Title: The Fleury Playbook: liturgical drama and its production in Saint-Benoît-sur-Loire
Source document: Theatralia. 2018, vol. 21, iss. 1, pp. 133-149
Extent
133-149
-
ISSN1803-845X (print)2336-4548 (online)
Persistent identifier (DOI): https://doi.org/10.5817/TY2018-1-7
Stable URL (handle): https://hdl.handle.net/11222.digilib/137914
Type: Article
Language
License: Not specified license
Notice: These citations are automatically created and might not follow citation rules properly.
Abstract(s)
Předkládaná studie se zabývá funkcí vizuálních elementů uvnitř sakrálních středověkých budov během konání liturgického divadla. V první části autorka vymezuje druh této veřejné události, upozorňuje na jeho těsnou provázanost se samotnou liturgií a na její divadelní rozměr. Činí tak prostřednictvím různých historických textů, jež dokazují, že tendence přemýšlet o liturgii jako o performanci svého druhu existují již od 9. století. V návaznosti na tuto myšlenku pak pojímá interiéry sakrálních budov jako scénografická řešení liturgického divadla, tj. místa jeho konání. Příkladem je benediktinské opatství ve Fleury, v jehož klášterní knihovně byla nalezena sbírka deseti liturgických her z 12. století (tzv. Fleury Playbook). Zvážíme-li dobové inscenování těchto her v místním kostele Svatého Benedikta, je nasnadě jej v tomto kontextu chápat právě jako scénografické prostředí. Uvedený příklad proto tvoří jádro této studie a detailněji je rozebrán v její druhé části.
Present study comprises the function of visual elements of medieval sacred buildings in liturgical theatre productions. In the first part, the author defines the theatrical genre, outlining its connection to liturgy proper which itself has a striking theatrical quality. Based on a number of period texts, the author proves the tendencies to consider liturgy a kind of theatrical performance existed as early as the 9th century. As a consequence, the interiors of sacred buildings are considered stage designs for performances of liturgical theatre, and analysed as such, e. g. Benedictine abbey St. Fleury (France), the library of which hosts a manuscript of ten liturgical plays from 12th century, so-called Fleury Playbook. The plausible staging of these plays in the monastic church of St. Benedict is yet another reason to regard the church as a scenographic environment, as is argued in detail in the second part of the paper.
References
[1] BERLAND, Jean-Marie. 1980. Les chapiteaux historiés du faux triforium de l'église abbatiale de Saint-Benoît sur Loire. Les Cahiers de Saint-Michel de Cuxa (1980): 11: 33–66.
[2] BERLAND, Jean-Marie. 1986. La tour-porche de Saint-Benoît-sur-Loire: (Architecture et sculpture) au cours de l'Histoire civile et religieuse. Les Cahiers de Saint-Michel de Cuxa (1986): 17: 133–180.
[3] BEVINGTON, David. 1985. The Staging of Twelfth-Century Liturgical Drama in the Fleury Playbook. In Clifford C. Flanigan, Thomas P. Campbell and Clifford Davidson (edd.) The Fleury Playbook: essays and studies. Kalamazoo, Mich.: Medieval Institute Publications, Western Michigan University, 1985: 60–81.
[4] CAMPBELL, Thomas P. 1985. Augustine's Concept of the Two Cities and the Fleury Playbook. In Clifford C. Flanigan, Thomas P. Campbell and Clifford Davidson (edd.) The Fleury Playbook: essays and studies. Kalamazoo, Mich.: Medieval Institute Publications, Western Michigan University, 1985: 81–100.
[5] FLANIGAN, C. Clifford, Thomas P. CAMPBELL and Clifford DAVIDSON. 1985. The Fleury Playbook: essays and studies. Kalamazoo, Mich.: Medieval Institute Publications, Western Michigan University, 1985.
[6] HARDISON, O. B. 1965. Christian rite and Christian drama in the Middle Ages: essays in the origin and early history of modern drama. Baltimore: Johns Hopkins Univesity Press, 1965.
[7] HEFFERNAN, Thomas J. and E. Ann MATTER. 2001. The liturgy of the medieval church. Kalamazoo, Mich.: Published for The Consortium for the Teaching of the Middle Ages, by Medieval Institute Publications, Western Michigan University, 2001.
[8] MARTINE, Jullian. 2014. Portail roman et drame sacré. Le portail roman, XIe - XIIe siècles : nouvelles approches, nouvelles perspectives (2014): 231–244.
[9] MÂLE, Emile. 1922. L'Art religieux du XIIe siècle en France: étude sur les origines de l'iconographie du Moyen âge. Paris: Armand Colin, 1922.
[10] MCCALL, Richard D. c2007. Do this: liturgy as performance. Notre Dame, Ind.: University of Notre Dame Press, c2007.
[11] OGDEN, Dunbar H. c2002. The staging of drama in the medieval church. Cranbury, NJ: Associated University Presses, c2002.
[12] PARKER, Elizabeth C. 2001. Architecture as Liturgical Setting. In Thomas J. Heffernan and Ann E. Matter. The liturgy of the medieval church. Kalamazoo, Mich.: Published for The Consortium for the Teaching of the Middle Ages, by Medieval Institute Publications, Western Michigan University, 2001: 273–327.
