Title: Oscar Wilde's refutation of "depth" in The picture of Dorian Gray : a reading
Source document: Brno studies in English. 2004, vol. 30, iss. 1, pp. [135]-145
Extent
[135]-145
-
ISSN1211-1791
Stable URL (handle): https://hdl.handle.net/11222.digilib/104312
Type: Article
Language
License: Not specified license
Notice: These citations are automatically created and might not follow citation rules properly.
References
[1] Deleuze, Gilles (1980). "The Schizophrenic and Language: Surface and Depth in Lewis Carroll and Antonin Artaud". Textual Strategies: Perspectives in Post-Structuralist Criticism. Ed. Harari, Joshue, V. London: Methuen, 1980. 277–295.
[2] Kaye, Nick (1994). Postmodernism and Performance. New York: St. Martin's Press, 1994.
[3] Oppel, Frances Nesbitt (1987). Mask and Tragedy: Yeats and Nietzsche, 1902–1910. Charlottesville: UP of Virginia, 1987.
[4] Paglia, Camille (1990). Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson. London: Penguin, 1990.
[5] Pine, Richard (1995). The Thief of Reason: Oscar Wilde and Modern Ireland. Gill's Studies in Irish Literature. Dublin: Gill and Macmillan, 1995.
[6] Reid, Louis Arnaud (1974). A Study in Aesthetics. Westport (Connecticut): Greenwood, 1974.
[7] Rorty, Richard (1989). Contingency, Irony and Solidarity. Cambridge: Cambridge UP, 1989.
[8] Sammells, Neil (2000). Wilde Style: The Plays and Prose of Oscar Wilde. Edinburgh: Longman, 2000.
[9] Shusterman, Richard (1992). Pragmatist Aesthetics: Living Beauty, Rethinking Art. Oxford: Blackwell, 1992.
[10] Shusterman, Richard (1999). "Somaesthetics: A Disciplinary Proposal". Journal of Aesthetics and Art Criticism 57 (1999). 31 July 2002 http://www.temple.edu/aesthetics/somaesthetics.html.
[11] Shusterman Richard (2000). "Somaesthetics and Care of the Self: The Case of Foucault". The Monist. An International Journal of General Philosophical Inquiry 83:4 (October, 2000). 530–551.
[12] Wilde Oscar. Complete Works of Oscar Wilde. Centenary Edition. Glasgow: Harper Collins, 1999.
[13] Wilshire, Bruce (1982). Role Playing and Identity: The Limits of Theatre as Metaphor. Indiana UP, 1982.
[14] Yeats, William Butler. The Collected Poems of William Butler Yeats. London: Macmillan, 1982.
[2] Kaye, Nick (1994). Postmodernism and Performance. New York: St. Martin's Press, 1994.
[3] Oppel, Frances Nesbitt (1987). Mask and Tragedy: Yeats and Nietzsche, 1902–1910. Charlottesville: UP of Virginia, 1987.
[4] Paglia, Camille (1990). Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson. London: Penguin, 1990.
[5] Pine, Richard (1995). The Thief of Reason: Oscar Wilde and Modern Ireland. Gill's Studies in Irish Literature. Dublin: Gill and Macmillan, 1995.
[6] Reid, Louis Arnaud (1974). A Study in Aesthetics. Westport (Connecticut): Greenwood, 1974.
[7] Rorty, Richard (1989). Contingency, Irony and Solidarity. Cambridge: Cambridge UP, 1989.
[8] Sammells, Neil (2000). Wilde Style: The Plays and Prose of Oscar Wilde. Edinburgh: Longman, 2000.
[9] Shusterman, Richard (1992). Pragmatist Aesthetics: Living Beauty, Rethinking Art. Oxford: Blackwell, 1992.
[10] Shusterman, Richard (1999). "Somaesthetics: A Disciplinary Proposal". Journal of Aesthetics and Art Criticism 57 (1999). 31 July 2002 http://www.temple.edu/aesthetics/somaesthetics.html.
[11] Shusterman Richard (2000). "Somaesthetics and Care of the Self: The Case of Foucault". The Monist. An International Journal of General Philosophical Inquiry 83:4 (October, 2000). 530–551.
[12] Wilde Oscar. Complete Works of Oscar Wilde. Centenary Edition. Glasgow: Harper Collins, 1999.
[13] Wilshire, Bruce (1982). Role Playing and Identity: The Limits of Theatre as Metaphor. Indiana UP, 1982.
[14] Yeats, William Butler. The Collected Poems of William Butler Yeats. London: Macmillan, 1982.