Displaying 1 - 25 of 41
Article
Žůrek, Pavel.
The practice of music in Rajhrad monastery in the first half of the 18th century. Musicologica Brunensia. 2014, vol. 49, iss. 2, pp. 169–180.
Article
Spurný, Lubomír.
Czech Music Semiology. Musicologica Brunensia. 2014, vol. 49, iss. 2, pp. 53–58.
Article
Beck, Kimberly.
Blending the secular and sacred: instrumental textures in seventeenth-century worship. Musicologica Brunensia. 2014, vol. 49, iss. 2, pp. 71–84.
Article
Jochymczyk, Maciej.
Oratorios by Amandus Ivanschiz in the context of musical sources and liturgical practice. Musicologica Brunensia. 2014, vol. 49, iss. 1, pp. 251–260.
Article
Freemanová, Michaela.
Three points of a triangle : Italian, Latin and German oratorios and sepolcros in the early 18th century Central Europe. Musicologica Brunensia. 2014, vol. 49, iss. 1, pp. 175–187.
Article
Jeż, Tomasz.
Between liturgy and theatre : the Jesuit Lenten meditations from the Baroque Silesia. Musicologica Brunensia. 2014, vol. 49, iss. 1, pp. 261–273.
Article
Ryszka-Komarnicka, Anna.
Arcangelo Spagna's "perfetto melodramma spirituale" as seen on the example of two versions of his oratorio based on the Book of Judith. Musicologica Brunensia. 2014, vol. 49, iss. 1, pp. 73–88.
Article
Mellace, Raffaele.
From Court Chapel to public concert: Hasse's oratorios from Dresden to Vienna. Musicologica Brunensia. 2014, vol. 49, iss. 1, pp. 235–249.
Article
Rogošić, Višnja.
100 years of Croatian set design and costume design 1909‒2009. Theatralia. 2014, vol. 17, iss. 2, pp. 227–229.
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Havlíčková Kysová, Šárka.
A fresh approach to old issues. Theatralia. 2014, vol. 17, iss. 2, pp. 241–243.
Article
Příhodová, Barbora.
Where theory meets the practice: Jaroslav Malina's space, function and sign in scenography and painting. Theatralia. 2014, vol. 17, iss. 2, pp. 191–222.
Article
Šlaisová, Eva.
The Prague School's contribution to the theory of intermediality. Theatralia. 2014, vol. 17, iss. 2, pp. 41–49.
Article
Havlíčková Kysová, Šárka, Příhodová, Barbora.
Archaeology of concepts and ambitions: performing structuralism through the field of scenography (Czechoslovakia, 1970s). Theatralia. 2014, vol. 17, iss. 2, pp. 111–121.
Article
Billing, Christian M..
Responsibilities to the past; duties to the present: considerations on translating, editing and (re)presenting the Czech structuralist canon for modern international audiences. Theatralia. 2014, vol. 17, iss. 2, pp. 13–23.
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Prague semiotic stage revisited II: an international symposium on Czech structuralist thought on theatre and drama, Brno, May 20‒22, 2013 : programme. Theatralia. 2014, vol. 17, iss. 2, pp. 7–10.
Article
Musilová, Martina.
Jindřich Honzl's texts on acting – between convention and spontaneity. Theatralia. 2014, vol. 17, iss. 2, pp. 137–147.
Article
Kačer, Tomáš.
Pavel Drábek's attempts at Shakespeare. Theatralia. 2014, vol. 17, iss. 2, pp. 230–232.
Article
Rokem, Freddie.
Mimetic and non-mimetic aspects of space in the theatre: some reflections following Jindřich Honzl's "Dynamics of the sign in the theater". Theatralia. 2014, vol. 17, iss. 2, pp. 60–70.
Article
Pérez-Simón, Andrés.
Conceptualizing the Hollywood biopic. Theatralia. 2014, vol. 17, iss. 2, pp. 50–59.
Article
Drábek, Pavel.
Functional reformulations: Prague School and intralingual translation. Theatralia. 2014, vol. 17, iss. 2, pp. 81–95.
Article
Ambros, Veronika.
Prague Linguistic Circle in English: semantic shifts in selected texts and their consequences. Theatralia. 2014, vol. 17, iss. 2, pp. 148–161.