Title: Intertextuality and autonomous fictional worlds in Disney : the case of Moana (2016)
Source document: Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 72-82
Extent
72-82
-
ISSN1803-845X (print)2336-4548 (online)
Persistent identifier (DOI): https://doi.org/10.5817/TY2019-S-6
Stable URL (handle): https://hdl.handle.net/11222.digilib/142290
Type: Article
Language
License: CC BY-NC-ND 4.0 International
Notice: These citations are automatically created and might not follow citation rules properly.
References
[1] AUSLANDER, Philip. 2006. Performing glam rock: gender and theatricality in popular music. Ann Arbor: University of Michigan Press, 2006.
[2] AUSLANDER, Philip. 2008. Liveness: performance in a mediatized culture. 2nd ed. New York: Routledge, 2008.
[3] BELL, Elizabeth, Haas LYNDA and Laura SELLS (eds.). 1995. From mouse to mermaid: the politics of film, gender and culture. Bloomington: Indiana UP, 1995.
[4] BOGATYREV, Petr. 2008. Disney's Snow White. In Jaroslav Andel and Petr Szcepanik (eds.) (trans. Kevin B. Johnson). Cinema all the time: an anthology of Czech film theory and criticism, 1908–1909. Ann Arbor: University of Michigan Press, 2008: 277–280.
[5] BOGATYREV, Petr. 2016a [1923]. Chaplin and The Kid. In David Drozd, Tomáš Kačer and Don Sparling (eds.). 2016. Theatre theory reader: Prague School writings. Prague: Karolinum Press, 2016: 175–184.
[6] BOGATYREV, Petr. 2016b [1923]. Chaplin, the Fake Count. In David Drozd, Tomáš Kačer and Don Sparling (eds.). 2016. Theatre theory reader: Prague School writings. Prague: Karolinum Press, 2016: 185–191.
[7] BOGATYREV, Petr. 2016c [1937]. Playing and the Theatre. In David Drozd, Tomáš Kačer and Don Sparling (eds.). 2016. Theatre theory reader: Prague School writings. Prague: Karolinum Press, 2016: 168–174.
[8] CASTILLO, David R. and William EGGINTON. 2016. Medialogies: reading reality in the age of inflationary media. New York: Continuum, 2016.
[9] DOLEŽEL, Lubomír. 1990. Occidental poetics: tradition and progress. Lincoln/London: University of Nebraska Press, 1990.
[10] DOLEŽEL, Lubomír. 1998. Heterocosmica: fiction and possible worlds. Baltimore/London: The Johns Hopkins UP, 1998.
[11] DOLEŽEL, Lubomír. 2010. Possible worlds of fiction and history: the postmodern stage. Baltimore: The Johns Hopkins UP, 2010.
[12] DROZD, David, Tomáš KAČER and Don SPARLING (eds.). 2016. Theatre theory reader: Prague School writings. Prague: Karolinum Press, 2016.
[13] EGGINTON, William. 2009. The Baroque as a Problem of Thought. PMLA 124 (2009): 1: 143–149. | DOI 10.1632/pmla.2009.124.1.143
[14] EGGINTON, William. 2010. The theater of truth: the ideology of (Neo)Baroque aesthetics. Stanford: Stanford UP, 2010.
[15] FOOTE, Lena. 2011. "I want to be a princess too": exploring the blackout of Disney's princesses and vontroversies surrounding The Princess and the Frog and its effects on African American girls. Film Matters 2 (2011): 3: 13–22. | DOI 10.1386/fm.2.3.13_1
[16] GIROUX, Henry A. 1995. Memory and pedagogy in the "Wonderful World of Disney": beyond the politics of innocence. In Elizabeth Bell, Haas Lynda and Laura Sells (eds.). From mouse to mermaid: the politics of film, gender and culture. Bloomington: Indiana UP, 1995: 26–32.
[17] MILLER, Daniel. 2017. "Is Disney paying its share in Anaheim?". Los Angeles Times (24. 9. 2017).
[18] MILLER, Susan and Greg RODE. 1995. The movie you see, the movie you don't: how Disney do's that old time derision. In Elizabeth Bell, Haas Lynda and Laura Sells (eds.). From mouse to mermaid: the politics of film, gender and culture. Bloomington: Indiana UP, 1995: 86–104.
[19] MUKAŘOVSKÝ, Jan. 2016. An attempt at a structural analysis of an actor's figure (Chaplin in City Lights). In David Drozd, Tomáš Kačer and Don Sparling (eds.). 2016. Theatre theory reader: Prague School writings. Prague: Karolinum Press, 2016: 192–98.
[20] SLÁDEK, Ondřej. 2006. Types of worlds: on relations between the Prague School and the theory of fictional worlds. Style 40 (2006): 3: 210–20.
[21] SLÁDEK, Ondřej. 2015. The metamorphoses of Prague School structural poetics. Munich: LINCOM, 2015.
[22] SMITH, Dave. 2001. The quotable Walt Disney. New York: Disney Editions, 2001.
[23] SMITH, Matthew W. 2007. The total work of art: from Bayreuth to cyberspace. London: Routledge, 2007.
[24] ZEENAT, Afrin. 2017. "You are all wrapped up in layers": pastiche, paradox, and Shrek. Studies in American Culture 40 (2017): 1: 109–123.
