Displaying 26 - 50 of 313
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Orawczak Kunešová, Mariana.
André Breton on French and Czech stages. Theatralia. 2022, vol. 25, iss. 1, pp. 87–108.
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Havlíčková Kysová, Šárka.
Meaning-making in contemporary operatic performance. Theatralia. 2022, vol. 25, iss. 1, pp. 172–176.
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Chechyk, Valentyna.
Alexandra Exter theatre and Ukrainian scenography in the 1910s and 1920s. Theatralia. 2022, vol. 25, iss. 1, pp. 44–64.
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Turzíková, Tereza.
Who gets to (re)define theatre?. Theatralia. 2021, vol. 24, iss. 2, pp. 188–190.
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Kunderová, Radka, Balme, Christopher.
The risks are fairly clear' : interview with Christopher Balme. Theatralia. 2021, vol. 24, iss. 2, pp. 161–166.
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Call for papers : Brno Theatralia Conference 2016: Czech and Slovak Scenography for Shakespeare, 8-9 November 2016. Theatralia. 2016, vol. 19, iss. 1, pp. 334–335.
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Švachová, Romana.
Persona revisited : filling in the gaps via the original script. Theatralia. 2019, vol. 22, iss. 1, pp. 13–30.
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Březinová, Helena.
Helena Kadečková (14 August 1932 – 30 June 2018). Theatralia. 2019, vol. 22, iss. 1, pp. 137–140.
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Stehlíková, Karolína, Černík, Zbyněk.
Between film, short story and novel : interview with Zbyněk Černík. Theatralia. 2019, vol. 22, iss. 1, pp. 97–100.
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Sosnowska, Dorota.
Performing memory – workers' strikes in post-war Poland. Theatralia. 2019, vol. 22, iss. 1, pp. 89–96.
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Holmberg, Jan.
Film jako zajížďka : Ingmar Bergman jako spisovatel. Theatralia. 2019, vol. 22, iss. 1, pp. 105–113.
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Tóthová, Kristína.
Ingmar Bergman, the multimedial author. Theatralia. 2019, vol. 22, iss. 1, pp. 129–131.
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Perregaard, Bettina.
The temporality of truth : deception and self-deception in Ingmar Bergman's The Best Intentions. Theatralia. 2019, vol. 22, iss. 1, pp. 31–44.
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Stehlíková, Eva.
The Seventh Seal on the Czech stage. Theatralia. 2019, vol. 22, iss. 1, pp. 61–75.
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Stehlíková, Karolína.
Ingmar Bergman's afterlife. Theatralia. 2019, vol. 22, iss. 1, pp. 9–12.
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Solčániová, Ivona.
Ingmar Bergman's 100th anniversary celebration in the Czech Republic. Theatralia. 2019, vol. 22, iss. 1, pp. 132–136.
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Stehlíková, Karolína, Holmberg, Jan.
Bergman as a master of expression : interview with Jan Holmberg. Theatralia. 2019, vol. 22, iss. 1, pp. 101–104.
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Stehlíková, Karolína.
The master and his manuscript. Theatralia. 2019, vol. 22, iss. 1, pp. 122–125.
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Drozd, David.
Bergman's theatre is the serious game. Theatralia. 2019, vol. 22, iss. 1, pp. 115–118.
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Dlask, Jan.
Ingmar Bergman's Guests at the Last Supper in the time of nuclear threats. Theatralia. 2019, vol. 22, iss. 1, pp. 76–87.
Article
Couch, Nena.
Czech collections of the Theatre Research Institute at Ohio State University. Theatralia. 2011, vol. 14, iss. 1, pp. 277–291.
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Billing, Christian M., Drábek, Pavel.
Introduction: the significance of scenography in a Czech context. Theatralia. 2011, vol. 14, iss. 1, pp. 9–23.
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Příhodová, Barbora.
The specificity of scenography : a Czech contribution to the theory of scenography. Theatralia. 2011, vol. 14, iss. 1, pp. 254–262.