Displaying 1 - 25 of 38
Chapter
Střítecký, Jaroslav.
The Czech Question a century later. In: Střítecký, Jaroslav. Studie a stati. 1.
2017, pp. 66–81.
Article
Kawahara, Koji.
Non-neutrality and setting of standards in degree of change and motion events. Linguistica Brunensia. 2017, vol. 65, iss. 2, pp. 103–117.
Article
Szécsényi, Krisztina.
Overt and covert subjects in Hungarian infinitival clauses and their implications for restructuring. Linguistica Brunensia. 2017, vol. 65, iss. 2, pp. 35–52.
Article
Lanko Marušič, Franc, Žaucer, Rok.
Coordinate structure constraint: a-/a'- movement vs. clitic movement. Linguistica Brunensia. 2017, vol. 65, iss. 2, pp. 69–85.
Article
Roussou, Anna.
Expanding of the left. Linguistica Brunensia. 2017, vol. 65, iss. 2, pp. 7–20.
Article
Boček, Vít.
[Dejkova, Christina. Etimologija i lingvističeskaja kontaktologija: (Rumynskije glagol'nyje zaimstvovanija v odnom bolgarskom govore)]. Linguistica Brunensia. 2017, vol. 65, iss. 2, pp. 123–125.
Article
Todorović, Neda.
If you can show the future, I know what you are made of: aspect + modal-temporal domain in Serbian. Linguistica Brunensia. 2017, vol. 65, iss. 2, pp. 87–101.
Article
Raković, Sanja.
The role of clitics in Serbian presentative constructions. Linguistica Brunensia. 2017, vol. 65, iss. 2, pp. 53–68.
Article
Jardón, Natalia.
Transitivity and self-caused readings in Spanish deverbal nouns. Linguistica Brunensia. 2017, vol. 65, iss. 1, pp. 21–36.
Article
Tazelaar, Kees.
Roelof Vermeulen at Philips : a search for space in music. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 17–27.
Article
Cseres, Jozef.
Musica practica according to Roland Barthes. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 149–153.
Article
Ladič, Branko.
Music by František Škvor for the Karol Plicka's film The Earth Sings – the beginning of Slovak national music? : some remarks on the origin and importance. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 79–87.
Article
Fulka, Vladimír.
Arnold Schönberg and musica artificiosa : a rationality in the musical composition. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 69–78.
Article
Ščepán, Michal.
New media and the work of Slovak composer Tadeáš Salva. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 101–116.
Article
Horáková, Jana.
Listening to art on a seabed. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 155–168.
Article
Richards, John.
Slippery bows and slow circuits. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 29–41.
Article
Cenkerová, Zuzana.
Melodic segmentation: structure, cognition, algorithms. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 53–61.
Article
Landy, Leigh.
Finding a way to tie technology, aesthetics and dramaturgy together in terms of experimental sound-based music. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 5–16.
Article
Rabinovitch, Gilad.
C.P.E. Bach's "art" and "craft"? : galant schemata and the Rule of the Octave as markers of convention in selected keyboard sonatas and in the Versuch. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 89–100.
Article
Armand, Louis.
Concerto for the universal algorithm : Paik, Moorman, Youngblood, Flusser. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 139–147.
Article
Watt, Paul.
Music criticism in nineteenth-century England: how did it become a profession?. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 117–126.
Article
Flašar, Martin.
Technology or theology? : music beyond technology. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 63–68.
Article
Zagorski, Marcus.
The role of technology in the aesthetics of postwar serial music. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 127–137.
Article
Rataj, Michal.
Everyone can be composer today – full stop or question mark?. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 43–52.
Article
Černá, Zuzana.
Antonio Bioni and his compositions preserved in Kroměříž archive. Musicologica Brunensia. 2017, vol. 52, iss. 2, pp. 217–242.