Displaying 76 - 100 of 394
Article
Wild, Jana.
Macbeth, petty bourgeois. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 209–221.
Article
Mišterová, Ivona.
Mission (im)possible? Cross-gendered Shakespeare on Czech stages after 1989. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 171–185.
Article
Cinpoeş, Nicoleta.
Shakestivalling' in the New Europe. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 83–101.
Article
Havlíčková Kysová, Šárka.
Singing in the blend: stagings of Verdi's operatic Shakespeare in the Czech Republic after 1989. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 189–208.
Article
Müller, Péter.
Institutional structure, social function, and the Shakespeare repertoire in Hungary after 1989–1990. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 47–64.
Article
Revermann, Martin.
Beckett and the theatrical sign : the need for semiotics. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 9–22.
Article
Jovanovic, Nenad.
The medium (non-) specific : Rope, Dogville, and Mukařovský's space-as-meaning. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 96–108.
Article
Pontieri, Laura.
Animate, inanimate and beyond in Švankmajer's Faust (1994). Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 83–95.
Article
Šlaisová, Eva.
Performing cathedral : Le Ballet des Ombres Heureuses as a case of multiple foregrounding. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 122–139.
Article
Schmid, Herta.
Realism and abstractionism in Otakar Zich's Theory of dramatic art and Samuel Beckett's experimental dramatics. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 23–38.
Article
Jestrović, Silvija.
Stage life and stage death (after Veltruský). Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 59–71.
Article
Revermann, Martin.
Editorial note. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 7–8.
Article
Meerzon, Yana.
On men and objects : staging the divided subjectivity of displacement in zero degrees. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 109–121.
Article
Pérez-Simón, Andrés.
Intertextuality and autonomous fictional worlds in Disney : the case of Moana (2016). Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 72–82.
Article
Ambros, Veronika, Switzky, Lawrence.
"Hungry for interpretation" : Woyzeck on the Highveld and the polyphony of performance. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 39–58.
Article
Billing, Christian M..
Review of Josef Svoboda: scenographer by Helena Albertová. Theatralia. 2011, vol. 14, iss. 1, pp. 270–276.
Article
Couch, Nena.
Czech collections of the Theatre Research Institute at Ohio State University. Theatralia. 2011, vol. 14, iss. 1, pp. 277–291.
Article
Billing, Christian M., Drábek, Pavel.
Introduction: the significance of scenography in a Czech context. Theatralia. 2011, vol. 14, iss. 1, pp. 9–23.
Article
Příhodová, Barbora.
The specificity of scenography : a Czech contribution to the theory of scenography. Theatralia. 2011, vol. 14, iss. 1, pp. 254–262.
Article
Stehlíková, Eva.
A contribution to the knowledge of nineteenth-century Czech stage art : Bořivoj Srba, V zahradách Thespidových (In Thespis' garden). Theatralia. 2011, vol. 14, iss. 1, pp. 266–267.
Article
Bartošová, Lada.
The National Theatre Ballets of František Zelenka. Theatralia. 2011, vol. 14, iss. 1, pp. 147–172.
Article
Blecha, Jaroslav.
The history and scenographic influence of Czech family marionette theatres. Theatralia. 2011, vol. 14, iss. 1, pp. 114–146.
Article
Pelikánová, Lucie.
The scenic designs of Karel Zmrzlý. Theatralia. 2011, vol. 14, iss. 1, pp. 192–203.
Article
Brandesky, Joseph E..
Master of dramatic space: a documentary on Jaroslav Malina : by Dutch filmmaker Hans van Seventer. Theatralia. 2011, vol. 14, iss. 1, pp. 263.
Article
Uličný, Petr.
Christ in motion: portable objects and scenographic environments in the liturgy of medieval Bohemia. Theatralia. 2011, vol. 14, iss. 1, pp. 24–64.