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Displaying 661 - 690 of 1025
Article
Mišterová, Ivona.
Mission (im)possible? Cross-gendered Shakespeare on Czech stages after 1989. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 171–185.
Article
Cinpoeş, Nicoleta.
Shakestivalling' in the New Europe. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 83–101.
Article
Havlíčková Kysová, Šárka.
Singing in the blend: stagings of Verdi's operatic Shakespeare in the Czech Republic after 1989. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 189–208.
Article
Müller, Péter.
Institutional structure, social function, and the Shakespeare repertoire in Hungary after 1989–1990. Theatralia. 2021, vol. 24, iss. Special Issue, pp. 47–64.
Article
Revermann, Martin.
Beckett and the theatrical sign : the need for semiotics. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 9–22.
Article
Jovanovic, Nenad.
The medium (non-) specific : Rope, Dogville, and Mukařovský's space-as-meaning. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 96–108.
Article
Pontieri, Laura.
Animate, inanimate and beyond in Švankmajer's Faust (1994). Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 83–95.
Article
Šlaisová, Eva.
Performing cathedral : Le Ballet des Ombres Heureuses as a case of multiple foregrounding. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 122–139.
Article
Schmid, Herta.
Realism and abstractionism in Otakar Zich's Theory of dramatic art and Samuel Beckett's experimental dramatics. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 23–38.
Article
Jestrović, Silvija.
Stage life and stage death (after Veltruský). Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 59–71.
Article
Revermann, Martin.
Editorial note. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 7–8.
Article
Meerzon, Yana.
On men and objects : staging the divided subjectivity of displacement in zero degrees. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 109–121.
Article
Pérez-Simón, Andrés.
Intertextuality and autonomous fictional worlds in Disney : the case of Moana (2016). Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 72–82.
Article
Ambros, Veronika, Switzky, Lawrence.
"Hungry for interpretation" : Woyzeck on the Highveld and the polyphony of performance. Theatralia. 2019, vol. 22, iss. 2, Supplementum, pp. 39–58.
Article
Kačer, Tomáš.
Proměna funkce posla v dramatu. Theatralia. 2014, vol. 17, iss. 1, pp. 286–300.
Article
Kokeš, Radomír D., Merenus, Aleš.
Rozprava namísto úvodu: Drama, divadlo a film v perspektivě teorie vyprávění. Theatralia. 2014, vol. 17, iss. 1, pp. 267–271.
Article
Perůtková, Zuzana.
Horní Lhota: Fašanky 2011. Kanalizace aneb Konec septiků v Čechách. Theatralia. 2014, vol. 17, iss. 1, pp. 212–225.
Article
Vojtasíková, Tereza.
Jarní otvírání vinných sklípků v Kyjově, 28. 3. 2010. Theatralia. 2014, vol. 17, iss. 1, pp. 254–258.
Article
Merenus, Aleš.
Jak vypráví drama aneb O generativním a inscenačním vypravěči, zcizovaném vyprávění, voice-overu a dalších vyprávěcích strategiích dramatu. Theatralia. 2014, vol. 17, iss. 1, pp. 301–314.
Article
Jevrejnov, Nikolaj.
Scénické ztvárnění života. Ex cathedra. Theatralia. 2014, vol. 17, iss. 1, pp. 119–148.
Article
Satková, Naďa.
Příčné řezy dějinami divadelní režie. Theatralia. 2014, vol. 17, iss. 1, pp. 366–367.
Article
Frýbertová, Tereza.
Fasnacht. V Basileji karneval?. Theatralia. 2014, vol. 17, iss. 1, pp. 389–390.
Article
Černický, Viktor.
Indie scéna nezávislá od hudby. Theatralia. 2014, vol. 17, iss. 1, pp. 151–179.
Article
Lánská, Dita.
Martinské hody v Kyjově, 12.–14. 11. 2010. Theatralia. 2014, vol. 17, iss. 1, pp. 226–247.
Article
Pilátová, Jana.
Teatra polskie. Historie ; Teatra polskie. Rok katastrofy. Theatralia. 2014, vol. 17, iss. 1, pp. 376–385.