Displaying 201 - 225 of 779
Article
Hanáčková, Andrea.
Akce je vhodná i pro Boha neznalé : sondy do amatérského náboženského divadla na Moravě po roce 1990. Theatralia. 2017, vol. 20, iss. 2, pp. 9–32.
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Volceanov, George.
Shakespeare on the page in Romania: before and after 1989. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 33–46.
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Pikli, Natália.
Institutional heritage and 'that Shakespearean hazard' 1989–2019: the case of the Katona József Theatre and SzFE's Ódry Theatre. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 65–82.
Article
Almási, Zsolt, Földváry, Kinga.
Introduction. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 7–13.
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Fabiszak, Jacek.
Maja Kleczewska's 2019 Hamlet/Гамлет: a case of trans- / inter-cultural Shakespeare production in Poland thirty years after the transition. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 139–150.
Article
Wild, Jana.
Macbeth, petty bourgeois. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 209–221.
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Mišterová, Ivona.
Mission (im)possible? Cross-gendered Shakespeare on Czech stages after 1989. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 171–185.
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Cinpoeş, Nicoleta.
Shakestivalling' in the New Europe. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 83–101.
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Havlíčková Kysová, Šárka.
Singing in the blend: stagings of Verdi's operatic Shakespeare in the Czech Republic after 1989. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 189–208.
Article
Müller, Péter.
Institutional structure, social function, and the Shakespeare repertoire in Hungary after 1989–1990. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 47–64.
Article
Revermann, Martin.
Beckett and the theatrical sign : the need for semiotics. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 9–22.
Article
Jovanovic, Nenad.
The medium (non-) specific : Rope, Dogville, and Mukařovský's space-as-meaning. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 96–108.
Article
Pontieri, Laura.
Animate, inanimate and beyond in Švankmajer's Faust (1994). Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 83–95.
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Šlaisová, Eva.
Performing cathedral : Le Ballet des Ombres Heureuses as a case of multiple foregrounding. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 122–139.
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Schmid, Herta.
Realism and abstractionism in Otakar Zich's Theory of dramatic art and Samuel Beckett's experimental dramatics. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 23–38.
Article
Jestrović, Silvija.
Stage life and stage death (after Veltruský). Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 59–71.
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Revermann, Martin.
Editorial note. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 7–8.
Article
Meerzon, Yana.
On men and objects : staging the divided subjectivity of displacement in zero degrees. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 109–121.
Article
Pérez-Simón, Andrés.
Intertextuality and autonomous fictional worlds in Disney : the case of Moana (2016). Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 72–82.
Article
Ambros, Veronika, Switzky, Lawrence.
"Hungry for interpretation" : Woyzeck on the Highveld and the polyphony of performance. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 39–58.
Article
Fencl, Antonín.
Shakespearova dramata na českém jevišti po stránce slovesné i scénické : (rozbor českých překladů) : [výběr z díla]. Theatralia. 2012, vol. 15, iss. 1, pp. 228–248.
Article
Polochová, Markéta.
Benátský kupec v podání Antonína Fencla. Theatralia. 2012, vol. 15, iss. 1, pp. 6–31.
Article
Drozd, David.
William Shakespeare. Dílo. Překlad Martin Hilský : vklady, výklady (a úklady) shakespearovského překladu. Theatralia. 2012, vol. 15, iss. 1, pp. 178–189.
Article
Kunderová, Radka.
Michal Pullman. Konec experimentu: přestavba a pád komunismu v Československu : inspirativní kniha o rozpadu "komunistického režimu". Theatralia. 2012, vol. 15, iss. 1, pp. 208–213.