Displaying 176 - 200 of 380
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Hochradner, Thomas.
Immer noch "belästigt von Kopisten"? : Musikwissenschaft und ihre Herausforderung durch die handschriftliche Verbreitung musikalischer Werke. Musicologica Brunensia. 2012, vol. 47, iss. 1, pp. 131–145.
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Berdychová, Tereza.
Jagdmusik im Barock und ihr Instrumentarium am Beispiel historischer Horninstrumente aus der Sammlung des Landwirtschaftsmuseums Prag. Musicologica Brunensia. 2012, vol. 47, iss. 1, pp. 199–210.
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Rawson, Robert G..
"Ab unisonis" - musical textures and genres and the echoes of paraliturgical practices. Musicologica Brunensia. 2012, vol. 47, iss. 1, pp. 25–34.
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Škarpová, Marie.
J. A. Comenius, F. Bridelius und Konzepte der böhmischen hymnographischen Tradition in der Mitte des 17. Jahrhunderts. Musicologica Brunensia. 2012, vol. 47, iss. 1, pp. 43–64.
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Walter-Mazur, Magdalena.
An eight-part Manuscript L 1643 from the collection of the Diocesan Library in Sandomierz and it's provenance. Musicologica Brunensia. 2012, vol. 47, iss. 1, pp. 7–15.
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Michels, Claudia.
Francesco Borosini – Tenor und Impresario. Musicologica Brunensia. 2012, vol. 47, iss. 1, pp. 113–130.
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Rykowski, Mikołaj.
Art or craft? – significance of the sociological background in the artistic development of the harmoniemusik. Musicologica Brunensia. 2012, vol. 47, iss. 1, pp. 179–187.
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Jakubcová, Alena.
Die Musikdramaturgie des Theaterdirektors Wenzeslaus Mihule (1758−1808) zwischen der europäischen Stadt und dem adeligen hof. Musicologica Brunensia. 2012, vol. 47, iss. 1, pp. 147–157.
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Kalinayová-Bartová, Jana.
Italian sacred monody north of the Alps : from Chiara Margarita Cozzolani's Scherzi di sacra melodia (1648) to Daniel Speer's Philomela angelica (1688). Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 87–104.
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Studeničová, Hana.
Q. in search of musicalia from the Baroque library of the Augustinian Eremites in Brno. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 5–23.
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Kapsa, Václav.
The information value of a music inventory : "Musicalien und Instrumenten" listed in Sokolov (Falkenau) in the first half of the 18th century. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 179–199.
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Stýblová, Magdaléna.
Italian music in the inventories of Nitra from the 18th and early 19th centuries. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 271–280.
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Stockigt, Janice B..
Italian sacred music listed in the catalogue of Dresden's Catholic court church, 1765. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 221–237.
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Toffetti, Marina.
Deconstructing Daniel Speer's Philomela angelica (1688) to reconstruct Chiara Margarita Cozzolani's Scherzi di sacra melodia (1648). Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 105–127.
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Kramářová, Helena.
Neu besorgte Musikalien für die Stadtpfarrkirche St. Jakob in Brünn zwischen den Jahren 1763 und 1781. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 239–270.
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Owens, Samantha.
The music collection of Johann (Ján) Kusser (1626–1695) : a Hungarian émigré in seventeenth-century Stuttgart. Musicologica Brunensia. 2018, vol. 53, iss. 2, pp. 61–85.
Article
Jung, Hermann.
Die Passion Christi als musikalische Meditation : Text, Bildgestalt und Symbolik bei Dieterich Buxtehude, Heinrich Ignaz Franz Biber und Heinrich Schütz. Musicologica Brunensia. 2014, vol. 49, iss. 2, pp. 3–18.
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Perutková, Jana.
K výzkumu výměny hudebnin mezi hrabětem z Questenbergu a jeho aristokratickými přáteli. Musicologica Brunensia. 2014, vol. 49, iss. 2, pp. 29–51.
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Kozel, David.
K metodologickým problémům hudební narativity. Musicologica Brunensia. 2014, vol. 49, iss. 2, pp. 127–138.
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Jonášová, Milada.
Kontrafakturen in der böhmischen Kirchenmusik des 18. Jahrhunderts. Musicologica Brunensia. 2014, vol. 49, iss. 2, pp. 107–126.
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Žůrek, Pavel.
The practice of music in Rajhrad monastery in the first half of the 18th century. Musicologica Brunensia. 2014, vol. 49, iss. 2, pp. 169–180.
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Spurný, Lubomír.
Czech Music Semiology. Musicologica Brunensia. 2014, vol. 49, iss. 2, pp. 53–58.
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Beck, Kimberly.
Blending the secular and sacred: instrumental textures in seventeenth-century worship. Musicologica Brunensia. 2014, vol. 49, iss. 2, pp. 71–84.
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Steinmetz, Karel.
Ostravská léta německého skladatele, dirigenta a hudebního pedagoga Antona Aicha (1913–1945). Musicologica Brunensia. 2014, vol. 49, iss. 2, pp. 19–27.
Article
Wagner, Undine.
Vom Dramma per musica zur kirchenmusikalischen Praxis – Geistliche lateinische Kontrafakturen italienischer Opernarien in mährischen Klöstern und Kirchen. Musicologica Brunensia. 2014, vol. 49, iss. 2, pp. 139–167.