Displaying 1 - 25 of 119
Chapter
Zita, Antonín.
The reception in the United States: the fifties and the sixties. In: Zita, Antonín. How we understand the beats : the reception of the beat generation in the United States and the Czech lands.
2018, pp. 48–82.
Chapter
Zita, Antonín.
Conclusion. In: Zita, Antonín. How we understand the beats : the reception of the beat generation in the United States and the Czech lands.
2018, pp. 175–177.
Chapter
Zita, Antonín.
Theoretical background. In: Zita, Antonín. How we understand the beats : the reception of the beat generation in the United States and the Czech lands.
2018, pp. 24–35.
Chapter
Zita, Antonín.
Table of contents. In: Zita, Antonín. How we understand the beats : the reception of the beat generation in the United States and the Czech lands.
2018, pp. 5–6.
Chapter
Zita, Antonín.
Acknowledgments. In: Zita, Antonín. How we understand the beats : the reception of the beat generation in the United States and the Czech lands.
2018, pp. 8.
Chapter
Zita, Antonín.
Zusammenfassung. In: Zita, Antonín. How we understand the beats : the reception of the beat generation in the United States and the Czech lands.
2018, pp. 181–183.
Chapter
Back matter. In: Zita, Antonín. How we understand the beats : the reception of the beat generation in the United States and the Czech lands.
2018, pp. .
Chapter
Zita, Antonín.
Czechoslovakia of the fifties and sixties: an introduction. In: Zita, Antonín. How we understand the beats : the reception of the beat generation in the United States and the Czech lands.
2018, pp. 103–118.
Chapter
Zita, Antonín.
The reception in the United States: current reception. In: Zita, Antonín. How we understand the beats : the reception of the beat generation in the United States and the Czech lands.
2018, pp. 83–102.
Chapter
Zita, Antonín.
The reception in the Czech Republic. In: Zita, Antonín. How we understand the beats : the reception of the beat generation in the United States and the Czech lands.
2018, pp. 143–162.
Chapter
Zita, Antonín.
Bibliography. In: Zita, Antonín. How we understand the beats : the reception of the beat generation in the United States and the Czech lands.
2018, pp. 184–197.
Chapter
Zita, Antonín.
Introduction to the Beat Generation. In: Zita, Antonín. How we understand the beats : the reception of the beat generation in the United States and the Czech lands.
2018, pp. 9–23.
Chapter
Zita, Antonín.
The United States of the fifties and the sixties: an introduction. In: Zita, Antonín. How we understand the beats : the reception of the beat generation in the United States and the Czech lands.
2018, pp. 36–47.
Chapter
Zita, Antonín.
Motto. In: Zita, Antonín. How we understand the beats : the reception of the beat generation in the United States and the Czech lands.
2018, pp. 7.
Chapter
Zita, Antonín.
Index. In: Zita, Antonín. How we understand the beats : the reception of the beat generation in the United States and the Czech lands.
2018, pp. 198–200.
Chapter
Front matter. In: Zita, Antonín. How we understand the beats : the reception of the beat generation in the United States and the Czech lands.
2018, pp. .
Chapter
Zita, Antonín.
The reception in Czechoslovakia. In: Zita, Antonín. How we understand the beats : the reception of the beat generation in the United States and the Czech lands.
2018, pp. 119–142.
Chapter
Zita, Antonín.
Summary. In: Zita, Antonín. How we understand the beats : the reception of the beat generation in the United States and the Czech lands.
2018, pp. 178–180.
Chapter
Zita, Antonín.
The reception of the Beat Generation: a discussion. In: Zita, Antonín. How we understand the beats : the reception of the beat generation in the United States and the Czech lands.
2018, pp. 163–174.
Article
Niubo, Marc.
Classy scene for connoisseurs or snobby meeting point? : considerations upon the repertoire and functions of the Thun Theatre in Prague during the years 1781-1784. Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 297–303.
Article
Perutková, Jana.
Oratorios performed at the holy sepulchre in the Bohemian Lands and Austria in the 18th century (Part II) : on the issue of transferring sepolcri and the possibilities of their semi-staged or staged performance. Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 339–353.
Article
Over, Berthold.
Albinoni für Laute : Transkriptionen italienischer Musik für die Münchner Prinzessinnen Josepha Maria und Maria Josepha von Bayern. Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 305–316.
Article
Deisinger, Marko.
Musikbezogene Quellen aus der Korrespondenz zwischen Rom und dem Wiener Kaiserhof : neues zu Antimo Liberati, Alessandro Stradella und anderen italienischen Musikern und Musikerinnen des Barock. Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 19–34.
Article
Kokole, Metoda.
Andrea Bernasconi's earliest operatic music on its way north of the Alps. Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 207–226.
Article
Voss, Steffen.
Das Johann Adolf Hasse zugeschriebene Passions-Oratorium La morte di Cristo und seine musikhistorische Einordnung. Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 261–281.