Displaying 51 - 75 of 256
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Pravidla pro přispěvatele. Museologica Brunensia. 2014, vol. 3, iss. 5 (Podzim 2014), pp. 62.
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Jochymczyk, Maciej.
Oratorios by Amandus Ivanschiz in the context of musical sources and liturgical practice. Musicologica Brunensia. 2014, vol. 49, iss. 1, pp. 251–260.
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Freemanová, Michaela.
Three points of a triangle : Italian, Latin and German oratorios and sepolcros in the early 18th century Central Europe. Musicologica Brunensia. 2014, vol. 49, iss. 1, pp. 175–187.
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Jeż, Tomasz.
Between liturgy and theatre : the Jesuit Lenten meditations from the Baroque Silesia. Musicologica Brunensia. 2014, vol. 49, iss. 1, pp. 261–273.
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Ryszka-Komarnicka, Anna.
Arcangelo Spagna's "perfetto melodramma spirituale" as seen on the example of two versions of his oratorio based on the Book of Judith. Musicologica Brunensia. 2014, vol. 49, iss. 1, pp. 73–88.
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Mellace, Raffaele.
From Court Chapel to public concert: Hasse's oratorios from Dresden to Vienna. Musicologica Brunensia. 2014, vol. 49, iss. 1, pp. 235–249.
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Frantová, Zuzana.
[Jäggi, Carola. Ravenna: Kunst und Kultur einer spätantiken Residenzstadt: die Bauten und Mosaiken des 5. und 6. Jahrhunderts]. Convivium. 2014, vol. 1, iss. 2, pp. 150–152.
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Suzuki, Michitaka.
Icons in Japan painted by Rin Yamashita : anonymity and materiality. Convivium. 2014, vol. 1, iss. 2, pp. 58–73.
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Debiais, Vincent.
Carolingian verse inscriptions and images : from aesthetics to efficiency. Convivium. 2014, vol. 1, iss. 2, pp. 88–101.
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Pentcheva, Bissera V..
Mirror, inspiration, and the making of art in Byzantium. Convivium. 2014, vol. 1, iss. 2, pp. 10–39.
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Fenelli, Laura.
[Holmes, Megan. The miraculous image in Renaissance Florence]. Convivium. 2014, vol. 1, iss. 2, pp. 146–149.
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Ketmanová, Kristina.
[Lowden, John. Medieval and later ivories in the Courtauld Gallery: complete catalogue]. Convivium. 2014, vol. 1, iss. 2, pp. 153–155.
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Baert, Barbara.
Pentecost in the Codex Egberti (c. 980) and the Benedictional of Archbishop Robert (late tenth century) : the visual medium and the senses. Convivium. 2014, vol. 1, iss. 2, pp. 102–117.
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O'Connor, Lucy.
Christ in Majesty on a Late Antique eulogia token in the British Museum. Convivium. 2014, vol. 1, iss. 2, pp. 74–87.
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Klontza-Jaklová, Věra.
Specifics of Aegean Byzantine Amphorae Studies: the example of Priniatikos Pyrgos, East Crete. Studia archaeologica Brunensia. 2014, vol. 19, iss. 2, pp. 163–179.
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Svobodová, Eliška.
Artefacts from organic materials in Neolithic graves: selected cases. Studia archaeologica Brunensia. 2014, vol. 19, iss. 1, pp. 5–21.
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Žůrek, Pavel.
The practice of music in Rajhrad monastery in the first half of the 18th century. Musicologica Brunensia. 2014, vol. 49, iss. 2, pp. 169–180.
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Spurný, Lubomír.
Czech Music Semiology. Musicologica Brunensia. 2014, vol. 49, iss. 2, pp. 53–58.
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Beck, Kimberly.
Blending the secular and sacred: instrumental textures in seventeenth-century worship. Musicologica Brunensia. 2014, vol. 49, iss. 2, pp. 71–84.
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Bacci, Michele.
The Holy Name of Jesus in Venetian-ruled Crete. Convivium. 2014, vol. 1, iss. 1, pp. 190–205.
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Filipová, Alžběta.
The Circulation of blood, clay, and ideas: the distribution of Milanese relics in the fourth and fifth centuries. Convivium. 2014, vol. 1, iss. 1, pp. 64–75.
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Benešovská, Klára, Foletti, Ivan, Romano, Serena.
Circulation as a factor of cultural aggregation: an introduction. Convivium. 2014, vol. 1, iss. 1, pp. 17–18.