[13] PETERSEN, Nils Holger. 2003. The representational liturgy of the "Regularis Concordia". In Nigel Hiscock. The white mantle of churches: architecture, liturgy, and art around the millennium. Turnhout, Belgium: Brepols, 2003: 107–117.
[14] SPATZ, Nancy. 2001. Church Porches and the Liturgy in Twelfth-Century Rome. In Thomas J. Heffernan and Ann E. Matter. The liturgy of the medieval church. Kalamazoo, Mich.: Published for The Consortium for the Teaching of the Middle Ages, by Medieval Institute Publications, Western Michigan University, 2001: 327–369.
[15] VERGNOLLE, Éliane. 1975. A propos des chapiteaux de Saint-Benoît-sur-Loire: quelques problèmes du chapiteau corinthien au XIe siècle. Les Cahiers de Saint-Michel de Cuxa (1975): 6: 193–202.
[16] VRŠECKÁ, Kateřina. Rubrics of medieval liturgical drama and modern theories of stage directions. Paper for: 14th Triennial Colloquium of the Société Internationalepour l'étude du Théâtre Médiéval [online]. Poznań, Poland, [accessed on 22nd–27th July 2013]. Available online at http://www.staff.amu.edu.pl/~pber/Vrsecka.pdf.
[2] BERLAND, Jean-Marie. 1986. La tour-porche de Saint-Benoît-sur-Loire: (Architecture et sculpture) au cours de l'Histoire civile et religieuse. Les Cahiers de Saint-Michel de Cuxa (1986): 17: 133–180.
[3] BEVINGTON, David. 1985. The Staging of Twelfth-Century Liturgical Drama in the Fleury Playbook. In Clifford C. Flanigan, Thomas P. Campbell and Clifford Davidson (edd.) The Fleury Playbook: essays and studies. Kalamazoo, Mich.: Medieval Institute Publications, Western Michigan University, 1985: 60–81.
[4] CAMPBELL, Thomas P. 1985. Augustine's Concept of the Two Cities and the Fleury Playbook. In Clifford C. Flanigan, Thomas P. Campbell and Clifford Davidson (edd.) The Fleury Playbook: essays and studies. Kalamazoo, Mich.: Medieval Institute Publications, Western Michigan University, 1985: 81–100.
[5] FLANIGAN, C. Clifford, Thomas P. CAMPBELL and Clifford DAVIDSON. 1985. The Fleury Playbook: essays and studies. Kalamazoo, Mich.: Medieval Institute Publications, Western Michigan University, 1985.
[6] HARDISON, O. B. 1965. Christian rite and Christian drama in the Middle Ages: essays in the origin and early history of modern drama. Baltimore: Johns Hopkins Univesity Press, 1965.
[7] HEFFERNAN, Thomas J. and E. Ann MATTER. 2001. The liturgy of the medieval church. Kalamazoo, Mich.: Published for The Consortium for the Teaching of the Middle Ages, by Medieval Institute Publications, Western Michigan University, 2001.
[8] MARTINE, Jullian. 2014. Portail roman et drame sacré. Le portail roman, XIe - XIIe siècles : nouvelles approches, nouvelles perspectives (2014): 231–244.
[9] MÂLE, Emile. 1922. L'Art religieux du XIIe siècle en France: étude sur les origines de l'iconographie du Moyen âge. Paris: Armand Colin, 1922.
[10] MCCALL, Richard D. c2007. Do this: liturgy as performance. Notre Dame, Ind.: University of Notre Dame Press, c2007.
[11] OGDEN, Dunbar H. c2002. The staging of drama in the medieval church. Cranbury, NJ: Associated University Presses, c2002.
[12] PARKER, Elizabeth C. 2001. Architecture as Liturgical Setting. In Thomas J. Heffernan and Ann E. Matter. The liturgy of the medieval church. Kalamazoo, Mich.: Published for The Consortium for the Teaching of the Middle Ages, by Medieval Institute Publications, Western Michigan University, 2001: 273–327.
[13] PETERSEN, Nils Holger. 2003. The representational liturgy of the "Regularis Concordia". In Nigel Hiscock. The white mantle of churches: architecture, liturgy, and art around the millennium. Turnhout, Belgium: Brepols, 2003: 107–117.
[14] SPATZ, Nancy. 2001. Church Porches and the Liturgy in Twelfth-Century Rome. In Thomas J. Heffernan and Ann E. Matter. The liturgy of the medieval church. Kalamazoo, Mich.: Published for The Consortium for the Teaching of the Middle Ages, by Medieval Institute Publications, Western Michigan University, 2001: 327–369.
[15] VERGNOLLE, Éliane. 1975. A propos des chapiteaux de Saint-Benoît-sur-Loire: quelques problèmes du chapiteau corinthien au XIe siècle. Les Cahiers de Saint-Michel de Cuxa (1975): 6: 193–202.
[16] VRŠECKÁ, Kateřina. Rubrics of medieval liturgical drama and modern theories of stage directions. Paper for: 14th Triennial Colloquium of the Société Internationalepour l'étude du Théâtre Médiéval [online]. Poznań, Poland, [accessed on 22nd–27th July 2013]. Available online at http://www.staff.amu.edu.pl/~pber/Vrsecka.pdf.