Displaying 76 - 100 of 232
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Del Monaco, Gianluca.
Illuminated Bolognese legal manuscripts and Angevin Regnum Siciliae : the Advocates Volumen parvum in Edinburgh (National Library of Scotland, Advocates ms 10.1.4[i]). Convivium. 2018, vol. 5, iss. 1, pp. 158–169.
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Gangemi, Francesco.
Hic situs est sanctus : l'arca di san Basso a Termoli, fra testo e contesto. Convivium. 2018, vol. 5, iss. 1, pp. 80–95.
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Novak Klemenčič, Renata.
Artistic exchange between Dubrovnik and Naples in the time of Alfonso d'Aragona. Convivium. 2018, vol. 5, iss. 1, pp. 170–183.
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Tranchina, Antonino.
Revealing the Emir's God: the Arabic inscription of the Dome of La Martorana. Convivium. 2018, vol. 5, iss. 1, pp. 50–65.
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Svoboda, František.
Searching for ideal price discrimination in the history of opera : lottery as a way to get a consumer surplus. Musicologica Brunensia. 2018, vol. 53, iss. 1, pp. 119–136.
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Hořínka, Slavomír.
Interspace: vzdálenost jako kompoziční strategie. Musicologica Brunensia. 2018, vol. 53, iss. 1, pp. 35–50.
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Khokhlova, Elena.
On monotony of opera playbill and underlying economy. Musicologica Brunensia. 2018, vol. 53, iss. 1, pp. 65–78.
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Cseres, Jozef.
Zrod intermedií v díle Roberta Rauschenberga. Musicologica Brunensia. 2018, vol. 53, iss. 1, pp. 5–14.
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Sůsa, Jan.
Radiové intervence Tetsua Kogawy: hudebnost pirátského mikrovysílání. Musicologica Brunensia. 2018, vol. 53, iss. 1, pp. 111–118.
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Schachenmayr, Alkuin Volker.
Neue Forschungsansätze über Theaterkultur in österreichischen Prälatenklöstern der Frühen Neuzeit. Musicologica Brunensia. 2018, vol. 53, iss. 1, pp. 197–203.
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Švandová, Petra.
Hudební divadlo v Brně ve druhé polovině 18. století : repertoár a provoz divadla na Zelném trhu v jeho proměnách ze stagiony ve stálou divadelní instituci. Musicologica Brunensia. 2018, vol. 53, iss. 1, pp. 137–158.
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Perutková, Jana.
Oratorios performed at the holy sepulchre in the Bohemian lands and Austria in the 18th century (Part I) : methodological questions on the sepolcro in the period of ca. 1700–1760. Musicologica Brunensia. 2018, vol. 53, iss. 1, pp. 79–96.
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Zahrádka, Jiří.
Janáčkova trnitá cesta k založení brněnské konzervatoře a jejímu zestátnění. Musicologica Brunensia. 2018, vol. 53, iss. 1, pp. 159–196.
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Charypar, Jan.
Náboženské motivy v tvorbě Josefa Suka. Musicologica Brunensia. 2018, vol. 53, iss. 1, pp. 51–64.
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Kalinayová-Bartová, Jana.
Italian sacred monody north of the Alps : from Chiara Margarita Cozzolani's Scherzi di sacra melodia (1648) to Daniel Speer's Philomela angelica (1688). Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 87–104.
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Studeničová, Hana.
Q. in search of musicalia from the Baroque library of the Augustinian Eremites in Brno. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 5–23.
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Kapsa, Václav.
The information value of a music inventory : "Musicalien und Instrumenten" listed in Sokolov (Falkenau) in the first half of the 18th century. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 179–199.
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Stýblová, Magdaléna.
Italian music in the inventories of Nitra from the 18th and early 19th centuries. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 271–280.
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Stockigt, Janice B..
Italian sacred music listed in the catalogue of Dresden's Catholic court church, 1765. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 221–237.
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Toffetti, Marina.
Deconstructing Daniel Speer's Philomela angelica (1688) to reconstruct Chiara Margarita Cozzolani's Scherzi di sacra melodia (1648). Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 105–127.
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Kramářová, Helena.
Neu besorgte Musikalien für die Stadtpfarrkirche St. Jakob in Brünn zwischen den Jahren 1763 und 1781. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 239–270.
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Owens, Samantha.
The music collection of Johann (Ján) Kusser (1626–1695) : a Hungarian émigré in seventeenth-century Stuttgart. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 61–85.
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Niubo, Marc.
Classy scene for connoisseurs or snobby meeting point? : considerations upon the repertoire and functions of the Thun Theatre in Prague during the years 1781-1784. Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 297–303.
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Perutková, Jana.
Oratorios performed at the holy sepulchre in the Bohemian Lands and Austria in the 18th century (Part II) : on the issue of transferring sepolcri and the possibilities of their semi-staged or staged performance. Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 339–353.
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Over, Berthold.
Albinoni für Laute : Transkriptionen italienischer Musik für die Münchner Prinzessinnen Josepha Maria und Maria Josepha von Bayern. Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 305–316.