Title: Анализ поэзии сквозь призму медицины (на материале творчества И. Анненского и Э. Багрицкого)
Transliterated title
Analiz poèzii skvoz' prizmu mediciny (na materiale tvorčestva I. Annenskogo i È. Bagrickogo)
Variant title:
- Analysis of poetry through the prism of medicine (on the material of lyrics by I. Annensky and E. Bagritsky)
Source document: Новая русистика. 2017, vol. 10, iss. 1, pp. 53-60
Extent
53-60
-
ISSN1803-4950 (print)2336-4564 (online)
Stable URL (handle): https://hdl.handle.net/11222.digilib/136640
Type: Article
Language
License: Not specified license
Notice: These citations are automatically created and might not follow citation rules properly.
Abstract(s)
The paper's author attempts to analyze the individual style characteristics of Russian poets of the late 19th – early 20th centuries in the aspect of the influence of chronic diseases, which poets suffer, on the choice of the theme, imaging system, tone and language of works. The study used a method of analysis of the key (leitmotiv) words-indicators for determining the specificity of the conceptual foundations of poetry. Identification on the linguistic level the impact of painful symptoms allows for greater adequacy of the interpretive literary model. The importance of taking into account the revealed features of writers' poetic vocabulary and specific world picture in the process of literary translation of lyrical works is emphasized.
References
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[2] BAGRICKIJ, È. (1986): Stichotvorenija i poèmy. Perm'.
[3] BARZACH, A. (1996): Toska Annenskogo. Mitin žurnal, 1996, № 53, s. 97–124.
[4] BOGDANOV, N. (2002): Serdce Innokentija Annenskogo. In: JUR'JEVA, O. Ju (red.): Tri veka russkoj literatury: Aktual'nyje aspekty izučenija: Mežvuzovskij sbornik naučnych trudov. Vyp. 1. Irkutsk, s. 77–83.
[5] BRINTLINGER, A., VINITSKY, I. (2006): Madness and the Mad in Russian Culture. Toronto.
[6] DOMIL', V. (2005): Èpileptičeskij mir Fedora Dostojevskogo. https://www.proza.ru/2002/12/10-150. [online]. [cit. 8. 7. 2016].
[7] LEVIN, Ju. (1966): O nekotorych čertach plana soderžanija v poètičeskich tekstach. In: IVANOV, V. V. (red.): Strukturnaja tipologija jazykov. Moskva, s. 199–215.
[8] LICHTENŠTEJN, I. (2013): Den' dogorel v duše davno (Aleksandr Blok glazami vrača). Novosti mediciny i farmacii, 2013, № 4 (445). www.mif-ua.com/archive/article/35224. [online]. [cit. 10. 7. 2016].
[9] LICHAČEV, D. (1997): Konceptosfera russkogo jazyka. In: NEROZNAK, V. P. (red.): Russkaja slovesnost': ot teorii slovesnosti k strukture teksta. Moskva, s. 280–287.
[10] MORIER, H. (1985): La psychologies des styles. Geneve.
[11] POPOVA, Z., STERNIN, I. (1999): Ponjatije «koncept» v lingvističeskich issledovanijach. Voronež.
[12] STRATANOVSKIJ, S. (2004): Tvorčestvo i bolezn': o rannem Mandel'štame. Zvezda, 2004, № 2. http://magazines.russ.ru/zvezda/2004/2/strat13.html. [online]. [cit. 12. 7. 2016].
[13] SYRICA, G. (2007): Poètika portreta v romanach F. M. Dostojevskogo. Moskva.
[14] WEBER, M. (2006): L'épilepsie de Gustave Flaubert. John Libbey Eurotext. Vol. 18, 2006, № 3, s. 155–159. http://www.jle.com/fr/revues/epi/e-docs/lepilepsie_de_gustave_flaubert_272131/article.phtml?tab=texte. [online]. [cit. 12. 7. 2016].