Title: Guyotat éden histoire enfer
Source document: Études romanes de Brno. 2012, vol. 33, iss. 1, pp. [223]-234
Extent
[223]-234
-
ISSN1803-7399 (print)2336-4416 (online)
Stable URL (handle): https://hdl.handle.net/11222.digilib/125804
Type: Article
Language
License: Not specified license
Notice: These citations are automatically created and might not follow citation rules properly.
Abstract(s)
Considered amongst the most radical works of contemporary French literature, the work of Pierre Guyotat is also one that, in many respects, addresses History, for the novels' themes are set in a contemporary post-colonial world, – but it is also historical in its attempt to reach a language of a greater "materiality". This paper deals with Guyotat's first two major novels, Tombeau pour cinq cent mille soldats and Eden, Eden, Eden. The paper takes into account the recently published Carnets de bord (2005) in order to illustrate a "work in progress" and the historical and theoretical context in which the novels were written. The paper concentrates on the epic and the apocalyptic understanding of History.
References
[1] GUYOTAT, Pierre. Carnets de bord. Vol. 1. Paris: Lignes & Manifestes, 2005.
[2] GUYOTAT, Pierre. Explications. Paris: Léo Scheer, 2000.
[3] GUYOTAT, Pierre. Vivre. Paris: Gallimard, éd. Folio, 2002.
[4] HEGEL, Georg Wilhelm Friedrich. Esthétique. Trad. Charles BÉNARD, et al. Vol. 2. Paris: Le Livre de Poche, 1997.
[5] KLOSSOWSKI, Pierre. Hors des limites. In Cahiers pour un temps. Paris: Centre Georges Pompidou, 1985.
[2] GUYOTAT, Pierre. Explications. Paris: Léo Scheer, 2000.
[3] GUYOTAT, Pierre. Vivre. Paris: Gallimard, éd. Folio, 2002.
[4] HEGEL, Georg Wilhelm Friedrich. Esthétique. Trad. Charles BÉNARD, et al. Vol. 2. Paris: Le Livre de Poche, 1997.
[5] KLOSSOWSKI, Pierre. Hors des limites. In Cahiers pour un temps. Paris: Centre Georges Pompidou, 1985.