Displaying 301 - 325 of 399
Article
Ščepán, Michal.
New media and the work of Slovak composer Tadeáš Salva. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 101–116.
Article
Horáková, Jana.
Listening to art on a seabed. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 155–168.
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Richards, John.
Slippery bows and slow circuits. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 29–41.
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Cenkerová, Zuzana.
Melodic segmentation: structure, cognition, algorithms. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 53–61.
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Landy, Leigh.
Finding a way to tie technology, aesthetics and dramaturgy together in terms of experimental sound-based music. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 5–16.
Article
Rabinovitch, Gilad.
C.P.E. Bach's "art" and "craft"? : galant schemata and the Rule of the Octave as markers of convention in selected keyboard sonatas and in the Versuch. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 89–100.
Article
Armand, Louis.
Concerto for the universal algorithm : Paik, Moorman, Youngblood, Flusser. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 139–147.
Article
Watt, Paul.
Music criticism in nineteenth-century England: how did it become a profession?. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 117–126.
Article
Flašar, Martin.
Technology or theology? : music beyond technology. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 63–68.
Article
Zagorski, Marcus.
The role of technology in the aesthetics of postwar serial music. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 127–137.
Article
Rataj, Michal.
Everyone can be composer today – full stop or question mark?. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 43–52.
Article
Štěpánová, Martina, Kozel, David.
Archetypal symbols in the symphonic poem The Sea by Mikalojus Konstantinas Čiurlionis. Musicologica Brunensia. 2020, vol. 55, iss. 1, pp. 103–116.
Article
Petőczová, Janka.
Musical life in urban communities of North-Eastern Slovakia in the period of reformation. Musicologica Brunensia. 2020, vol. 55, iss. 1, pp. 39–55.
Article
Dostálová, Magdalena.
Tracking the disseminated sources for compositional work of music theorist-abbot-composer Johannes Nucius. Musicologica Brunensia. 2020, vol. 55, iss. 1, pp. 75–85.
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Michálková Slimáčková, Jana.
Bedřich Antonín Wiedermann : pioneer of the organ as a concert instrument. Musicologica Brunensia. 2020, vol. 55, iss. 1, pp. 5–14.
Article
Macek, Petr, Poledňák, Ivan.
Stanislav Tesař at 70; Selected bibliography of the work of Stanislav Tesař. Musicologica Brunensia. 2010, vol. 45, iss. 1-2, pp. 5–10.
Article
Freemanová, Michaela.
The Moravian monasteries of the Order of Brothers Hospitallers and their music collections. Musicologica Brunensia. 2012, vol. 47, iss. 1, pp. 17–24.
Article
Mąndry, Alina, Frankowski, Patryk.
Perneckher's Harmonia Pastorella and C. P. E. Bach's Trio in F − a rare example of compositions for concertato bass recorder. Musicologica Brunensia. 2012, vol. 47, iss. 1, pp. 189–197.
Article
Dunlop, Alison Jayne.
Forgotten musicians. Documenting musical life at the Viennese imperial court in the eighteenth century. Musicologica Brunensia. 2012, vol. 47, iss. 1, pp. 93–112.
Article
Rawson, Robert G..
"Ab unisonis" - musical textures and genres and the echoes of paraliturgical practices. Musicologica Brunensia. 2012, vol. 47, iss. 1, pp. 25–34.
Article
Walter-Mazur, Magdalena.
An eight-part Manuscript L 1643 from the collection of the Diocesan Library in Sandomierz and it's provenance. Musicologica Brunensia. 2012, vol. 47, iss. 1, pp. 7–15.
Article
Rykowski, Mikołaj.
Art or craft? – significance of the sociological background in the artistic development of the harmoniemusik. Musicologica Brunensia. 2012, vol. 47, iss. 1, pp. 179–187.
Article
Žůrek, Pavel.
The practice of music in Rajhrad monastery in the first half of the 18th century. Musicologica Brunensia. 2014, vol. 49, iss. 2, pp. 169–180.
Article
Spurný, Lubomír.
Czech Music Semiology. Musicologica Brunensia. 2014, vol. 49, iss. 2, pp. 53–58.