Displaying 76 - 100 of 330
Article
Di Fruscia, Chiara.
Datum Avenioni : the Avignon Papacy and the custody of the Veronica. Convivium. 2017, vol. 4, iss. Supplementum, pp. 218–229.
Article
Petoletti, Marco, Piacentini, Angelo.
The Veronica of Boniface of Verona. Convivium. 2017, vol. 4, iss. Supplementum, pp. 250–259.
Article
Zardoni, Raffaella, Bossi, Emanuela, Murphy, Amanda.
The Iconography of the Roman Veronica : from the repertoires of Karl Pearson to Veronica Route. Convivium. 2017, vol. 4, iss. Supplementum, pp. 286–301.
Article
Milanese, Guido.
Quaesivi vultum tuum : liturgy, figura and Christ's presence. Convivium. 2017, vol. 4, iss. Supplementum, pp. 126–135.
Article
Rudy, Kathryn M..
Eating the Face of Christ : Philip the Good and his physical relationship with Veronicas. Convivium. 2017, vol. 4, iss. Supplementum, pp. 168–179.
Article
Lang, Uwe Michael.
Origins of the liturgical veneration of the Roman Veronica. Convivium. 2017, vol. 4, iss. Supplementum, pp. 144–155.
Article
Morgan, Nigel.
Veronica' images and the office of the Holy Face in thirteenth-century England. Convivium. 2017, vol. 4, iss. Supplementum, pp. 84–99.
Article
Drossbach, Gisela.
The Roman hospital of Santo Spirito in Sassia and the cult of the Vera Icon. Convivium. 2017, vol. 4, iss. Supplementum, pp. 158–167.
Article
Windeatt, Barry.
Vera Icon'? : the variable Veronica of medieval England. Convivium. 2017, vol. 4, iss. Supplementum, pp. 58–71.
Article
Slouka, Petr.
Johann Heinrich Schmelzer's serenata for the celebrations of Maria Antonia Habsburg's birthday. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 243–251.
Article
Lukeš, Miroslav.
Erhaltenen Musikinstrumente aus der Pfarrkirche Mariä Himmelfahrt in Kvasice im Hinblick auf museale Sammlungen in Wien und Brünn. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 253–263.
Article
Kozel, David.
Repetition as a principle of mythological thinking and music of the twentieth century. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 157–167.
Article
Štědroňská, Markéta.
August Wilhelm Ambros und Eduard Hanslick in Wien: das Schlusskapitel einer musikästhetischen Kontroverse. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 71–83.
Article
Mohammad, Iyad Abdelhafeez.
Compositional technique and phenomenological categories of perception in the Passacaglia of Shostakovich's Symphony No. 8. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 95–108.
Article
Macek, Petr.
Music lexicographer Jiří Fukač and the Brno School of Music Lexicography. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 43–48.
Article
Černá, Zuzana.
Antonio Bioni and his compositions preserved in Kroměříž archive. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 217–242.
Article
Tazelaar, Kees.
Roelof Vermeulen at Philips : a search for space in music. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 17–27.
Article
Cseres, Jozef.
Musica practica according to Roland Barthes. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 149–153.
Article
Ladič, Branko.
Music by František Škvor for the Karol Plicka's film The Earth Sings – the beginning of Slovak national music? : some remarks on the origin and importance. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 79–87.
Article
Fulka, Vladimír.
Arnold Schönberg and musica artificiosa : a rationality in the musical composition. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 69–78.
Article
Ščepán, Michal.
New media and the work of Slovak composer Tadeáš Salva. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 101–116.
Article
Horáková, Jana.
Listening to art on a seabed. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 155–168.
Article
Richards, John.
Slippery bows and slow circuits. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 29–41.
Article
Cenkerová, Zuzana.
Melodic segmentation: structure, cognition, algorithms. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 53–61.