Vplyv novej vecnosti na sociálno-kritické výtvarné umenie medzivojnového Slovenska

Title: Vplyv novej vecnosti na sociálno-kritické výtvarné umenie medzivojnového Slovenska
Variant title:
  • The influence of the New Objectivity on socially critical art in interwar Slovakia
Author: Migašová, Jana
Source document: Opuscula historiae artium. 2018, vol. 67, iss. 1, pp. 38-47
Extent
38-47
  • ISSN
    1211-7390 (print)
    2336-4467 (online)
Type: Article
Language
Slovak
Summary language
English
License: Not specified license
Rights access
embargoed access
 

Notice: These citations are automatically created and might not follow citation rules properly.

Abstract(s)
The text maps the areas of influence of the New Objectivity art to the Slovak fine art of the twenties and thirties of the 20th century. It is based on the knowledge that the most striking response to the Slovak art was left by drawing and graphic art of the Verist ("left") wing of the New Objectivity, particularly by George Grosz and Otto Dix. Georges Grosz's views were followed by communist-oriented intelligence and reproduced in left-wing cultural periodicals. The text proves that the sharp social criticism of the Groszian and Dixian types left traces in the painting and graphics of many Slovak modernists (Cyprián Majerník, Konstantin Bauer, Koloman Sokol and Štefan Bednár).
Keywords:
eng

Note
Text vznikl v rámci projektu Nové realismy na československé výtvarné scéně 1918–1945, podpořeného Grantovou agenturou České republiky (GA ČR), č. 17-06031S, řešeného na Národním památkovém ústavu, územním odborném pracovišti v Liberci.