Title: Opera in cinema: aspects of video expressive means in modern opera
Source document: Musicologica Brunensia. 2015, vol. 50, iss. 2, pp. [147]-155
Extent
[147]-155
-
ISSN1212-0391 (print)2336-436X (online)
Persistent identifier (DOI): https://doi.org/10.5817/MB2015-2-11
Stable URL (handle): https://hdl.handle.net/11222.digilib/134703
Type: Article
Language
License: Not specified license
Notice: These citations are automatically created and might not follow citation rules properly.
Abstract(s)
The study represents an overview of various video techniques, such as film adaptation, recording and broadcasting, live streaming, video projection used in modern opera. The author argues that by large application of these techniques, opera protects its position of modern and adaptive art and responds to the challenge of creative industries. Although practices of recording, reproduction, and massification in authentic and pure experience genres could be considered questionable by some art scholars and theorists, opera implements them to enrich its set of expressive means and correlate with the modern market challenges.
References
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[2] ALMQUIST, Sharon G. Opera Mediagraphy: Video Recordings and Motion Pictures. Music Reference Collection (Book 40). Greenwood, 1993.
[3] BAUDRILLARD, Jean. For a Critique of the Political Economy of the Sign. Telos Press Publishing, 1981.
[4] BAUDRILLARD, Jean. Simulacra and Simulation (The Body, In Theory: Histories of Cultural Materialism). 17th Printing Edition, University of Michigan Press, 1995.
[5] DOLGIN, Alexander. Economics of Symbolic Exchange. Springer, 2008.
[6] DOLGIN, Alexander. Manifesto of the New Economy. Institutions and Business Models of the Digital Society. [Online]. [Accessed on 29. 09. 2015]. URL: http://adolgin.com/download/?type=pdfen.
[7] GREENWALD, Helen M. The Oxford Handbook of Opera. Oxford University Press, 2014.
[8] HESMONDHALGH, David. The Cultural Industries. SAGE Publications Ltd, Third Edition edition, 2012.
[9] KAGAN, Moisej. Lektsii po marksisto-leninskoj estetike. Leningrad: Izd-vo Leningr. Un-ta, 1971.
[10] LISTER, Martin. New Media: A Critical Introduction. Routledge, 2009.
[11] LOTMAN, Yurij. Struktura khudozhestvennogo teksta. Moskva: Izdatelstvo "Iskusstvo", 1970.
[12] ROBINSON, Roxana. Can Opera Play at the Movies? [Online]. [Accessed on 7. 11. 2015]. The New Yorker, 1. 3. 2013. URL: http://www.newyorker.com/culture/culture-desk/can-opera-play-at-the-movies.
[13] SEABROOK, John. Nobrow: The Culture of Marketing, the Marketing of Culture. Vintage, 2001.
[14] SNOWMAN, Daniel. The Gilded Stage: A Social History of Opera. Atlantic Books, 2010.
[15] WEISGALL, Deborah. Loving the Opera in HD. The American Prospect. [Online]. [Accessed on 3. 11. 2015]. URL: http://prospect.org/article/loving-opera-hd.