Title: El paisaje sonoro en la Odisea
Variant title:
- Soundscape in Odyssey
Source document: Graeco-Latina Brunensia. 2020, vol. 25, iss. 2, pp. 33-45
Extent
33-45
-
ISSN1803-7402 (print)2336-4424 (online)
Persistent identifier (DOI): https://doi.org/10.5817/GLB2020-2-3
Stable URL (handle): https://hdl.handle.net/11222.digilib/143313
Type: Article
Language
License: CC BY-SA 4.0 International
Notice: These citations are automatically created and might not follow citation rules properly.
Abstract(s)
This article examines the way of expressing the world of sounds in Odyssey, which developes through the lexicon it employs. In this way, we analyze the contexts in which some natural elements are named, as well as their sounds and characteristics, and those of certain physical spaces as they are treated in the poem, with the intention of generating, as much as possible, the universe of sounds that allows to contextualize the poem from an aural point of view. The methodology is based on the linguistic concept of acoustic image that Saussure developed in the late 19th century and follows Schafer's most recent tradition in his 1993 work on soundscape. Winds, sea, storms, palaces and voice will be analyzed in this paper.
References
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[4] Beekes, R. (2010). Etymological Dictionary of Greek. Leiden ‒ Boston: Brill.
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[15] Hagel, S. (2008). Die Sänger aus musikarchäologischer Perspektive. In J. Latacz et al. (Eds.), Homer. Der Mythos von Troia in Dichtung und Kunst (pp. 106‒111). München: Hirmer Verlag.
[16] Henderson, I. (1957). Ancient Greek Music. In E. Wellesz (Ed.), Ancient and Oriental Music (pp. 336‒403). London: Oxford University Press.
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[18] Lord, A. B. (1960). The Singer of Tales. Cambridge, MA ‒ London: Harvard University Press.
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[21] Montiglio, S. (2019). The Sound of the Sirens between Sound and Sense. In S. Butler, & S. Nooter (Eds.), Sound and the Ancient Senses (pp. 171‒183). London ‒ New York: Routledge.
[22] Nooter, S. (2012). When Heroes Sing: Sophocles and the Shifting Soundscape of Tragedy. Cambridge: Cambridge University Press.
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[28] Saussure, F. de (1878). Mémoire sur le système primitif des voyelles dans les langues indo-européennes. Leipsick: Teubner.
[29] Schafer, R. M. (1969). The New Soundscape. Scarborough, Ont. ‒ New York: Berandol Music and Associated Music Publishers.
[30] Schafer, R. M. (1970). The Book of Noise. Vancouver: Priv. print. by Price Print.
[31] Schafer, R. M. (1977). The Soundscape: Our Sonic Environment and the Tuning of the World. Rochester, VT: Destiny Books.
[32] Snoj, J. (2007). Music in Homer's Iliad. Musicological Annual, 43(1), 53‒65.
[33] Tapia Zúñiga, P. C. (2013). Vocabulario y formas verbales de la Odisea (Bibliotheca Scriptorum Graecorum et Romanorum Mexicana). México: UNAM.
[34] Tapia Zúñiga, P. C. (Ed.). (2017 2). Homero. Odisea (Bibliotheca Scriptorum Graecorum et Romanorum Mexicana). México: UNAM.
[35] Valverde, M. (1997). El léxico musical en los Himnos Homéricos. In Actas del IX Congreso Español de Estudios Clásicos (Vol. II; pp. 259‒264). Madrid: Ediciones Clásicas.
[36] West, M. L. (1981). The Singing of Homer and the Modes of Early Greek Music. The Journal of Hellenic Studies, 101, 113‒129. | DOI 10.2307/629848
[37] West, M. L. (1994). Ancient Greek Music. Oxford: Clarendon Press.
[2] Allen, T. W. (Ed.). (1985 13). Homeri opera. Odyssea (Vol. 2). Oxford: Clarendon Press.
[3] Barker, A. (1989). Greek Musical Writings, I: The Musician and his Art. Cambridge: Cambridge University Press.
[4] Beekes, R. (2010). Etymological Dictionary of Greek. Leiden ‒ Boston: Brill.
[5] Butler, S., & Nooter, S. (Eds.). (2019). Sound and the Ancient Senses. London ‒ New York: Routledge.
[6] Calero Rodríguez, L. (2016). La voz y el canto en la Antigua Grecia. Diss., Universidad Autónoma de Madrid [retrieved 17.09.2020 from https://repositorio.uam.es/handle/10486/676433].
[7] Chantraine, P. (1968). Dictionnaire étymologique de la langue grecque. Histoire des mots (2 Vols.). Paris: Klincksieck.
[8] Comotti, G. (1986). La música en la cultura griega y romana. Madrid: Turner Música.
[9] Danek, G., & Hagel, S. (1995). Homer-Singen. Wiener humanistische Blätter, 37, 5‒20 [online available at https://www.oeaw.ac.at/kal/sh/whb37.htm].
