Displaying 1401 - 1425 of 1522
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Vodička, Libor.
O nový divadelní řád : poznámky k diskusi o divadelním zákonu v českém tisku 1945–1948. Theatralia. 2017, vol. 20, iss. 1, pp. 9–20.
Article
Drábek, Pavel.
Dramaturgie her Karla Čapka podle Jany Cindlerové. Theatralia. 2017, vol. 20, iss. 1, pp. 155–158.
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Pavlišová, Jitka.
Divadlo je krajšie ako vojna. Theatralia. 2017, vol. 20, iss. 1, pp. 165–168.
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Brandesky, Joseph E..
...time for play...time played out..., ...time played out...time for play... : comments on Jaroslav Malina's 2016 exhibits in Jindřichův Hradec and Brno. Theatralia. 2017, vol. 20, iss. 1, pp. 190–193.
Article
Vodička, Libor, Vodičková, Petra.
V centru experimentálního divadla : rozhovor s Petrou Vodičkovou. Theatralia. 2017, vol. 20, iss. 1, pp. 123–129.
Article
Havlíčková Kysová, Šárka, Spurná, Helena.
Realismus hudebního divadla Waltera Felsensteina – pravda, nebo mýtus?. Theatralia. 2017, vol. 20, iss. 1, pp. 88–121.
Article
Kubart, Tomáš, Marschall, Brigitte.
O zakladateli psychodramatu Jakobu Levy Morenovi : rozhovor s Brigitte Marschall. Theatralia. 2017, vol. 20, iss. 1, pp. 136–138.
Article
Mikulová, Iva.
Příběhy obyčejných šílenství. Theatralia. 2017, vol. 20, iss. 1, pp. 159–161.
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Štěpaníková, Markéta.
Zákon o veřejnoprávní instituci v kultuře. Theatralia. 2017, vol. 20, iss. 1, pp. 21–36.
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Binková, Kristýna.
Specifické aspekty řízení kariér v podmínkách uměleckého souboru baletu. Theatralia. 2017, vol. 20, iss. 1, pp. 52–71.
Article
Havlíčková Kysová, Šárka.
Inspirace v kognitivní filmologii: audiovizuální metafora jako analytický nástroj. Theatralia. 2017, vol. 20, iss. 1, pp. 169–174.
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Mikulová, Iva.
Subjektivní versus objektivní: Konference o kritice. Theatralia. 2017, vol. 20, iss. 1, pp. 184–187.
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Zelenková, Anna.
Frank Wollman – dramatický text ako intencionálna danosť. Theatralia. 2021, vol. 24, iss. 1, pp. 240–254.
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Havlíčková Kysová, Šárka.
Conceptual metaphor theory cannot be just conceptual. Theatralia. 2021, vol. 24, iss. 1, pp. 267–270.
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Mikyšková, Anna, Škrobánková, Klára.
The Emperor of the Zoom: Aphra Behn and the Many Challenges of Zoom Productions. Theatralia. 2021, vol. 24, iss. 1, pp. 295–298.
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Braga Riera, Jorge.
Translation and performance cultures: Spanish drama and Restoration England. Theatralia. 2021, vol. 24, iss. 1, pp. 101–118.
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Krajník, Filip.
Restored and de-restored: killing off Garrick in John Philip Kemble's King Lear. Theatralia. 2021, vol. 24, iss. 1, pp. 92–100.
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Cetera-Włodarczyk, Anna, Pożar, Przemysław.
Polish translations of Restoration comedy in early Communist period: the cross-section of ideology and academy. Theatralia. 2021, vol. 24, iss. 1, pp. 136–145.
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Škrobánková, Klára, Drábek, Pavel, Eubanks Winkler, Amanda.
"Performance can reveal paths forward": interview with Amanda Eubanks Winkler. Theatralia. 2021, vol. 24, iss. 1, pp. 255–261.
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Morini, Massimiliano.
Restoration theatre, indirect translation and the canon: Settle's Guarini. Theatralia. 2021, vol. 24, iss. 1, pp. 34–42.
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Calvi, Lisanna.
"This may appear unmanly Tenderness". Homosocial bonds and (un)ruly women in George Granville's The Jew of Venice (1701). Theatralia. 2021, vol. 24, iss. 1, pp. 61–77.