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Bělka, Luboš.
The species notion in "scientific" creationism. Sborník prací Filozofické fakulty brněnské univerzity. B, Řada filozofická. 1992, vol. 41, iss. B39, pp. 35–47.
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Macháček, Josef.
Adult education in Czechoslovakia. Sborník prací Filozofické fakulty brněnské univerzity. B, Řada filozofická. 1973, vol. 22, iss. B20, pp. 77–86.
Article
Hudečková, Viera.
Príspevok k vymedzeniu vzťahov T.G. Masaryka a F. Brentana. Sborník prací Filozofické fakulty brněnské univerzity. B, Řada filozofická. 1969, vol. 18, iss. B16, pp. 86–93.
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Materna, Pavel.
[Thiel, Christian. Sense and reference in frege's logic]. Sborník prací Filozofické fakulty brněnské univerzity. B, Řada filozofická. 1969, vol. 18, iss. B16, pp. 110–111.
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Majcen Linn, Olga.
The chronotopical overview of Croatian performance art. Theatralia. 2014, vol. 17, iss. 2, pp. 233–237.
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Pšenička, Martin.
Otakar Zich's invisible actors and creative minds. Theatralia. 2014, vol. 17, iss. 2, pp. 71–80.
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Šlaisová, Eva.
The Prague School's contribution to the theory of intermediality. Theatralia. 2014, vol. 17, iss. 2, pp. 41–49.
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Havlíčková Kysová, Šárka, Příhodová, Barbora.
Archaeology of concepts and ambitions: performing structuralism through the field of scenography (Czechoslovakia, 1970s). Theatralia. 2014, vol. 17, iss. 2, pp. 111–121.
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Billing, Christian M..
Responsibilities to the past; duties to the present: considerations on translating, editing and (re)presenting the Czech structuralist canon for modern international audiences. Theatralia. 2014, vol. 17, iss. 2, pp. 13–23.
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Bulandrová, Amálie.
The Fleury Playbook: liturgical drama and its production in Saint-Benoît-sur-Loire. Theatralia. 2018, vol. 21, iss. 1, pp. 133–149.
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Přidalová, Jana.
Překlad Macbetha z konce 18. století (H. Kukla). Theatralia. 2010, vol. 13, iss. 2, pp. 94–106.
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Černický, Viktor.
Indie scéna nezávislá od hudby. Theatralia. 2014, vol. 17, iss. 1, pp. 151–179.
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Žáková, Anna.
Performatívnosť stredovekého rituálu Mandatum u Sv. Jiří na Pražskom hrade. Theatralia. 2018, vol. 21, iss. 1, pp. 71–88.
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Černický, Viktor.
Aktéri a diváci verejných udalostí. Theatralia. 2014, vol. 17, iss. 1, pp. 259–264.
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Merenus, Aleš.
Modern Czech play (1896-1989); Between text and performance (a dictionary of works) : summary. Theatralia. 2017, vol. 20, iss. 1, Supplementum, pp. 71–74.
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Cetera-Włodarczyk, Anna.
Shakespeare in purgatory: (re)writing the history of the post-war reception. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 17–32.
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Almási, Zsolt.
Textuality, heritage, and identity in Hungary: contexts for the interpretation of Szikszai's insertion in Macbeth (2018). Theatralia. 2021, vol. 24, iss. Special Issue, pp. 222–238.
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Kowalcze-Pawlik, Anna.
Meaningless acts: migratory aesthetics in Krzysztof Warlikowski's and Paweł Miśkiewicz's dystopian adaptations of The Tempest. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 121–138.
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Deres, Kornélia.
Emerging postdramatic aesthetics and Shakespeare in Hungarian theatre. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 105–119.
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Reuss, Gabriella.
Shakespeare in the post-1989 Hungarian Puppet Scene. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 151–170.
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Daníčková, Eva.
Review of The Routledge Companion to Dramaturgy. Theatralia. 2015, vol. 18, iss. 2, pp. 485–489.
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Daníčková, Eva.
Review of Dramaturgy in the Making: A User's Guide for Theatre Practitioners. Theatralia. 2015, vol. 18, iss. 2, pp. 490–492.