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Opera Slavica, 2012, vol. 22, issue 3.

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Opera Slavica, 2006, vol. 16, issue 2.

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Opera Slavica, 2009, vol. 19, issue 4.

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Opera Slavica, 2000, vol. 10, issue 3.

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Opera Slavica, 2017, vol. 27, issue 2.

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Opera Slavica, 2020, vol. 30, issue 2.

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Opera Slavica, 1991, vol. 1, issue 1.

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Opera Slavica, 2016, vol. 26, issue 3.

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Opera Slavica, 2015, vol. 25, issue 2.

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Opera Slavica, 1998, vol. 8, issue 2.

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Opera Slavica, 1994, vol. 4, issue 3.

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Opera Slavica, 1993, vol. 3, issue 2.

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Opera Slavica, 2012, vol. 22, issue 2.

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Opera Slavica, 1995, vol. 5, issue 1.

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Opera Slavica, 1995, vol. 5, issue 2.

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Opera Slavica, 2021, vol. 31, issue 1.

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Došlová, Tereza. Transformativní charakter performance : od symbolického jednání k liminalitě a politickému divadlu. Theatralia. 2021, vol. 24, iss. 2, pp. 78–95.

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Opera Slavica, 2013, vol. 23, issue 3.

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Lazorčáková, Tatjana. Režisér syntetické kompozice : (k divadelním režiím Josefa Henkeho). Theatralia. 2021, vol. 24, iss. 2, pp. 143–159.

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Zahálka, Michal. Možnosti divadelního textu. Theatralia. 2021, vol. 24, iss. 2, pp. 177–180.

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Mizerová, Nikola. Autoreflexivität in Kehlmanns Dramen Geister in Princeton und Die Reise der Verlorenen. Theatralia. 2021, vol. 24, iss. 2, pp. 15–28.

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Dubová, Jindra. Drama HRABAL und der Mann am Fenster v kontextu tvorby Bernharda Setzweina. Theatralia. 2021, vol. 24, iss. 2, pp. 47–59.

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Mikulová, Iva. Editorial. Theatralia. 2021, vol. 24, iss. 2, pp. 9–12.

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Lazorčáková, Tatjana. Totální divadlo Zdeňka Pospíšila aneb o mnohovrstevnatosti a nesamozřejmosti jednoho tvůrčího života. Theatralia. 2021, vol. 24, iss. 2, pp. 181–184.

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Turzíková, Tereza. Who gets to (re)define theatre?. Theatralia. 2021, vol. 24, iss. 2, pp. 188–190.