Displaying 3001 - 3025 of 3547
Article
Ryszka-Komarnicka, Anna.
Between Venice, Lubowla in Spiš and Kraków : Prince Teodor Lubomirski – an enthusiast of Italian opera (a preliminary study). Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 191–205.
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Berger, Olga.
Проф. Г. Флидрова (31. 7. 1941 – 6. 1. 2024). Новая русистика. 2024, vol. 17, iss. 1, pp. 73–74.
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Odehnalová, Lenka.
Konference Dialog kultur XIII. Новая русистика. 2024, vol. 17, iss. 1, pp. 77–78.
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Paulouskaya, Hanna.
Отчет о научных путешествиях : впечатления от стажировок в Люблине и Познани. Новая русистика. 2024, vol. 17, iss. 1, pp. 79–82.
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Hušková, Liudmila.
Грамматические особенности письменной разговорной речи на примере языка блогера О. Савельевой : эмоциональность, письменная разговорная речь, интенсив, компрессия, повтор, пост в интернете. Новая русистика. 2024, vol. 17, iss. 1, pp. 23–33.
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Shapirko, Mariia.
Нарративный анализ фэнтези. Новая русистика. 2024, vol. 17, iss. 1, pp. 35–44.
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Zvynjac'kovs'kyj, Volodymyr Janovyč.
Первый симптом антропологической катастрофы : (Аустерлиц Льва Толстого и lieu de mémoire под Славковом-у-Брна). Новая русистика. 2024, vol. 17, iss. 1, pp. 45–55.
Article
Pospíšil, Ivo.
Lev Tolstoj a problém kulturního transferu. Новая русистика. 2024, vol. 17, iss. 1, pp. 57–61.
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Zvynjac'kovs'kyj, Volodymyr Janovyč.
Чехов у Чехов : "Чайка" и "Три сестры" в Национальном театре Брно. Новая русистика. 2024, vol. 17, iss. 1, pp. 61–69.
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Pospíšil, Ivo.
Bratislavský seminář k dějinám ruské literatury v nové situaci. Новая русистика. 2024, vol. 17, iss. 1, pp. 71–73.
Article
Selfridge-Field, Eleanor.
The Teatro Sant'Angelo : cradle of fledgling opera troupes. Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 157–170.
Article
Veselá, Irena.
Giovanni Bononcinis Oper Muzio Scevola (1710) und Johann Joseph Fux' Festa teatrale Costanza e Fortezza (1723) : vom musikalischen Drama zur Allegorie. Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 73–83.
Article
Kačic, Ladislav.
Italienische Musiker am Hof des Emmerich Esterházy in Preßburg und die Kontakte mit der Kaiserlichen Hofmusikkapelle in Wien. Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 171–190.
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Page, Janet K..
Vienna's Ursuline Convent and the Via Allemagna : travel, music, letters. Musicologica Brunensia. 2018, vol. 53, iss. Supplementum, pp. 47–56.
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Sehnal, Jiří.
Frömmigkeit und Musik. Musicologica Brunensia. 2014, vol. 49, iss. 1, pp. 3–9.
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Herczog, Johann.
Spiritualität, Dichtung und Komposition : die variablen Entwicklungsebenen des italienischen Oratoriums. Musicologica Brunensia. 2014, vol. 49, iss. 1, pp. 17–42.
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Jochymczyk, Maciej.
Oratorios by Amandus Ivanschiz in the context of musical sources and liturgical practice. Musicologica Brunensia. 2014, vol. 49, iss. 1, pp. 251–260.
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Spáčilová, Jana.
Unbekannte Brünner Oratorien Neapolitanischer Komponisten vor 1740. Musicologica Brunensia. 2014, vol. 49, iss. 1, pp. 137–161.
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Hochradner, Thomas.
Von zaghaftem Nachhall : zur Rezeptionsgeschichte der Oratorien von Johann Joseph Fux. Musicologica Brunensia. 2014, vol. 49, iss. 1, pp. 121–135.
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Freemanová, Michaela.
Three points of a triangle : Italian, Latin and German oratorios and sepolcros in the early 18th century Central Europe. Musicologica Brunensia. 2014, vol. 49, iss. 1, pp. 175–187.
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Jeż, Tomasz.
Between liturgy and theatre : the Jesuit Lenten meditations from the Baroque Silesia. Musicologica Brunensia. 2014, vol. 49, iss. 1, pp. 261–273.
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Deisinger, Marko.
Wiener Aufführungen von Oratorien aus Ober- und dem nördlichen Mittelitalien 1665–1705 : zur höfischen Oratorienpflege unter den Habsburgern Eleonora II. und Leopold I.. Musicologica Brunensia. 2014, vol. 49, iss. 1, pp. 43–60.
Article
Ryszka-Komarnicka, Anna.
Arcangelo Spagna's "perfetto melodramma spirituale" as seen on the example of two versions of his oratorio based on the Book of Judith. Musicologica Brunensia. 2014, vol. 49, iss. 1, pp. 73–88.
Article
Antonicek, Theophil.
Frömmigkeit – Pietas. Musicologica Brunensia. 2014, vol. 49, iss. 1, pp. 11–15.