Title: The great lie, or, the case of the lost women
Variant title:
- Velká lež, aneb, Případ ztracených žen
Source document: Brno studies in English. 1991, vol. 19, iss. 1, pp. [157]-166
Extent
[157]-166
-
ISSN0231-5351
Stable URL (handle): https://hdl.handle.net/11222.digilib/104429
Type: Article
Language
Summary language
License: Not specified license
Notice: These citations are automatically created and might not follow citation rules properly.
References
[1] Allen, Walter (1958). The English Novel: A general survey of the novel and the novelist's world from Pilgrim's Progress to Joyce and Lawrence (Harmondsworth).
[2] Gilbert, Sandra M., and Gubar, Susan (1979). The Madwoman in the Attic: The Woman Writer and the Nineteenth Century Literary Imagination (New Haven and London).
[3] McKeon, Michael (1987). The Origins of the English Novel, 1600—1740 (Baltimore).
[4] Moers, Ellen (1980). Literary Women: The Great Writers (London).
[5] Moi, Toril (1985). Sexual/Textual Politics: Feminist Literary Theory (London and New York).
[6] Robinson, Lillian S. (1985). Treason Our Text: Feminist Challenges to the Literary Canon, in E. Showalter (ed.), The New Feminist Criticism, op. cit, pp. 105—121.
[7] Showalter, Elaine (1978). A Literature of Their Own: British Women Novelists from Brontë to Lessing (London).
[8] Showalter, Elaine, ed. (1985). The New Feminist Criticism: Essays on Women, Literature and Theory (New York).
[9] Spencer, Jane (1986). The Rise of the Woman Novelist: From Aphra Behn to Jane Austen (Oxford).
[10] Spender, Dale (1986). Mothers of the Novel: 100 good women writers before Jane Austen (London and New York).
[11] Todd, Janet, ed. (1987). A Dictionary of British and American Women Writers, 1660—1800 (Totowa).
[12] Todd, Janet (1989). The Sign of Angellica: Women, Writing and Fiction, 1660—1800 (London).
[13] Watt, Ian (1964). The Rise of the Novel: Studies in Defoe, Richardson and Fielding (Berkeley and Los Angeles).
[14] Woolf, Virginia (1945). A Room of One's Own (Harmondsworth).
[2] Gilbert, Sandra M., and Gubar, Susan (1979). The Madwoman in the Attic: The Woman Writer and the Nineteenth Century Literary Imagination (New Haven and London).
[3] McKeon, Michael (1987). The Origins of the English Novel, 1600—1740 (Baltimore).
[4] Moers, Ellen (1980). Literary Women: The Great Writers (London).
[5] Moi, Toril (1985). Sexual/Textual Politics: Feminist Literary Theory (London and New York).
[6] Robinson, Lillian S. (1985). Treason Our Text: Feminist Challenges to the Literary Canon, in E. Showalter (ed.), The New Feminist Criticism, op. cit, pp. 105—121.
[7] Showalter, Elaine (1978). A Literature of Their Own: British Women Novelists from Brontë to Lessing (London).
[8] Showalter, Elaine, ed. (1985). The New Feminist Criticism: Essays on Women, Literature and Theory (New York).
[9] Spencer, Jane (1986). The Rise of the Woman Novelist: From Aphra Behn to Jane Austen (Oxford).
[10] Spender, Dale (1986). Mothers of the Novel: 100 good women writers before Jane Austen (London and New York).
[11] Todd, Janet, ed. (1987). A Dictionary of British and American Women Writers, 1660—1800 (Totowa).
[12] Todd, Janet (1989). The Sign of Angellica: Women, Writing and Fiction, 1660—1800 (London).
[13] Watt, Ian (1964). The Rise of the Novel: Studies in Defoe, Richardson and Fielding (Berkeley and Los Angeles).
[14] Woolf, Virginia (1945). A Room of One's Own (Harmondsworth).