Displaying 351 - 373 of 373
Article
Mąndry, Alina, Frankowski, Patryk.
Perneckher's Harmonia Pastorella and C. P. E. Bach's Trio in F − a rare example of compositions for concertato bass recorder. Musicologica Brunensia. 2012, vol. 47, iss. 1, pp. 189–197.
Article
Dunlop, Alison Jayne.
Forgotten musicians. Documenting musical life at the Viennese imperial court in the eighteenth century. Musicologica Brunensia. 2012, vol. 47, iss. 1, pp. 93–112.
Article
Rawson, Robert G..
"Ab unisonis" - musical textures and genres and the echoes of paraliturgical practices. Musicologica Brunensia. 2012, vol. 47, iss. 1, pp. 25–34.
Article
Walter-Mazur, Magdalena.
An eight-part Manuscript L 1643 from the collection of the Diocesan Library in Sandomierz and it's provenance. Musicologica Brunensia. 2012, vol. 47, iss. 1, pp. 7–15.
Article
Rykowski, Mikołaj.
Art or craft? – significance of the sociological background in the artistic development of the harmoniemusik. Musicologica Brunensia. 2012, vol. 47, iss. 1, pp. 179–187.
Article
Žůrek, Pavel.
The practice of music in Rajhrad monastery in the first half of the 18th century. Musicologica Brunensia. 2014, vol. 49, iss. 2, pp. 169–180.
Article
Spurný, Lubomír.
Czech Music Semiology. Musicologica Brunensia. 2014, vol. 49, iss. 2, pp. 53–58.
Article
Beck, Kimberly.
Blending the secular and sacred: instrumental textures in seventeenth-century worship. Musicologica Brunensia. 2014, vol. 49, iss. 2, pp. 71–84.
Article
Al Bakri, Tsonka, Mallah, Mohammed, Nuserat, Nedal.
Al Adhan : documenting historical background, practice rules, and musicological features of the muslim call for prayer in Hashemite Kingdom of Jordan. Musicologica Brunensia. 2019, vol. 54, iss. 1, pp. 167–185.
Article
Weiss, Jernej.
Changes in the music scene in Slovenia after 1918. Musicologica Brunensia. 2019, vol. 54, iss. 1, pp. 37–49.
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Beckerman, Michael.
Garlic Soup and Zimmermann's Festschrift. Musicologica Brunensia. 2010, vol. 45, iss. 1-2, pp. 37–40.
Article
Svoboda, František.
Searching for ideal price discrimination in the history of opera : lottery as a way to get a consumer surplus. Musicologica Brunensia. 2018, vol. 53, iss. 1, pp. 119–136.
Article
Khokhlova, Elena.
On monotony of opera playbill and underlying economy. Musicologica Brunensia. 2018, vol. 53, iss. 1, pp. 65–78.
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Tazelaar, Kees.
Roelof Vermeulen at Philips : a search for space in music. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 17–27.
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Cseres, Jozef.
Musica practica according to Roland Barthes. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 149–153.
Article
Ladič, Branko.
Music by František Škvor for the Karol Plicka's film The Earth Sings – the beginning of Slovak national music? : some remarks on the origin and importance. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 79–87.
Article
Kalinayová-Bartová, Jana.
Italian sacred monody north of the Alps : from Chiara Margarita Cozzolani's Scherzi di sacra melodia (1648) to Daniel Speer's Philomela angelica (1688). Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 87–104.
Article
Studeničová, Hana.
Q. in search of musicalia from the Baroque library of the Augustinian Eremites in Brno. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 5–23.
Article
Kapsa, Václav.
The information value of a music inventory : "Musicalien und Instrumenten" listed in Sokolov (Falkenau) in the first half of the 18th century. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 179–199.
Article
Stýblová, Magdaléna.
Italian music in the inventories of Nitra from the 18th and early 19th centuries. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 271–280.
Article
Stockigt, Janice B..
Italian sacred music listed in the catalogue of Dresden's Catholic court church, 1765. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 221–237.
Article
Toffetti, Marina.
Deconstructing Daniel Speer's Philomela angelica (1688) to reconstruct Chiara Margarita Cozzolani's Scherzi di sacra melodia (1648). Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 105–127.
Article
Owens, Samantha.
The music collection of Johann (Ján) Kusser (1626–1695) : a Hungarian émigré in seventeenth-century Stuttgart. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 61–85.