the archive materials : a research report. Theatralia. 2012, vol. 15, iss. 2, pp. 227–231.
Article
Brandesky, Joseph E..
Kateřina Miholová. Reproductions of twentieth century Czech theatre in context: The Coming to Wisdom of Don Quixote (1914) and Julius Caesar (1936). Theatralia. 2012, vol. 15, iss. 2, pp. 189–191.
Article
Drábek, Pavel.
John Russell Brown. Studying Shakespeare in performance. Theatralia. 2012, vol. 15, iss. 2, pp. 194–196.
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Příhodová, Barbora.
Donatella Barbieri. Encounters in the Archive. Theatralia. 2012, vol. 15, iss. 2, pp. 207–209.
Article
Drábek, Pavel.
Alice Dubská. The travels of the puppeteers Brát and Pratte through Europe in the eighteenth and nineteenth centuries. Theatralia. 2012, vol. 15, iss. 2, pp. 206–207.
Article
Puchner, Walter.
Jiří Veltruský. An approach to the semiotics of theatre. Theatralia. 2012, vol. 15, iss. 2, pp. 220–226.
Article
Havlíčková Kysová, Šárka.
"Asian" theatre sign : its potential and its limits in the history of the Czech Structuralist thought. Theatralia. 2012, vol. 15, iss. 2, pp. 89–99.
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Šlaisová, Eva.
"Aktualisace" in English scholarly literature : interpretation, ignorance, and misunderstanding. Theatralia. 2012, vol. 15, iss. 2, pp. 154–167.
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Schmid, Herta.
The concept of sign, its origin and influence on Mukařovský's Structuralism. Theatralia. 2012, vol. 15, iss. 2, pp. 112–124.
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Meerzon, Yana.
Concretization‒transduction‒adaptation : on Prague School legacy in theatre studies today. Theatralia. 2012, vol. 15, iss. 2, pp. 125–153.
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Drábek, Pavel.
Launching a structuralist assembly : convening the scattered structures. Theatralia. 2012, vol. 15, iss. 2, pp. 13–23.
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Drábek, Pavel.
German Shakespeare and the political stage. Theatralia. 2021, vol. 24, iss. 2, pp. 167–169.
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Havlíčková Kysová, Šárka.
Conceptual metaphor theory cannot be just conceptual. Theatralia. 2021, vol. 24, iss. 1, pp. 267–270.
Article
Mikyšková, Anna, Škrobánková, Klára.
The Emperor of the Zoom: Aphra Behn and the Many Challenges of Zoom Productions. Theatralia. 2021, vol. 24, iss. 1, pp. 295–298.
Article
Braga Riera, Jorge.
Translation and performance cultures: Spanish drama and Restoration England. Theatralia. 2021, vol. 24, iss. 1, pp. 101–118.
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Krajník, Filip.
Restored and de-restored: killing off Garrick in John Philip Kemble's King Lear. Theatralia. 2021, vol. 24, iss. 1, pp. 92–100.
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Cetera-Włodarczyk, Anna, Pożar, Przemysław.
Polish translations of Restoration comedy in early Communist period: the cross-section of ideology and academy. Theatralia. 2021, vol. 24, iss. 1, pp. 136–145.
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Škrobánková, Klára, Drábek, Pavel, Eubanks Winkler, Amanda.
"Performance can reveal paths forward": interview with Amanda Eubanks Winkler. Theatralia. 2021, vol. 24, iss. 1, pp. 255–261.