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Displaying 1 - 25 of 57

Chapter
Střítecký, Jaroslav. The Czech Question a century later. In: Střítecký, Jaroslav. Studie a stati. 1. 2017, pp. 66–81.

Chapter
Poláková, Mariana. The genesis and the development of satire in Latin literature : summary. In: Poláková, Mariana. Vznik a vývoj satiry v římské literatuře. 2017, pp. 132–137.

Chapter
Franek, Juraj. Kognitivní religionistika (1): Metodologie. In: Franek, Juraj. Naturalismus a protekcionismus ve studiu náboženství. 2017, pp. 157–190.

Chapter
Franek, Juraj. Závěr: Návrat ztraceného syna?. In: Franek, Juraj. Naturalismus a protekcionismus ve studiu náboženství. 2017, pp. 245–255.

Chapter
Franek, Juraj. Kognitivní religionistika (3): Praxe. In: Franek, Juraj. Naturalismus a protekcionismus ve studiu náboženství. 2017, pp. 214–244.

Chapter
Franek, Juraj. Naturalism and protectionism in the study of religions : summary. In: Franek, Juraj. Naturalismus a protekcionismus ve studiu náboženství. 2017, pp. 256–264.

Article
Iatrou, Maria. Human apes and the dual self: notes on the intertext of Ο Πίθηκος Ξουθ (Xouth the Αpe) by Iakovos Pitsipios. Neograeca Bohemica. 2017, vol. 17, iss. [1], pp. 9–29.

Article
List of contributors. Neograeca Bohemica. 2017, vol. 17, iss. [1], pp. 110–111.

Article
Tazelaar, Kees. Roelof Vermeulen at Philips : a search for space in music. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 17–27.

Article
Cseres, Jozef. Musica practica according to Roland Barthes. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 149–153.

Article
Fulka, Vladimír. Arnold Schönberg and musica artificiosa : a rationality in the musical composition. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 69–78.

Article
Ščepán, Michal. New media and the work of Slovak composer Tadeáš Salva. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 101–116.

Article
Horáková, Jana. Listening to art on a seabed. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 155–168.

Article
Richards, John. Slippery bows and slow circuits. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 29–41.

Article
Cenkerová, Zuzana. Melodic segmentation: structure, cognition, algorithms. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 53–61.

Article
Landy, Leigh. Finding a way to tie technology, aesthetics and dramaturgy together in terms of experimental sound-based music. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 5–16.

Article
Armand, Louis. Concerto for the universal algorithm : Paik, Moorman, Youngblood, Flusser. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 139–147.

Article
Watt, Paul. Music criticism in nineteenth-century England: how did it become a profession?. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 117–126.

Article
Flašar, Martin. Technology or theology? : music beyond technology. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 63–68.

Article
Zagorski, Marcus. The role of technology in the aesthetics of postwar serial music. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 127–137.

Article
Rataj, Michal. Everyone can be composer today – full stop or question mark?. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 43–52.

Article
Černá, Zuzana. Antonio Bioni and his compositions preserved in Kroměříž archive. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 217–242.