Displaying 201 - 225 of 333
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Kowalcze-Pawlik, Anna.
Meaningless acts: migratory aesthetics in Krzysztof Warlikowski's and Paweł Miśkiewicz's dystopian adaptations of The Tempest. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 121–138.
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Deres, Kornélia.
Emerging postdramatic aesthetics and Shakespeare in Hungarian theatre. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 105–119.
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Reuss, Gabriella.
Shakespeare in the post-1989 Hungarian Puppet Scene. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 151–170.
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Földváry, Kinga.
Reappropriations of Shakespearean history on the post-communist Hungarian stage. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 239–253.
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Turzíková, Tereza.
The urge to share knowledge. Theatralia. 2018, vol. 21, iss. 2, pp. 217–219.
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Fergusson, Cat.
Visualising process: Hofman's 1926 Hamlet reconstructive practice. Theatralia. 2018, vol. 21, iss. 2, pp. 15–28.
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Zálešáková, Tereza.
What makes British musicals uniquely British?. Theatralia. 2018, vol. 21, iss. 2, pp. 208–210.
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Inštitorisová, Dagmar.
The Scenography of Shakespearománie I–III [The Shakespearomania Trilogy] directed by Peter Scherhaufer at the Goose on a String Theatre in Brno. Theatralia. 2018, vol. 21, iss. 2, pp. 112–126.
Article
Tomaszewska, Ewa.
A midsummer night's dream in Polish puppet theatres in Silesia – Mise-en-Scène by Jan Dorman, Josef Krofta and Marián Pecko. Theatralia. 2018, vol. 21, iss. 2, pp. 95–111.
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Tagareva, Albena.
Socialist realism in the Bulgarian National Theatre's Stage design: processes, influences, concepts. Theatralia. 2018, vol. 21, iss. 2, pp. 141–160.
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Krajník, Filip.
Mirrors of/for the times: Shakespeare in Central European theatre. Theatralia. 2018, vol. 21, iss. 2, pp. 201–203.
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Matthews, Dan.
A technical and contextual analysis of scenography through sculptural reproduction: Hofman and Tröster's Hamlets. Theatralia. 2018, vol. 21, iss. 2, pp. 29–37.
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Wild, Jana.
From creating spaces to evoking images: 4 + 1 Hamlets in Slovak theatre. Theatralia. 2018, vol. 21, iss. 2, pp. 64–78.
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Billing, Christian M., Havlíčková Kysová, Šárka.
Making space for Shakespeare in the Central European imaginary : editorial. Theatralia. 2018, vol. 21, iss. 2, pp. 7–13.
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Kačer, Tomáš.
Theatre and philosophy: the two as two-in-one in a theoretical issue of Anglia Journal and a Follow-up Symposium. Theatralia. 2018, vol. 21, iss. 2, pp. 211–213.
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Drozd, David, Spurná, Helena, Bártová, Jindřiška, Flašar, Martin, Drábek, Pavel, Zahrádka, Jiří, Částková, Patricie, Kovaříková, Hana, Hložková, Hana.
Zich's Guilt – reactions to the concert performance of extracts. Theatralia. 2018, vol. 21, iss. 2, pp. 223–235.
Article
Merenus, Aleš.
Modern Czech play (1896-1989); Between text and performance (a dictionary of works) : summary. Theatralia. 2019, vol. 22, iss. 1, Supplementum, pp. 85–88.
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Brandesky, Joseph E..
...time for play...time played out..., ...time played out...time for play... : comments on Jaroslav Malina's 2016 exhibits in Jindřichův Hradec and Brno. Theatralia. 2017, vol. 20, iss. 1, pp. 190–193.
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Havlíčková Kysová, Šárka.
Conceptual metaphor theory cannot be just conceptual. Theatralia. 2021, vol. 24, iss. 1, pp. 267–270.
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Mikyšková, Anna, Škrobánková, Klára.
The Emperor of the Zoom: Aphra Behn and the Many Challenges of Zoom Productions. Theatralia. 2021, vol. 24, iss. 1, pp. 295–298.
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Braga Riera, Jorge.
Translation and performance cultures: Spanish drama and Restoration England. Theatralia. 2021, vol. 24, iss. 1, pp. 101–118.
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Krajník, Filip.
Restored and de-restored: killing off Garrick in John Philip Kemble's King Lear. Theatralia. 2021, vol. 24, iss. 1, pp. 92–100.
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Cetera-Włodarczyk, Anna, Pożar, Przemysław.
Polish translations of Restoration comedy in early Communist period: the cross-section of ideology and academy. Theatralia. 2021, vol. 24, iss. 1, pp. 136–145.
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Škrobánková, Klára, Drábek, Pavel, Eubanks Winkler, Amanda.
"Performance can reveal paths forward": interview with Amanda Eubanks Winkler. Theatralia. 2021, vol. 24, iss. 1, pp. 255–261.
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Morini, Massimiliano.
Restoration theatre, indirect translation and the canon: Settle's Guarini. Theatralia. 2021, vol. 24, iss. 1, pp. 34–42.