Displaying 26 - 50 of 85
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Jochmanová, Andrea, Orawczak Kunešová, Mariana.
The historical avant-garde in the European context : editorial. Theatralia. 2022, vol. 25, iss. 1, pp. 7–12.
Article
Kosiński, Dariusz.
Central-European theatre avant-garde : reclamation or reimagination. Theatralia. 2022, vol. 25, iss. 1, pp. 149–162.
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Orawczak Kunešová, Mariana.
André Breton on French and Czech stages. Theatralia. 2022, vol. 25, iss. 1, pp. 87–108.
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Havlíčková Kysová, Šárka.
Meaning-making in contemporary operatic performance. Theatralia. 2022, vol. 25, iss. 1, pp. 172–176.
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Chechyk, Valentyna.
Alexandra Exter theatre and Ukrainian scenography in the 1910s and 1920s. Theatralia. 2022, vol. 25, iss. 1, pp. 44–64.
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Bernátek, Martin, Pavlišová, Jitka.
Bodies in archival situations : editorial. Theatralia. 2022, vol. 25, iss. 2, pp. 7–13.
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Kubart, Tomáš.
Günter Brus: a walk through totality. Theatralia. 2022, vol. 25, iss. 2, pp. 15–40.
Article
Sosnowska, Dorota.
Blasted 1999 : Sarah Kane's body against the archive. Theatralia. 2022, vol. 25, iss. 2, pp. 41–61.
Article
Hanáčková, Andrea.
Tendons, meat, fat : the invisible body in the liminal space of podcasting. Theatralia. 2022, vol. 25, iss. 2, pp. 62–80.
Article
Foellmer, Susanne, Pavlišová, Jitka.
Tracing dance: expanding archives, contemporary witnesses, and other modes of re-producing embodied knowledge : interview with Susanne Foellmer. Theatralia. 2022, vol. 25, iss. 2, pp. 115–128.
Article
Kolbiarz Chmelinová, Katarína.
Academician on the periphery : Johann Georg Walter in Modra. Opuscula historiae artium. 2022, vol. 71, iss. 1-2, pp. 106–119.
Article
Kozieł, Andrzej.
Anton Martin Lublinský, that is Karl Dankwart : a few words about the painting Martin Středa as defender of Brno and its author. Opuscula historiae artium. 2022, vol. 71, iss. 1-2, pp. 158–165.
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Foellmer, Susanne.
The archival turn in dance/studies : reflections on (corporeal) archives and documents : (reprint). Theatralia. 2022, vol. 25, iss. 2, pp. 129–147.
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Bernátek, Martin.
Building reenactment studies. Theatralia. 2022, vol. 25, iss. 2, pp. 149–154.
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Čiripová, Dáša.
Political body in relation to memory and history. Theatralia. 2022, vol. 25, iss. 2, pp. 155–157.
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Kubina, Lukáš.
Performance constellations: to show the invisible. Theatralia. 2022, vol. 25, iss. 2, pp. 158–161.
Article
Kolařík, Aleš.
Poetics and contexts of unofficial drama in a totalitarianism. Theatralia. 2022, vol. 25, iss. 2, pp. 167–171.
Article
Havlíčková Kysová, Šárka.
Hamlet jako člověk rozumu i emoce. Theatralia. 2022, vol. 25, iss. 2, pp. 172–174.
Article
Turzíková, Tereza.
Theatrical mind: from tradition to new frontiers. Theatralia. 2022, vol. 25, iss. 2, pp. 183–185.
Article
Woollard, Jane.
My mother's voice : 'a view from ground level, in the thick of things'. Theatralia. 2022, vol. 25, iss. 2, pp. 187–202.
Article
Veselovska, Hanna, Ruban, Viktor.
Reconstructing the glorious past : Bronislava Nijinska's School of Movement. Theatralia. 2022, vol. 25, iss. 2, pp. 203–222.
Article
Hruška, Viktor.
Early Czech music theory : characterization, personalities and trends. Musicologica Brunensia. 2022, vol. 57, iss. 1, pp. 39–55.
Article
Kajanová, Yvetta.
Migration of Central European musicians exemplified by John Dopyera, Diana Krall, Andreas Varady, and Celeste Buckingham. Musicologica Brunensia. 2022, vol. 57, iss. 1, pp. 57–74.