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Displaying 151 - 175 of 317

Article
Drozd, David. Bergman's theatre is the serious game. Theatralia. 2019, vol. 22, iss. 1, pp. 115–118.

Article
Dlask, Jan. Ingmar Bergman's Guests at the Last Supper in the time of nuclear threats. Theatralia. 2019, vol. 22, iss. 1, pp. 76–87.

Article
Šík, Jan-Marek. Writing film, writing literature: new Czech translations of four Ingmar Bergman's film short stories. Theatralia. 2019, vol. 22, iss. 1, pp. 119–121.

Article
Hanáčková, Andrea, Bojda, Tomáš. Silent Bergman full of words. Theatralia. 2019, vol. 22, iss. 1, pp. 45–60.

Issue
ProInflow, 2019, vol. 11, issue 1.

Issue
ProInflow, 2019, vol. 11, issue 2.

Article
Merenus, Aleš. Editorial. Theatralia. 2019, vol. 22, iss. 1, Supplementum, pp. 7.

Article
Merenus, Aleš. Ediční poznámka. Theatralia. 2019, vol. 22, iss. 1, Supplementum, pp. 67–68.

Article
Merenus, Aleš. Modern Czech play (1896-1989); Between text and performance (a dictionary of works) : summary. Theatralia. 2019, vol. 22, iss. 1, Supplementum, pp. 85–88.

Article
Merenus, Aleš. Seznam zastřešujících názvů českých profesionálních divadelních scén. Theatralia. 2019, vol. 22, iss. 1, Supplementum, pp. 71–76.

Article
Merenus, Aleš. Jmenný rejstřík. Theatralia. 2019, vol. 22, iss. 1, Supplementum, pp. 77–84.

Article
Merenus, Aleš. Slovník moderního českého dramatu. Theatralia. 2019, vol. 22, iss. 1, Supplementum, pp. 9–12.

Article
Merenus, Aleš. Seznam použitých zkratek. Theatralia. 2019, vol. 22, iss. 1, Supplementum, pp. 69–70.

Issue
Theatralia, 2019, vol. 22, issue 1.

Article
Revermann, Martin. Beckett and the theatrical sign : the need for semiotics. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 9–22.

Article
Jovanovic, Nenad. The medium (non-) specific : Rope, Dogville, and Mukařovský's space-as-meaning. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 96–108.

Article
Pontieri, Laura. Animate, inanimate and beyond in Švankmajer's Faust (1994). Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 83–95.

Article
Šlaisová, Eva. Performing cathedral : Le Ballet des Ombres Heureuses as a case of multiple foregrounding. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 122–139.

Article
Schmid, Herta. Realism and abstractionism in Otakar Zich's Theory of dramatic art and Samuel Beckett's experimental dramatics. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 23–38.

Article
Jestrović, Silvija. Stage life and stage death (after Veltruský). Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 59–71.