[25] ZIPES, Jack. 1995. Breaking the Disney spell. In Elizabeth Bell, Haas Lynda and Laura Sells (eds.). From mouse to mermaid: the politics of film, gender and culture. Bloomington: Indiana UP, 1995: 16–25.
[2] AUSLANDER, Philip. 2008. Liveness: performance in a mediatized culture. 2nd ed. New York: Routledge, 2008.
[3] BELL, Elizabeth, Haas LYNDA and Laura SELLS (eds.). 1995. From mouse to mermaid: the politics of film, gender and culture. Bloomington: Indiana UP, 1995.
[4] BOGATYREV, Petr. 2008. Disney's Snow White. In Jaroslav Andel and Petr Szcepanik (eds.) (trans. Kevin B. Johnson). Cinema all the time: an anthology of Czech film theory and criticism, 1908–1909. Ann Arbor: University of Michigan Press, 2008: 277–280.
[5] BOGATYREV, Petr. 2016a [1923]. Chaplin and The Kid. In David Drozd, Tomáš Kačer and Don Sparling (eds.). 2016. Theatre theory reader: Prague School writings. Prague: Karolinum Press, 2016: 175–184.
[6] BOGATYREV, Petr. 2016b [1923]. Chaplin, the Fake Count. In David Drozd, Tomáš Kačer and Don Sparling (eds.). 2016. Theatre theory reader: Prague School writings. Prague: Karolinum Press, 2016: 185–191.
[7] BOGATYREV, Petr. 2016c [1937]. Playing and the Theatre. In David Drozd, Tomáš Kačer and Don Sparling (eds.). 2016. Theatre theory reader: Prague School writings. Prague: Karolinum Press, 2016: 168–174.
[8] CASTILLO, David R. and William EGGINTON. 2016. Medialogies: reading reality in the age of inflationary media. New York: Continuum, 2016.
[9] DOLEŽEL, Lubomír. 1990. Occidental poetics: tradition and progress. Lincoln/London: University of Nebraska Press, 1990.
[10] DOLEŽEL, Lubomír. 1998. Heterocosmica: fiction and possible worlds. Baltimore/London: The Johns Hopkins UP, 1998.
[11] DOLEŽEL, Lubomír. 2010. Possible worlds of fiction and history: the postmodern stage. Baltimore: The Johns Hopkins UP, 2010.
[12] DROZD, David, Tomáš KAČER and Don SPARLING (eds.). 2016. Theatre theory reader: Prague School writings. Prague: Karolinum Press, 2016.
[13] EGGINTON, William. 2009. The Baroque as a Problem of Thought. PMLA 124 (2009): 1: 143–149. | DOI 10.1632/pmla.2009.124.1.143
[14] EGGINTON, William. 2010. The theater of truth: the ideology of (Neo)Baroque aesthetics. Stanford: Stanford UP, 2010.
[15] FOOTE, Lena. 2011. "I want to be a princess too": exploring the blackout of Disney's princesses and vontroversies surrounding The Princess and the Frog and its effects on African American girls. Film Matters 2 (2011): 3: 13–22. | DOI 10.1386/fm.2.3.13_1
[16] GIROUX, Henry A. 1995. Memory and pedagogy in the "Wonderful World of Disney": beyond the politics of innocence. In Elizabeth Bell, Haas Lynda and Laura Sells (eds.). From mouse to mermaid: the politics of film, gender and culture. Bloomington: Indiana UP, 1995: 26–32.
[17] MILLER, Daniel. 2017. "Is Disney paying its share in Anaheim?". Los Angeles Times (24. 9. 2017).
[18] MILLER, Susan and Greg RODE. 1995. The movie you see, the movie you don't: how Disney do's that old time derision. In Elizabeth Bell, Haas Lynda and Laura Sells (eds.). From mouse to mermaid: the politics of film, gender and culture. Bloomington: Indiana UP, 1995: 86–104.
[19] MUKAŘOVSKÝ, Jan. 2016. An attempt at a structural analysis of an actor's figure (Chaplin in City Lights). In David Drozd, Tomáš Kačer and Don Sparling (eds.). 2016. Theatre theory reader: Prague School writings. Prague: Karolinum Press, 2016: 192–98.
[20] SLÁDEK, Ondřej. 2006. Types of worlds: on relations between the Prague School and the theory of fictional worlds. Style 40 (2006): 3: 210–20.
[21] SLÁDEK, Ondřej. 2015. The metamorphoses of Prague School structural poetics. Munich: LINCOM, 2015.
[22] SMITH, Dave. 2001. The quotable Walt Disney. New York: Disney Editions, 2001.
[23] SMITH, Matthew W. 2007. The total work of art: from Bayreuth to cyberspace. London: Routledge, 2007.
[24] ZEENAT, Afrin. 2017. "You are all wrapped up in layers": pastiche, paradox, and Shrek. Studies in American Culture 40 (2017): 1: 109–123.
[25] ZIPES, Jack. 1995. Breaking the Disney spell. In Elizabeth Bell, Haas Lynda and Laura Sells (eds.). From mouse to mermaid: the politics of film, gender and culture. Bloomington: Indiana UP, 1995: 16–25.