Title: El episodio de Faetón como antiapoteosis : apoteosis, estructura y cosmos en las Metamorfosis de Ovidio
Variant title:
- The Phaethon episode as anti-apotheosis : apotheosis, structure and cosmos in Ovid's Metamorphoses
Source document: Graeco-Latina Brunensia. 2024, vol. 29, iss. 1, pp. 115-134
Extent
115-134
-
ISSN1803-7402 (print)2336-4424 (online)
Persistent identifier (DOI): https://doi.org/10.5817/GLB2024-1-6
Stable URL (handle): https://hdl.handle.net/11222.digilib/digilib.79999
Type: Article
Language
License: CC BY-SA 4.0 International
Rights access
open access
Notice: These citations are automatically created and might not follow citation rules properly.
Abstract(s)
The Phaethon episode emphasizes the claim to divinity and failed divinization, and so it can be read as an anti-apotheosis: there is a purification, an epitaph that mimics the titulus and the elogium of the deified characters' statues in the Forum of Augustus, a declaration of Phaethon's fault with the language of apotheosis, and an allusion to the constellation that he did not become. Like Caesar, Phaethon has become a stella; as in Caesar's passage, the poet refers to his anima; like Caesar's apotheosis, his anti-apotheosis occurs in Italian territory; in both passages, the sun ceases to appear. The contrast of the two episodes in the first and the last book, the first of which also has an echo (the Icarus episode) in the central part of the Metamorphoses, thus seems deliberately sought by the representation. Finally, while the anti-apotheosis is one further example in the first two books of the dynamics of chaos, normally triggered by a fault, the apotheosis structurally recovers the dynamics of cosmos.
References
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[37] Knox, P. E. (1988). Phaethon in Ovid and Nonnus. Classical Quarterly, 38, 536–551. | DOI 10.1017/s0009838800037149
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[39] La Penna, A. (2001). Tra Fetonte e Icaro: ardimento o amore della scienza? Maia: rivista di letterature classiche, 53, 535–563.
[40] Lennon, J. (2011). Carnal, Bloody and Unnatural Acts: Religious Pollution in Ancient Rome [Tesis doctoral]. University of Nottingham.
[41] Loos, J. X. (2008). How Ovid Remythologizes Greek Astronomy in Metamorphoses 1.747–2.400. Mnemosyne: bibliotheca classica Batava, 61, 257–289. | DOI 10.1163/156852507x195439
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[43] Martínez Astorino, P. (2017). La apoteosis en las Metamorfosis de Ovidio: diseño estructural, mitologización y 'lectura' en la representación de apoteosis y sus contextos. Bahía Blanca: Ediuns.
[44] Martínez Astorino, P. (2021). Un díptico ovidiano: Numa, Augusto y el poeta en los Fastos a la luz de las Metamorfosis. Acta Universitatis Carolinae. Graecolatina Pragensia, 4, 11–28. | DOI 10.14712/24646830.2022.10
[45] Martínez Astorino, P. (2024). Naturaleza del hombre creado. De Ovidio a Cicerón y al Génesis como complementos necesarios. In L. Galán, & P. Martínez Astorino (Comp.), Concepción de la naturaleza en la literatura latina (pp. 195–214). La Plata: Universidad Nacional de La Plata. FaHCE. | DOI 10.24215/978-950-34-2354-7
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[47] Poulle, B. (2002). Phaéton et la légitimité d'Auguste. In M. Fartzoff, É. Smadja, & É. Geny (Eds.), Pouvoir des hommes, signes des dieux dans le monde antique (pp. 125–134). Besançon: Institut des Sciences et Techniques de l'Antiquité.
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[49] Rosati, G. (2001). Mito e potere nell'epica di Ovidio. Materiali e discussioni per l'analisi dei testi classici, 46, 39–61. | DOI 10.2307/40236192
[50] Rudhardt, J. (1997). Le mythe de Phaéthon. Kernos: revue internationale et pluridisciplinaire de religion grecque antique, 10, 83–95. | DOI 10.4000/kernos.649
[51] Schiesaro, A. (2014). Materiam superabat opus: Lucretius Metamorphosed. The Journal of Roman studies, 104, 73–104. | DOI 10.1017/s007543581400001x
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