Title: Philomela angelica Daniela Speera – k neznámemu dielu známeho hudobníka
Variant title:
- Philomela Angelica by Daniel Speer – an unknown work of a well-known musician
Source document: Musicologica Brunensia. 2016, vol. 51, iss. 2, pp. 41-53
Extent
41-53
-
ISSN1212-0391 (print)2336-436X (online)
Persistent identifier (DOI): https://doi.org/10.5817/MB2016-2-4
Stable URL (handle): https://hdl.handle.net/11222.digilib/136136
Type: Article
Language
License: Not specified license
Notice: These citations are automatically created and might not follow citation rules properly.
Abstract(s)
Philomela Angelica Cantionum Sacrarum by Daniel Speer is one of the lesser known works of this famous Silesian musician, music theoretician, writer and composer. The collection, which contains 24 small-scale sacred concertos (or concertant motets) with Latin biblical and original period religious texts, was printed in an unknown printing house in 1688. This study comprises the results of research of the music published in this collection which show direct inspiration sources based on the repertoire of the Milan motet of the 1640s. Criticism regarding the source has also raised other questions related to the true origin of this collection, its period reception and extreme popularity in the musical centers of the 17th century on the territory of present day Slovakia, as well as the issues related to solo motet style transformations and regional customs in instrumentation practice.
Note
Táto práca bola podporená Agentúrou na podporu výskumu a vývoja na základe Zmluvy č. APVV-14-0681 a agentúrou VEGA v rámci projektu 1/0850/14.
References
[1] BARTOVÁ, Jana. Philomela angelica Daniela Speera ako hudobno-historický, interpretačný a edičný problém. In: Quo vadis musica aeterna? Zborník príspevkov z muzikologickej konferencie, Bratislava, 24. september 2013. Bratislava: Orman, 2013, s. 22–28.
[2] KALINAYOVÁ, Jana a kol. Hudobné inventáre a repertoár viachlasnej hudby na Slovensku v 16.–17. storočí. Bratislava: Slovenské národné múzeum-Hudobné múzeum, 1994, 244 s. ISBN 80-85753-23-5.
[3] KALINAYOVÁ-BARTOVÁ, Jana, 2014. Daniel Speer a jeho Philomela angelica cantionum sacrarum. In: Kalinayová-Bartová, J., Zajíček, P., eds. Daniel Speer (1636–1707): Philomela angelica cantionum sacrarum (1688), Musicalia Istropolitana 7/5. Bratislava: Ars Musica, s. IX – XXX. ISBN 978-80-971672-0-2.
[4] KALINAYOVÁ-BARTOVÁ, Jana. Talianske hudobné inšpirácie v zbierke Philomela angelica Daniela Speera. In: KALINAYOVÁ-BARTOVÁ, J., ZAJÍČEK, P., eds. Daniel Speer (1636–1707): Philomela angelica cantionum sacrarum (1688), Musicalia Istropolitana 7/1. Bratislava: Ars Musica, 2016. ISBN 978-80-971672-1-9.
[5] KENDRICK, Robert L. Celestial Sirens: Nuns and their Music in Early Modern Milan. Oxford: Clarendon Press, 1996, 556 s. ISBN 0-19-816408-4.
[6] MOSER, Hans Joachim. Daniel Speer als Dichter und Musiker. In: Musik in Zeit und Raum. Berlin: Merseburger, 1960, s. 119–144.
[2] KALINAYOVÁ, Jana a kol. Hudobné inventáre a repertoár viachlasnej hudby na Slovensku v 16.–17. storočí. Bratislava: Slovenské národné múzeum-Hudobné múzeum, 1994, 244 s. ISBN 80-85753-23-5.
[3] KALINAYOVÁ-BARTOVÁ, Jana, 2014. Daniel Speer a jeho Philomela angelica cantionum sacrarum. In: Kalinayová-Bartová, J., Zajíček, P., eds. Daniel Speer (1636–1707): Philomela angelica cantionum sacrarum (1688), Musicalia Istropolitana 7/5. Bratislava: Ars Musica, s. IX – XXX. ISBN 978-80-971672-0-2.
[4] KALINAYOVÁ-BARTOVÁ, Jana. Talianske hudobné inšpirácie v zbierke Philomela angelica Daniela Speera. In: KALINAYOVÁ-BARTOVÁ, J., ZAJÍČEK, P., eds. Daniel Speer (1636–1707): Philomela angelica cantionum sacrarum (1688), Musicalia Istropolitana 7/1. Bratislava: Ars Musica, 2016. ISBN 978-80-971672-1-9.
[5] KENDRICK, Robert L. Celestial Sirens: Nuns and their Music in Early Modern Milan. Oxford: Clarendon Press, 1996, 556 s. ISBN 0-19-816408-4.
[6] MOSER, Hans Joachim. Daniel Speer als Dichter und Musiker. In: Musik in Zeit und Raum. Berlin: Merseburger, 1960, s. 119–144.