Displaying 151 - 175 of 634
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Pala, Karel, Osolsobě, Klára.
Czech stem dictionary. Sborník prací Filozofické fakulty brněnské univerzity. A, Řada jazykovědná. 1993, vol. 42, iss. A41, pp. 51–60.
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Blažek, Václav.
Indo-european "one" and "first". Sborník prací Filozofické fakulty brněnské univerzity. A, Řada jazykovědná. 1999, vol. 48, iss. A47, pp. 5–25.
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Pačesová, Jaroslava.
Speech patterns in the emerging grammar. Sborník prací Filozofické fakulty brněnské univerzity. A, Řada jazykovědná. 1983, vol. 32, iss. A31, pp. 7–14.
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Vašek, Antonín.
On language shift and language switch in isolated languages. Sborník prací Filozofické fakulty brněnské univerzity. A, Řada jazykovědná. 1983, vol. 32, iss. A31, pp. 15–23.
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Pačesová, Jaroslava.
On the question of the child's linguistic competence. Sborník prací Filozofické fakulty brněnské univerzity. A, Řada jazykovědná. 1981, vol. 30, iss. A29, pp. 21–29.
Article
Blažek, Václav.
Indo-European "two". Sborník prací Filozofické fakulty brněnské univerzity. A, Řada jazykovědná. 1998, vol. 47, iss. A46, pp. 5–25.
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Havlíčková Kysová, Šárka.
Conceptual metaphor theory cannot be just conceptual. Theatralia. 2021, vol. 24, iss. 1, pp. 267–270.
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Mikyšková, Anna, Škrobánková, Klára.
The Emperor of the Zoom: Aphra Behn and the Many Challenges of Zoom Productions. Theatralia. 2021, vol. 24, iss. 1, pp. 295–298.
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Braga Riera, Jorge.
Translation and performance cultures: Spanish drama and Restoration England. Theatralia. 2021, vol. 24, iss. 1, pp. 101–118.
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Krajník, Filip.
Restored and de-restored: killing off Garrick in John Philip Kemble's King Lear. Theatralia. 2021, vol. 24, iss. 1, pp. 92–100.
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Cetera-Włodarczyk, Anna, Pożar, Przemysław.
Polish translations of Restoration comedy in early Communist period: the cross-section of ideology and academy. Theatralia. 2021, vol. 24, iss. 1, pp. 136–145.
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Škrobánková, Klára, Drábek, Pavel, Eubanks Winkler, Amanda.
"Performance can reveal paths forward": interview with Amanda Eubanks Winkler. Theatralia. 2021, vol. 24, iss. 1, pp. 255–261.
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Morini, Massimiliano.
Restoration theatre, indirect translation and the canon: Settle's Guarini. Theatralia. 2021, vol. 24, iss. 1, pp. 34–42.
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Calvi, Lisanna.
"This may appear unmanly Tenderness". Homosocial bonds and (un)ruly women in George Granville's The Jew of Venice (1701). Theatralia. 2021, vol. 24, iss. 1, pp. 61–77.
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Hájková, Simona.
Revisiting Restoration theatre through transnational interactions. Theatralia. 2021, vol. 24, iss. 1, pp. 303–308.
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Poláčková, Eliška.
Enacting the Bible in Medieval and Early Modern Drama. Theatralia. 2021, vol. 24, iss. 1, pp. 263–266.
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Škrobánková, Klára.
Notes on the new edition of Marcello's Il teatro alla moda. Theatralia. 2021, vol. 24, iss. 1, pp. 271–273.
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Katritzky, M. A..
William Hogarth (1697–1764) and book illustration I: Hudibras, Quixote and the Littlecote House murals. Theatralia. 2021, vol. 24, iss. 1, pp. 313–356.
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Anderson, Misty G..
Behn's The Emperor of the Moon in 2020. Theatralia. 2021, vol. 24, iss. 1, pp. 299–302.
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Graziano, Alba.
Address pronouns revisited: a case of theatre and translation pragmatics. Theatralia. 2021, vol. 24, iss. 1, pp. 119–135.
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Jocoy, Stacey.
Captain Macheath's execution lament in The Beggar's Opera. Theatralia. 2021, vol. 24, iss. 1, pp. 78–91.
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Grant, Teresa.
"With old plays you have so long been cloyed": James Shirley's influence on Aphra Behn. Theatralia. 2021, vol. 24, iss. 1, pp. 43–60.
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Šalounová, Kateřina.
Conference report: Experience as a research method in performing arts. Where conference style makes strides?. Theatralia. 2020, vol. 23, iss. 2, pp. 203–208.
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Daniel, Clara.
Hic et nunc: Amy Richlin's Iran Man and the ethics of translating Plautus. Theatralia. 2020, vol. 23, iss. 2, pp. 143–162.