[10] Devine, K. (2014). Sound Studies. Grove Music Online. Oxford University Press [retrieved 17.09.2020 from https://doi-org.ezproxy.muni.cz/10.1093/gmo/9781561592630.article.A2258177].
[11] Franklin, J. C. (2015). Kinyras. The Divine Lyre. Cambridge, MA ‒ London: Harvard University Press; Center for Hellenic Studies [online available at http://nrs.harvard.edu/urn-3:hul.ebook: CHS_FranklinJ.Kinyras.2016].
[12] García López, J. (1997). La mousiké tékhne en la Ilíada homérica. Molpé, aoidé kaì xopós. In F. Rodríguez Adrados (Ed.), IX Congreso Español de Estudios Clásicos (Vol. 2; pp. 103‒107). Madrid: Ediciones Clásicas [reeditado en 1998 con el mismo título en L. Gil, M. Martínez Pastor, & R. Mª Aguilar (Eds.), Homenaje al Profesor José S. Lasso de la Vega (pp. 363‒368), Madrid].
[13] García López, J., Pérez Cartagena, Fco. J., & Redondo Reyes, P. (2012). La música en la antigua Grecia. Murcia: Universidad de Murcia.
[14] Garrido Domené, F. (2016). Los teóricos menores de la música griega. Euclides el Geómetra, Nicómaco de Gerasa y Gaudencio el Filósofo. Barcelona: Cérix.
[15] Hagel, S. (2008). Die Sänger aus musikarchäologischer Perspektive. In J. Latacz et al. (Eds.), Homer. Der Mythos von Troia in Dichtung und Kunst (pp. 106‒111). München: Hirmer Verlag.
[16] Henderson, I. (1957). Ancient Greek Music. In E. Wellesz (Ed.), Ancient and Oriental Music (pp. 336‒403). London: Oxford University Press.
[17] Hill, M. E. (2014). Soundscape. Grove Music Online. Oxford University Press [retrieved 17.09.2020 from https://doi-org.ezproxy.muni.cz/10.1093/gmo/9781561592630.article.A2258182].
[18] Lord, A. B. (1960). The Singer of Tales. Cambridge, MA ‒ London: Harvard University Press.
[19] Michaelides, S. (1978). The Music of Ancient Greece. An Encyclopaedia. London: Faber and Faber.
[20] Montero Honorato, Mª Pilar (1988). Homero y la música. Memorias de Historia Antigua, 9, 195‒211.
[21] Montiglio, S. (2019). The Sound of the Sirens between Sound and Sense. In S. Butler, & S. Nooter (Eds.), Sound and the Ancient Senses (pp. 171‒183). London ‒ New York: Routledge.
[22] Nooter, S. (2012). When Heroes Sing: Sophocles and the Shifting Soundscape of Tragedy. Cambridge: Cambridge University Press.
[23] Nooter, S. (2017). The Mortal Voice in the Tragedies of Aeschylus. Cambridge: Cambridge University Press.
[24] Pabón, J. M. (Transl.). (1982). Homero. Odisea (con introducción de M. Fernández Galiano). Madrid: Biblioteca Clásica Gredos.
[25] Río Torres-Murciano, A. (2014). Música y épica de Homero a Estacio. Nova Tellus, 31(2), 185‒198.
[26] Sachs, C. (1940). The History of Musical Instruments. London: Dent & Sons.
[27] Sachs, C. (1943). The Rise of Music in the Ancient World. East and West. New York: Norton.
[28] Saussure, F. de (1878). Mémoire sur le système primitif des voyelles dans les langues indo-européennes. Leipsick: Teubner.
[29] Schafer, R. M. (1969). The New Soundscape. Scarborough, Ont. ‒ New York: Berandol Music and Associated Music Publishers.
[30] Schafer, R. M. (1970). The Book of Noise. Vancouver: Priv. print. by Price Print.
[31] Schafer, R. M. (1977). The Soundscape: Our Sonic Environment and the Tuning of the World. Rochester, VT: Destiny Books.
[32] Snoj, J. (2007). Music in Homer's Iliad. Musicological Annual, 43(1), 53‒65.
[33] Tapia Zúñiga, P. C. (2013). Vocabulario y formas verbales de la Odisea (Bibliotheca Scriptorum Graecorum et Romanorum Mexicana). México: UNAM.
[34] Tapia Zúñiga, P. C. (Ed.). (2017 2). Homero. Odisea (Bibliotheca Scriptorum Graecorum et Romanorum Mexicana). México: UNAM.
[35] Valverde, M. (1997). El léxico musical en los Himnos Homéricos. In Actas del IX Congreso Español de Estudios Clásicos (Vol. II; pp. 259‒264). Madrid: Ediciones Clásicas.
[36] West, M. L. (1981). The Singing of Homer and the Modes of Early Greek Music. The Journal of Hellenic Studies, 101, 113‒129. | DOI 10.2307/629848
[37] West, M. L. (1994). Ancient Greek Music. Oxford: Clarendon Press.