Displaying 626 - 650 of 5736
Article
Hořínka, Slavomír.
Interspace: vzdálenost jako kompoziční strategie. Musicologica Brunensia. 2018, vol. 53, iss. 1, pp. 35–50.
Article
Khokhlova, Elena.
On monotony of opera playbill and underlying economy. Musicologica Brunensia. 2018, vol. 53, iss. 1, pp. 65–78.
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Cseres, Jozef.
Zrod intermedií v díle Roberta Rauschenberga. Musicologica Brunensia. 2018, vol. 53, iss. 1, pp. 5–14.
Article
Sůsa, Jan.
Radiové intervence Tetsua Kogawy: hudebnost pirátského mikrovysílání. Musicologica Brunensia. 2018, vol. 53, iss. 1, pp. 111–118.
Article
Schachenmayr, Alkuin Volker.
Neue Forschungsansätze über Theaterkultur in österreichischen Prälatenklöstern der Frühen Neuzeit. Musicologica Brunensia. 2018, vol. 53, iss. 1, pp. 197–203.
Article
Švandová, Petra.
Hudební divadlo v Brně ve druhé polovině 18. století : repertoár a provoz divadla na Zelném trhu v jeho proměnách ze stagiony ve stálou divadelní instituci. Musicologica Brunensia. 2018, vol. 53, iss. 1, pp. 137–158.
Article
Perutková, Jana.
Oratorios performed at the holy sepulchre in the Bohemian lands and Austria in the 18th century (Part I) : methodological questions on the sepolcro in the period of ca. 1700–1760. Musicologica Brunensia. 2018, vol. 53, iss. 1, pp. 79–96.
Article
Zahrádka, Jiří.
Janáčkova trnitá cesta k založení brněnské konzervatoře a jejímu zestátnění. Musicologica Brunensia. 2018, vol. 53, iss. 1, pp. 159–196.
Article
Charypar, Jan.
Náboženské motivy v tvorbě Josefa Suka. Musicologica Brunensia. 2018, vol. 53, iss. 1, pp. 51–64.
Article
Tazelaar, Kees.
Roelof Vermeulen at Philips : a search for space in music. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 17–27.
Article
Cseres, Jozef.
Musica practica according to Roland Barthes. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 149–153.
Article
Ladič, Branko.
Music by František Škvor for the Karol Plicka's film The Earth Sings – the beginning of Slovak national music? : some remarks on the origin and importance. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 79–87.
Article
Fulka, Vladimír.
Arnold Schönberg and musica artificiosa : a rationality in the musical composition. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 69–78.
Article
Ščepán, Michal.
New media and the work of Slovak composer Tadeáš Salva. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 101–116.
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Horáková, Jana.
Listening to art on a seabed. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 155–168.
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Richards, John.
Slippery bows and slow circuits. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 29–41.
Article
Cenkerová, Zuzana.
Melodic segmentation: structure, cognition, algorithms. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 53–61.
Article
Landy, Leigh.
Finding a way to tie technology, aesthetics and dramaturgy together in terms of experimental sound-based music. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 5–16.
Article
Rabinovitch, Gilad.
C.P.E. Bach's "art" and "craft"? : galant schemata and the Rule of the Octave as markers of convention in selected keyboard sonatas and in the Versuch. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 89–100.
Article
Armand, Louis.
Concerto for the universal algorithm : Paik, Moorman, Youngblood, Flusser. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 139–147.
Article
Watt, Paul.
Music criticism in nineteenth-century England: how did it become a profession?. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 117–126.
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Flašar, Martin.
Technology or theology? : music beyond technology. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 63–68.
Article
Zagorski, Marcus.
The role of technology in the aesthetics of postwar serial music. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 127–137.
Article
Rataj, Michal.
Everyone can be composer today – full stop or question mark?. Musicologica Brunensia. 2017, vol. 52, iss. 1, pp. 43–52.
Article
Haas, Petr.
Sekvence a objekty, příspěvek k poznání formálních východisek spektrální hudby. Musicologica Brunensia. 2020, vol. 55, iss. 1, pp. 117–138.