Displaying 226 - 250 of 303
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Eder, Jürgen.
[Urválek, Aleš. Das deutsche Problem in der nachkriegsdeutschen Literatur und der Geschichtswissenschaft]. Brünner Beiträge zur Germanistik und Nordistik. 2020, vol. 34, iss. 1, pp. 105–108.
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Trombíková, Martina, Gryčová, Jitka, Hanzlík, Jan, Pavlatová, Marie, Moravec, Jan, Odvárková, Anna, Doleželová, Anežka, Laktišová, Tereza, Kapustová, Mária.
Leipziger Buchmesse 2019 – zwischen Tradition und Eventkultur : ein studentischer Exkursionsbericht. Brünner Beiträge zur Germanistik und Nordistik. 2020, vol. 34, iss. 1, pp. 119–125.
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Hotařová, Markéta.
Bericht über die 2. internationale Tagung zu Fachsprachen: Fachkommunikation im Wandel II, 6.–8. November 2019, Zentrum für Fachsprachenforschung, Universität Ostrava. Brünner Beiträge zur Germanistik und Nordistik. 2020, vol. 34, iss. 1, pp. 113–116.
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Kałasznik, Marcelina.
[Biskup, Maria. Zu den Aktionsarten im Deutschen: korpusbasierte Untersuchung der semantischen Leistung des Verbalpräfixes "ver-"]. Brünner Beiträge zur Germanistik und Nordistik. 2020, vol. 34, iss. 1, pp. 93–97.
Article
Hotařová, Markéta.
Wie deutsche und tschechische Nachwuchswissenschaftlerinnen interkulturell interagieren. Brünner Beiträge zur Germanistik und Nordistik. 2020, vol. 34, iss. 1, pp. 117–118.
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Lachout, Martin, Krovová, Eva, Moc, Ondřej.
Anwendung von Lernstrategien bei Hochschulstudierenden im Bereich Deutsch. Brünner Beiträge zur Germanistik und Nordistik. 2020, vol. 34, iss. 1, pp. 55–71.
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Šalounová, Kateřina.
Conference report: Experience as a research method in performing arts. Where conference style makes strides?. Theatralia. 2020, vol. 23, iss. 2, pp. 203–208.
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Daniel, Clara.
Hic et nunc: Amy Richlin's Iran Man and the ethics of translating Plautus. Theatralia. 2020, vol. 23, iss. 2, pp. 143–162.
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Stehlíková, Karolína, Lollike, Christian.
I hope that the debates the performances stimulate will change something' : interview with Danish playwright Christian Lollike. Theatralia. 2020, vol. 23, iss. 2, pp. 169–172.
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Poláčková, Eliška.
Planctus Mariae : performing compassion as a means of social promotion. Theatralia. 2020, vol. 23, iss. 2, pp. 74–91.
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Kačer, Tomáš, Drozd, David.
(Re-)translating Zich's aesthetics into English : a work in progress. Theatralia. 2020, vol. 23, iss. 1, pp. 199–213.
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Ambros, Veronika.
Otakar Zich and Prague's 'Semiotic Stage' : reading performance avant la lettre. Theatralia. 2020, vol. 23, iss. 1, pp. 13–29.
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Drábek, Pavel.
A Czech dictionary of structuralist literary theory and criticism. Theatralia. 2020, vol. 23, iss. 1, pp. 168–170.
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Meerzon, Yana.
The magic of a toolbox : The Prague School in Theatre pedagogy : analysis, comprehension, creativity. Theatralia. 2020, vol. 23, iss. 1, pp. 89–104.
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Musilová, Martina.
Otakar Zich on the dramatic acting. Theatralia. 2020, vol. 23, iss. 1, pp. 81–88.
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Pożar, Przemysław.
The vacant utopia : reflecting on the first Polish post-war staging of The Tempest. Theatralia. 2020, vol. 23, iss. 1, pp. 131–149.
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Havlíčková Kysová, Šárka.
Acquiring 'a new way of thinking about theatre...'. Theatralia. 2020, vol. 23, iss. 1, pp. 171–173.
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Osolsobě, Petr.
The Aristotelian perspective in Otakar Zich's The Aesthetics of Dramatic Art. Theatralia. 2020, vol. 23, iss. 1, pp. 30–43.
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Turzíková, Tereza.
On performance/performativity today and tomorrow. Theatralia. 2020, vol. 23, iss. 1, pp. 175–177.
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Maryška, Martin.
Theatre graphics and graphic theatre : Zich's semantics in posters and publicity. Theatralia. 2020, vol. 23, iss. 1, pp. 105–129.
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Shurma, Svitlana.
I choose March': Les Kurbas, Avant-garde Berezil and Shakespeare : review of Irena R. Makaryk's Shakespeare in the Undiscovered Bourn (2004). Theatralia. 2020, vol. 23, iss. 1, pp. 163–167.
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Kačer, Tomáš, Volek, Emil, Pérez-Simón, Andrés.
Interview with Emil Volek and Andrés Pérez-Simón, translators of Zich's 'The Theatrical Illusion'. Theatralia. 2020, vol. 23, iss. 1, pp. 151–156.
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Locke, Brian S..
Ruthless polyphony and audible silences : musico-dramatic narrative in Otakar Zich's Vina. Theatralia. 2020, vol. 23, iss. 1, pp. 62–80.