Displaying 6376 - 6400 of 6448
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Cetera-Włodarczyk, Anna, Pożar, Przemysław.
Polish translations of Restoration comedy in early Communist period: the cross-section of ideology and academy. Theatralia. 2021, vol. 24, iss. 1, pp. 136–145.
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Škrobánková, Klára, Drábek, Pavel, Eubanks Winkler, Amanda.
"Performance can reveal paths forward": interview with Amanda Eubanks Winkler. Theatralia. 2021, vol. 24, iss. 1, pp. 255–261.
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Morini, Massimiliano.
Restoration theatre, indirect translation and the canon: Settle's Guarini. Theatralia. 2021, vol. 24, iss. 1, pp. 34–42.
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Calvi, Lisanna.
"This may appear unmanly Tenderness". Homosocial bonds and (un)ruly women in George Granville's The Jew of Venice (1701). Theatralia. 2021, vol. 24, iss. 1, pp. 61–77.
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Hájková, Simona.
Revisiting Restoration theatre through transnational interactions. Theatralia. 2021, vol. 24, iss. 1, pp. 303–308.
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Poláčková, Eliška.
Enacting the Bible in Medieval and Early Modern Drama. Theatralia. 2021, vol. 24, iss. 1, pp. 263–266.
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Škrobánková, Klára.
Notes on the new edition of Marcello's Il teatro alla moda. Theatralia. 2021, vol. 24, iss. 1, pp. 271–273.
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Katritzky, M. A..
William Hogarth (1697–1764) and book illustration I: Hudibras, Quixote and the Littlecote House murals. Theatralia. 2021, vol. 24, iss. 1, pp. 313–356.
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Anderson, Misty G..
Behn's The Emperor of the Moon in 2020. Theatralia. 2021, vol. 24, iss. 1, pp. 299–302.
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Graziano, Alba.
Address pronouns revisited: a case of theatre and translation pragmatics. Theatralia. 2021, vol. 24, iss. 1, pp. 119–135.
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Krpič, Tomaž.
Building a temporal theatre community in the production of ATLAS – LJUBLJANA. Theatralia. 2017, vol. 20, iss. 2, pp. 96–108.
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Bulandrová, Amálie, Arntzen, Knut Ove.
Visual dramaturgy : interview with Knut Ove Arntzen. Theatralia. 2020, vol. 23, iss. 2, pp. 163–168.
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Damien, Hadi.
Curating amidst compounding crises : the Lebanese contribution to the 2023 Prague Quadrennial of Performance Design and Space. Theatralia. 2024, vol. 27, iss. 1, pp. 236–266.
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Garett, Ian.
Ethical scenography in the North American Cluster programme at the Prague Quadrennial. Theatralia. 2024, vol. 27, iss. 1, pp. 215–235.
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Call for papers : Brno Theatralia Conference 2016: Czech and Slovak Scenography for Shakespeare, 8-9 November 2016. Theatralia. 2016, vol. 19, iss. 1, pp. 334–335.
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Bureš, Jaroslav.
Bíňa and Vértesszentkereszt : (contribution to the problem of the area of rhineland classicism in Czechoslovakia). Sborník prací Filozofické fakulty brněnské univerzity. F, Řada uměnovědná. 1964, vol. 13, iss. F8, pp. 19–26.
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Šíp, Jaromír.
Some remarks on a little-known masterpiece by Roelant Savery. Sborník prací Filozofické fakulty brněnské univerzity. F, Řada uměnovědná. 1964, vol. 13, iss. F8, pp. 165–169.
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Dlask, Jan.
Ingmar Bergman's Guests at the Last Supper in the time of nuclear threats. Theatralia. 2019, vol. 22, iss. 1, pp. 76–87.
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Šík, Jan-Marek.
Writing film, writing literature: new Czech translations of four Ingmar Bergman's film short stories. Theatralia. 2019, vol. 22, iss. 1, pp. 119–121.
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Hanáčková, Andrea, Bojda, Tomáš.
Silent Bergman full of words. Theatralia. 2019, vol. 22, iss. 1, pp. 45–60.
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Merenus, Aleš.
Modern Czech play (1896-1989); Between text and performance (a dictionary of works) : summary. Theatralia. 2018, vol. 21, iss. 1, Supplementum, pp. 73–76.
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Editorial. Sborník prací Filozofické fakulty brněnské univerzity. F, Řada uměnovědná. 1996, vol. 45, iss. F40, pp. 5–6.
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Autoři. Sborník prací Filozofické fakulty brněnské univerzity. F, Řada uměnovědná. 1996, vol. 45, iss. F40, pp. 147.