Displaying 176 - 200 of 328
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Havlíčková Kysová, Šárka, Příhodová, Barbora.
Archaeology of concepts and ambitions: performing structuralism through the field of scenography (Czechoslovakia, 1970s). Theatralia. 2014, vol. 17, iss. 2, pp. 111–121.
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Billing, Christian M..
Responsibilities to the past; duties to the present: considerations on translating, editing and (re)presenting the Czech structuralist canon for modern international audiences. Theatralia. 2014, vol. 17, iss. 2, pp. 13–23.
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Bulandrová, Amálie.
The Fleury Playbook: liturgical drama and its production in Saint-Benoît-sur-Loire. Theatralia. 2018, vol. 21, iss. 1, pp. 133–149.
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Daníčková, Eva.
Review of The Routledge Companion to Dramaturgy. Theatralia. 2015, vol. 18, iss. 2, pp. 485–489.
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Daníčková, Eva.
Review of Dramaturgy in the Making: A User's Guide for Theatre Practitioners. Theatralia. 2015, vol. 18, iss. 2, pp. 490–492.
Article
Blecha, Jaroslav.
The enigmatic puppets of important Czech marionettists, the Flachs. Theatralia. 2015, vol. 18, iss. 2, pp. 35–69.
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Drábek, Pavel.
Review of Petr Matásek – the scenographic puppet master. Theatralia. 2015, vol. 18, iss. 2, pp. 463–465.
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Billing, Christian M..
Review of Jan Švankmajer: Dimensions of Dialogue Between Film and Art. Theatralia. 2015, vol. 18, iss. 2, pp. 477–480.
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Chryssouli, Georgia.
Surreally human: Jan Švankmajer's world of self-destructive puppets. Theatralia. 2015, vol. 18, iss. 2, pp. 303–328.
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Lech, Kasia.
Puppets, dogs, and vegetarian angels: ecocriticism in Jakub Krofta's Polish productions. Theatralia. 2015, vol. 18, iss. 2, pp. 277–302.
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Malíková, Nina.
Czech puppet theatre - tradition, legend, and reality: or, is contemporary Czech puppet theatre and endangered species?. Theatralia. 2015, vol. 18, iss. 2, pp. 347–383.
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Prague semiotic stage revisited II: an international symposium on Czech structuralist thought on theatre and drama, Brno, May 20‒22, 2013 : programme. Theatralia. 2014, vol. 17, iss. 2, pp. 7–10.
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Musilová, Martina.
Jindřich Honzl's texts on acting – between convention and spontaneity. Theatralia. 2014, vol. 17, iss. 2, pp. 137–147.
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Kačer, Tomáš.
Pavel Drábek's attempts at Shakespeare. Theatralia. 2014, vol. 17, iss. 2, pp. 230–232.
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Rokem, Freddie.
Mimetic and non-mimetic aspects of space in the theatre: some reflections following Jindřich Honzl's "Dynamics of the sign in the theater". Theatralia. 2014, vol. 17, iss. 2, pp. 60–70.
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Pérez-Simón, Andrés.
Conceptualizing the Hollywood biopic. Theatralia. 2014, vol. 17, iss. 2, pp. 50–59.
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Drábek, Pavel.
Functional reformulations: Prague School and intralingual translation. Theatralia. 2014, vol. 17, iss. 2, pp. 81–95.
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Ambros, Veronika.
Prague Linguistic Circle in English: semantic shifts in selected texts and their consequences. Theatralia. 2014, vol. 17, iss. 2, pp. 148–161.
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Kubart, Tomáš.
O' – Scenographic Video-Essays. Theatralia. 2014, vol. 17, iss. 2, pp. 250–251.
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Meerzon, Yana.
Between intentionality and affect: on Jan Mukařovský's theory of reception. Theatralia. 2014, vol. 17, iss. 2, pp. 24–40.
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Kostihová, Marcela.
In double trust: Shakespeare in Central Europe. Theatralia. 2014, vol. 17, iss. 2, pp. 238–240.