Displaying 5001 - 5025 of 5350
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Jirásková, Marie, Jirásek, Pavel.
Puppet cabaret: visual idioms, performance technologies and the poetics of Czech special puppets in a European context 1850–1950 : (from artistic automata through trick and variety puppets, to puppet cabaret and variety show clowns and acrobats). Theatralia. 2015, vol. 18, iss. 2, pp. 70–134.
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Jirásek, Pavel.
Josef Skupa: the birth of a modern artist. Theatralia. 2015, vol. 18, iss. 2, pp. 168–230.
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Billing, Christian M., Drábek, Pavel.
Czech puppet theatre in global contexts: roots, theories and encounters. Theatralia. 2015, vol. 18, iss. 2, pp. 5–31.
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Drábek, Pavel.
Review of The Routledge Companion to Puppetry and Material Performance. Theatralia. 2015, vol. 18, iss. 2, pp. 471–476.
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Marková, Sylva.
Review of Talking Scenography: Conversations between Jarka Burian and Josef Svoboda. Theatralia. 2015, vol. 18, iss. 2, pp. 481–484.
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Drábek, Pavel.
A Great German Pickelhäring and a Beheaded Virgin Saint. Theatralia. 2015, vol. 18, iss. 2, pp. 499–502.
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Pecková Černá, Martina.
List of puppetry exhibitions by Czech organisers in the Czech Republic and abroad 1989–2015. Theatralia. 2015, vol. 18, iss. 2, pp. 429–459.
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Novak, Agnès, Petráň, Dušan.
Backstage and on tour with Yorick's Marionettes. Theatralia. 2015, vol. 18, iss. 2, pp. 387–414.
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Lešková Dolenská, Kateřina.
Czech puppet theatre dramaturgy as a specific phenomenon. Theatralia. 2015, vol. 18, iss. 2, pp. 231–276.
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Brandesky, Joseph E..
Stasis and Flux: Czech puppet culture in Columbus, Ohio (Winter/Spring 2013). Theatralia. 2015, vol. 18, iss. 2, pp. 415–428.
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Bernátek, Martin.
The Renaissance of Czech puppetry and the cinema. Theatralia. 2015, vol. 18, iss. 2, pp. 135–167.
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Zelenková, Anna.
Frank Wollman – dramatický text ako intencionálna danosť. Theatralia. 2021, vol. 24, iss. 1, pp. 240–254.
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Havlíčková Kysová, Šárka.
Conceptual metaphor theory cannot be just conceptual. Theatralia. 2021, vol. 24, iss. 1, pp. 267–270.
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Mikyšková, Anna, Škrobánková, Klára.
The Emperor of the Zoom: Aphra Behn and the Many Challenges of Zoom Productions. Theatralia. 2021, vol. 24, iss. 1, pp. 295–298.
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Braga Riera, Jorge.
Translation and performance cultures: Spanish drama and Restoration England. Theatralia. 2021, vol. 24, iss. 1, pp. 101–118.
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Krajník, Filip.
Restored and de-restored: killing off Garrick in John Philip Kemble's King Lear. Theatralia. 2021, vol. 24, iss. 1, pp. 92–100.
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Cetera-Włodarczyk, Anna, Pożar, Przemysław.
Polish translations of Restoration comedy in early Communist period: the cross-section of ideology and academy. Theatralia. 2021, vol. 24, iss. 1, pp. 136–145.
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Škrobánková, Klára, Drábek, Pavel, Eubanks Winkler, Amanda.
"Performance can reveal paths forward": interview with Amanda Eubanks Winkler. Theatralia. 2021, vol. 24, iss. 1, pp. 255–261.
Article
Morini, Massimiliano.
Restoration theatre, indirect translation and the canon: Settle's Guarini. Theatralia. 2021, vol. 24, iss. 1, pp. 34–42.
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Calvi, Lisanna.
"This may appear unmanly Tenderness". Homosocial bonds and (un)ruly women in George Granville's The Jew of Venice (1701). Theatralia. 2021, vol. 24, iss. 1, pp. 61–77.
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Hájková, Simona.
Revisiting Restoration theatre through transnational interactions. Theatralia. 2021, vol. 24, iss. 1, pp. 303–308.
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Poláčková, Eliška.
Enacting the Bible in Medieval and Early Modern Drama. Theatralia. 2021, vol. 24, iss. 1, pp. 263–266.