Displaying 6251 - 6275 of 6296
Article
Pérez-Simón, Andrés.
Manufacturing authenticity : anonymous acting celebrities in Atalaya's production of Lorca's The House of Bernarda Alba (2009). Theatralia. 2012, vol. 15, iss. 2, pp. 100–111.
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Prague semiotic stage revisited: an international symposium on Czech structuralist thought on theatre and drama, Brno, 27th - 29th June 2011 : programme. Theatralia. 2012, vol. 15, iss. 2, pp. 9–12.
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Toro, Fernando de.
The legacy of the Linguistic Circle of Prague. Theatralia. 2012, vol. 15, iss. 2, pp. 24–36.
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Havlíčková Kysová, Šárka, Příhodová, Barbora.
Miroslav Kouřil's theory of scenography in the archive materials : a research report. Theatralia. 2012, vol. 15, iss. 2, pp. 227–231.
Article
Brandesky, Joseph E..
Kateřina Miholová. Reproductions of twentieth century Czech theatre in context: The Coming to Wisdom of Don Quixote (1914) and Julius Caesar (1936). Theatralia. 2012, vol. 15, iss. 2, pp. 189–191.
Article
Drábek, Pavel.
John Russell Brown. Studying Shakespeare in performance. Theatralia. 2012, vol. 15, iss. 2, pp. 194–196.
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Příhodová, Barbora.
Donatella Barbieri. Encounters in the Archive. Theatralia. 2012, vol. 15, iss. 2, pp. 207–209.
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Drábek, Pavel.
Alice Dubská. The travels of the puppeteers Brát and Pratte through Europe in the eighteenth and nineteenth centuries. Theatralia. 2012, vol. 15, iss. 2, pp. 206–207.
Article
Puchner, Walter.
Jiří Veltruský. An approach to the semiotics of theatre. Theatralia. 2012, vol. 15, iss. 2, pp. 220–226.
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Havlíčková Kysová, Šárka.
"Asian" theatre sign : its potential and its limits in the history of the Czech Structuralist thought. Theatralia. 2012, vol. 15, iss. 2, pp. 89–99.
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Šlaisová, Eva.
"Aktualisace" in English scholarly literature : interpretation, ignorance, and misunderstanding. Theatralia. 2012, vol. 15, iss. 2, pp. 154–167.
Article
Schmid, Herta.
The concept of sign, its origin and influence on Mukařovský's Structuralism. Theatralia. 2012, vol. 15, iss. 2, pp. 112–124.
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Meerzon, Yana.
Concretization‒transduction‒adaptation : on Prague School legacy in theatre studies today. Theatralia. 2012, vol. 15, iss. 2, pp. 125–153.
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Drábek, Pavel.
Launching a structuralist assembly : convening the scattered structures. Theatralia. 2012, vol. 15, iss. 2, pp. 13–23.
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Plassard, Didier.
Western European avant-garde theatre and puppetry : a reappraisal. Theatralia. 2022, vol. 25, iss. 1, pp. 13–26.
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Raiterová, Eliška.
To provide, not to direct : perceiving from the position of fragility. Theatralia. 2022, vol. 25, iss. 1, pp. 185–187.
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Orawczak Kunešová, Mariana, Béhar, Henri.
Historiography of the avant-gardes, fifty-year witnessing of research dedicated to the avant-gardes in France : interview with Henri Béhar. Theatralia. 2022, vol. 25, iss. 1, pp. 137–148.
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Šlaisová, Eva.
Between Brueghel, Surrealism, and New Realism : Wachsman's stage design for Heavy Barbara. Theatralia. 2022, vol. 25, iss. 1, pp. 109–136.
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Slavkova, Iveta.
A different causality and a different reality : analysis of the absurd in French Dada and pre-surrealist theatre. Theatralia. 2022, vol. 25, iss. 1, pp. 163–165.
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Veselovska, Hanna.
Technicism in the Ukrainian avant-garde theatre : a clash of meanings and forms. Theatralia. 2022, vol. 25, iss. 1, pp. 27–43.
Article
Toporišič, Tomaž.
The Slovene historical avant-garde and Europe in crisis. Theatralia. 2022, vol. 25, iss. 1, pp. 65–86.
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Jochmanová, Andrea, Orawczak Kunešová, Mariana.
The historical avant-garde in the European context : editorial. Theatralia. 2022, vol. 25, iss. 1, pp. 7–12.
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Kosiński, Dariusz.
Central-European theatre avant-garde : reclamation or reimagination. Theatralia. 2022, vol. 25, iss. 1, pp. 149–162.