Displaying 326 - 350 of 424
Article
Sajewska, Dorota, Sosnowska, Dorota.
Blackness as medium : body in contemporary theatre practice and theory. Theatralia. 2016, vol. 19, iss. 2, pp. 91–102.
Article
Lazorčáková, Tatjana.
Jan Roubal and his complex and complementary 'thought' on theatre. Theatralia. 2016, vol. 19, iss. 2, pp. 139–141.
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Motal, Jan.
Cognitive phenomenology: the promising pragmatic marriage of methodologies in the field of theatre studies?. Theatralia. 2016, vol. 19, iss. 2, pp. 59–75.
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Plassard, Didier.
Western European avant-garde theatre and puppetry : a reappraisal. Theatralia. 2022, vol. 25, iss. 1, pp. 13–26.
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Raiterová, Eliška.
To provide, not to direct : perceiving from the position of fragility. Theatralia. 2022, vol. 25, iss. 1, pp. 185–187.
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Orawczak Kunešová, Mariana, Béhar, Henri.
Historiography of the avant-gardes, fifty-year witnessing of research dedicated to the avant-gardes in France : interview with Henri Béhar. Theatralia. 2022, vol. 25, iss. 1, pp. 137–148.
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Šlaisová, Eva.
Between Brueghel, Surrealism, and New Realism : Wachsman's stage design for Heavy Barbara. Theatralia. 2022, vol. 25, iss. 1, pp. 109–136.
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Slavkova, Iveta.
A different causality and a different reality : analysis of the absurd in French Dada and pre-surrealist theatre. Theatralia. 2022, vol. 25, iss. 1, pp. 163–165.
Article
Veselovska, Hanna.
Technicism in the Ukrainian avant-garde theatre : a clash of meanings and forms. Theatralia. 2022, vol. 25, iss. 1, pp. 27–43.
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Toporišič, Tomaž.
The Slovene historical avant-garde and Europe in crisis. Theatralia. 2022, vol. 25, iss. 1, pp. 65–86.
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Jochmanová, Andrea, Orawczak Kunešová, Mariana.
The historical avant-garde in the European context : editorial. Theatralia. 2022, vol. 25, iss. 1, pp. 7–12.
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Kosiński, Dariusz.
Central-European theatre avant-garde : reclamation or reimagination. Theatralia. 2022, vol. 25, iss. 1, pp. 149–162.
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Orawczak Kunešová, Mariana.
André Breton on French and Czech stages. Theatralia. 2022, vol. 25, iss. 1, pp. 87–108.
Article
Havlíčková Kysová, Šárka.
Meaning-making in contemporary operatic performance. Theatralia. 2022, vol. 25, iss. 1, pp. 172–176.
Article
Chechyk, Valentyna.
Alexandra Exter theatre and Ukrainian scenography in the 1910s and 1920s. Theatralia. 2022, vol. 25, iss. 1, pp. 44–64.
Article
Jocoy, Stacey.
Captain Macheath's execution lament in The Beggar's Opera. Theatralia. 2021, vol. 24, iss. 1, pp. 78–91.
Article
Grant, Teresa.
"With old plays you have so long been cloyed": James Shirley's influence on Aphra Behn. Theatralia. 2021, vol. 24, iss. 1, pp. 43–60.
Article
Šalounová, Kateřina.
Conference report: Experience as a research method in performing arts. Where conference style makes strides?. Theatralia. 2020, vol. 23, iss. 2, pp. 203–208.
Article
Daniel, Clara.
Hic et nunc: Amy Richlin's Iran Man and the ethics of translating Plautus. Theatralia. 2020, vol. 23, iss. 2, pp. 143–162.
Article
Stehlíková, Karolína, Lollike, Christian.
I hope that the debates the performances stimulate will change something' : interview with Danish playwright Christian Lollike. Theatralia. 2020, vol. 23, iss. 2, pp. 169–172.
Article
Poláčková, Eliška.
Planctus Mariae : performing compassion as a means of social promotion. Theatralia. 2020, vol. 23, iss. 2, pp. 74–91.
Article
Kačer, Tomáš, Drozd, David.
(Re-)translating Zich's aesthetics into English : a work in progress. Theatralia. 2020, vol. 23, iss. 1, pp. 199–213.
Article
Ambros, Veronika.
Otakar Zich and Prague's 'Semiotic Stage' : reading performance avant la lettre. Theatralia. 2020, vol. 23, iss. 1, pp. 13–29.
Article
Drábek, Pavel.
A Czech dictionary of structuralist literary theory and criticism. Theatralia. 2020, vol. 23, iss. 1, pp. 168–170.